Intensive Care: The Nurse Who Saw Us Through the Night

Intensive Care: The Nurse Who Saw Us Through the Night

I will realize, eventually, that six-year-old Brennan is her only patient. She is here just for him. And for us.

 

Machines and monitors whir in the dark, chilly room. It is like stepping into a vacuum. There he is, so small on the hospital bed. Unconscious or simply asleep, I don’t know. A white bandage covers the right side of his head over his ear, where surgeons operated on the fractured skull, the nicked artery that resulted when he fell down the basement stairs at a friend’s house, landing heavily on the concrete floor below.

Brennan’s eyes flicker open; enormous brown eyes in a pale, pale face.

“Brennan. Hey, Brennan,” my husband, John, and I whisper at his side. He turns to look at us. I want to pull him into my arms. I touch his hand. “Hey guy.” His eyes close again.

“He’s still coming out of the anesthesia,” the nurse says. “It will be awhile. He was out a long time.” Then: “Climb right up there, mom.” I stare at her. Tammy, her name tag says. She nods. “Go ahead.” And already I am flooded with gratitude toward her.

I begin pulling off my boots—the stupid red boots I bought a few days ago, a lifetime ago, when I was a person who could have cared about boots. Tammy hands me a set of scrubs to pull on instead of my skirt and sweater. “These will be more comfortable,” she says.

I will realize, eventually, that six-year-old Brennan is her only patient. She is here just for him. And for us.

With John’s help I climb into the bed and lie on my side facing Brennan. The sharp smell of antiseptic masks his familiar, salty, little-boy smell. My tears are still coming; for hours they’ve streamed down my face uninterrupted, but now I try to wipe them away before they seep into the sheets. Breathe, I think. Breathe.

There are conversations. He did well, they stopped the bleeding, cauterized the artery, evacuated the blood pooling in his skull. The CT scan looked good. He’s not out of the woods yet, the surgeon says. Brennan’s brain might swell from the trauma, or not. All we can do is wait. There are phone calls to make. My mother crying. A message left on my sister’s voicemail: Call mom.

My anxiety pulses along with the thrum and beeping of the monitors. The dark has receded. I can breathe. I am still riding this wave of fear, but I do not feel alone.

When you have a newborn, you are at first overwhelmed, and then, suddenly, you know more about him than anyone. The dozens of motions required to care for him become automatic, almost involuntary, like your beating heart and breathing lungs.

This is the way Tammy cares for Brennan. Checking his vital signs, repositioning him on the bed, administering different medications through the IV. A constant quiet vigilance and countless acts of caretaking that are almost invisible because she performs them unselfconsciously. She is young, maybe not even thirty. I don’t know if she has a family, children; she doesn’t talk about herself.

I don’t think I will fall asleep, but I do, at some point late into the night. Then I jerk awake, gasping. “It’s just me,” Tammy’s voice whispers from nearby, “Sorry.”

And later, another sound. Brennan coughing vomit onto the white hospital blanket. I sit up and hold him and Tammy is at his already at his side, supporting him. He does not fully wake up. She mops his face and lays him back down. She tells me to grab the corners of the pad beneath him and together we slide him to one side (“Ready? Lift.”) She effortlessly strips the blankets from around him and remakes the bed, swift and quiet, not even waking John, who is sleeping on a built-in cot behind the hospital bed and monitors. I can’t see him but I know he’s there.

She brings me a clean set of scrubs and I climb back in the bed.

“Is the vomiting from the anesthesia?” I ask.

“The injury,” Tammy says softly, and I close my eyes again.

She pulls a blanket over me. “I’ll be right here.”

Deep into the night there is some activity and conversation outside our room, after which one of the neurosurgical Fellows comes in—the young one, kind, who had stood beside me in the ER handing me tissues. He tells me we’re being moved. The beds are full and there is another patient coming in. He tries to frame this as good news: Brennan is in better shape than anyone on the floor.

Heart pounding, I am on my feet asking questions. Where will they take us? How often will they check on him? There is no step down unit, so Brennan will now be a regular patient. Instead of a nurse assigned to him—instead of Tammy—he will share a nurse who will check his vital signs every four hours. No, I think. No.

Not out of the woods yet. Those were the neurosurgeon’s words and I repeat them back to the Fellow several times. I say I want to hear from the neurosurgeon himself.

He steps out of the room for a minute and, in that moment, Tammy moves beside me, leaning down as she folds something and sets it on a chair.

“You’re doing the right thing,” she says quietly, never looking up. Her voice is a low hum, reaching out to me.  “You need to advocate for him.”

We manage to put the move off, a least for now.

When, hours later, they wake me again to move us to the surgical floor, the young neurosurgeon sits and explains all the reasons they believe Brennan is progressing well. He promises to check on Brennan himself, and says he will camp out in the room across from us for the night, if we need anything.

I don’t want to leave. But as we guide Brennan’s bed carefully through the halls to the surgical floor, Tammy tells me she is taking us to a room directly across from the nurses’ station. “Page them any time you need them,” she says. “For anything at all.”

As a team of people sets Brennan up in our new room I see Tammy speaking intently to the nurses; one meets my eyes and comes toward me to talk.

I look toward Tammy, wanting to say something more than thank you. But she is already moving away, on toward her next patient.

I move close to Brennan, not even considering sleep. I stare at him and listen to his breath sounds. I take in the long eyelashes someone commented on in the ER, the freckles standing out against his pallor. I look out the window of this new room, where it is still dark outside, not quite morning. The sun has not yet come up, but it will.

Karen Dempsey is a Brain, Child contributing blogger. She has written for the New York Times Motherlode blog, Babble, and Brain, Child. She lives in Massachusetts. Read her work at www.kdempseycreative.com. or follow her on Twitter.

Photo: Getty Images

What The Water Gave Me

What The Water Gave Me

By Michelle Jacobs

photo 3

This boy who was saved, spared, blissfully alive and crying and kicking swimming, all movement in his father’s grasp, all slimy fish and gills breathing somehow underwater.

 

The fish pond is the center of my parents’ backyard, a natural refuge, an Eden-like garden delight and a playground for my two-year-old son, a wild boy running free.

Circling the pond is a Buddha statue, a carved pelican and my grandmother’s garden girl sculpture which all seem now to be guardians of the pond.

The Koi fish swim deep, unseen mostly, but I saw them in a quiet moment of unspeakable gratitude. After the sparing, after the shadow passed, the reaper walked on and breathed on us all as he passed. After it all, I stood staring at the pond, at my son’s would be grave, at the murky, quiet undisturbed depths, a sheen glowed green and brown. The tangled net that held him lay ripped and snagged, torn apart by his father, to free and to save this miracle boy, this little fish, this wild Huckleberry boy of rivers, oceans, pools and ponds. This boy who was saved, spared, blissfully alive and crying and kicking swimming, all movement in his father’s grasp, all slimy fish and gills breathing somehow underwater.

I started to walk away from the pond, from the stillness after the chaos and the afterglow of evening dying and in the quiet, a splash erupted as insistent as a voice, a call. I turned to look at the pond and the fish were at the surface slapping their fin bodies and moving their mouths for food, of course, but in my myth they spoke of what they saw, bearing witness under the water.

For they must have seen the will my boy had to live, the grasping hands seeking air and sky and other arms to hold him. The fish must have seen his strong legs and body twisting, fighting the weight of water, sinking depths. They must have seen the shadow of his cousin running, leaping, reaching, clinging and struggling to save my boy, my boy, my boy. They must have felt her fall in with all her effort and love holding him, lifting him, trying to untangle him. Until his father overtook them all scattering the fish, the lily pads, the algae and the slime, a force moving the pond, moving time, hands reaching and reaching, feeling the slippery boyfish caught, stuck in the netting that kept the birds out. They must have seen him slipping, slipping, slipping away while the seconds, minutes, hours ticked and ticked and ticked until his father ripped the netting and lifted the boy from the depths of the earth holding tight to life.

The fish swim on. The stone and wood statues are quiet, mute with explanation. I walk away from the now tranquil scene, from the wise and knowing trees silent with reasons to tell me why we were spared. No one can tell how much time really passed, how long he was under water, why the splash made his cousin alert and wondering, looking once and looking again from the hammock hearing a splash but seeing nothing, laughing in the hammock, sorrow hovering so close to happiness. Only the trees towering above it all, filtering the wind, sheltering the birds, watching the humans, the mistakes, the triumphs, pure chance, pure action.

I don’t know what my two-year-old saw in the depths, but I know he felt his father’s hands sure and solid, of this world, holding him and lifting him out of the dark, out of the water.
Michelle Jacobs lives in Virginia Beach, VA with her husband and three kids. She can be reached at mabjacobs@gmail.com

Notes on a Marriage

Notes on a Marriage

largeBy Addie Morfoot

It was 10:30 PM on New Year’s Eve when a shot was fired and a car slammed into our front door.

This was as close to a party as my husband and I were going to get.

In the eleven and a half months since giving birth to our first child, I still didn’t feel like myself. I felt more like a bear in hibernation. My cave was a one-bedroom garden apartment in Brooklyn Heights.

My marriage didn’t feel like my marriage either. Each day got off to a hazy start at 6:30 A.M. and came to an abrupt halt at 7 P.M. when my son went to bed. After a trip to Florida, I realized that our family was more suited for a retirement community than The City That Never Sleeps, especially on New Year’s Eve.

The topic of celebrating the end of that tumultuous year never came up between my husband and me. Instead, after we put our son to sleep on December 31, Ross opened a bottle of wine while I found “Friday Night Lights” on our DVR so we could binge watch season three.

Gone were the days when we rang in the New Year overseas or at our local haunt on Elizabeth Street.

We had just endured a year that consisted of far too little sleep and plenty of financial distress. While our freelance jobs had once afforded my filmmaker husband and me—a reporter—the opportunity to travel the world, the minute I got pregnant we seemed to be in a perpetual state of instability. We had become the cliché of the struggling freelance couple: constantly depressed, moody, scared and only on rare occasions, exhilarated.

For the first time in our relationship, we were on a budget. A coffee machine replaced our morning runs to Starbucks. Then, a few days before my son was born, Ross agreed to a film project that would take him to war torn, dangerous areas of the world. Not bringing in any significant income myself, I couldn’t tell him not to go, so he left for weeks at a time while I tried to figure out how to care for an infant.

“Do you really need Pellegrino?” I hissed one evening while preparing dinner.

“No. But it’s cheaper than your $5 bottles of Kombucha,” Ross snapped back.

By the time New Year’s Eve rolled around, we were barely speaking. Our fatigue had morphed into anger. He’d been gone for three weeks that month working on a film and when he returned he had little time for anything but work. Whenever he had a moment to breathe and actually have a face-to-face conversation with me, I invariably got a writing assignment. The only thing we weren’t fighting about was “Friday Night Lights.”

“I gotta go to bed,” I said, two and a half episodes in.

“Come on,” Ross said. “It’s only ten-thirty.”

I was desperate to close my eyes, but before I could reply, a black sedan came flying toward our front picture window, landing with a boom on our stoop. The car, which sat inches from our landlord’s front door, was perched precariously on the stairway railing. Somehow the iron gate in front of our apartment had prevented the sedan from careening into our living room.

The loud crash didn’t wake the baby, so I followed Ross outside to help what we thought was a drunk driver. But all we saw was an empty car.

“Run!” somebody screamed. I couldn’t see a face, but the voice was coming from down the street.

We were too stunned to move.

We heard frantic feet hitting the pavement. As the sound of the footsteps disappeared, we heard a voice coming from the opposite direction.

“Help!” It was a man, holding his neck and walking slowly down the block towards us. “I’ve been shot,” he said, his voice barely audible.

His left hand fell away from his neck and out came a rush of blood.

As the wife of a documentary filmmaker, I’ve seen atrocities, but I never expected to see bloodshed in our pristine, tree-lined, Brooklyn Heights neighborhood. Our particular block resembled a movie set. Early 19th century Federal-style houses lined one side of the street, while the mansion where Truman Capote once lived stood opposite. Bankers who wore loafers without socks, bright Lacoste shirts and carried briefcases strode to the subway every morning, and celebrity sightings were the norm.

I ran inside to call 911 while Ross grabbed a bath towel (our nicest, most expensive one) and wrapped it around the man’s neck.

“There’s been a shooting,” I screamed into the receiver.

“Where are you ma’am?” asked the voice on the other end.

“Brooklyn Heights!”

There was a slight pause and then, “Where?”

Back outside, Ross was holding the towel to the man’s bloody neck with one hand and rubbing his back with the other. The man leaned against our busted wrought iron gate. The same gate I walked by everyday. The same gate I opened to bring my baby home from the hospital and the same gate I decorated in Christmas lights every year.

“It will be O.K.,” Ross whispered to the man.

Those were the same four words he always whispered in my ear when I fretted over an assignment. “I believe in you,” he would tell me.

While waiting for the ambulance, the man told us that he was a livery cab driver. He had picked up two passengers who then demanded the car. When he didn’t immediately comply, the carjackers shot him and pushed him out the door. They then proceeded to botch the robbery by crashing the car into the front of the brownstone and taking off into the night.

“Please call my wife,” the man had said breathlessly. “We have a baby. I need to tell my family I love them.”

I felt terrible for him, but now every ounce of sympathy I had was with his wife. The only thing I could imagine that was worse than being a new mother was being a new mother alone.

Sitting upright, his feet splayed in front of him, the livery driver would occasionally jerk his eyes open, like he was forcing himself to stay conscious. I, on the other hand, felt more awake than I had in nearly a year. The fog of parenthood lifted for a moment and I saw Ross clearly, imagining what it would be like if I lost him. The anxiety that once washed over me whenever he traveled had been redirected towards my son. Now what kept me up at night—instead of worrying about him—was making sure the baby was still breathing.

For six years it had been unbearable to be separated from one another. We were a solidified couple in what seemed to be an unbreakable relationship. Then we became parents and the bond that had once been so strong slowly began to unravel. “Can you do the laundry today?” replaced good-bye kisses in the morning. Sleep deprivation mixed with financial fright and role resentment made our pre-baby relationship unrecognizable and our home not so homey.

I kept Ross company as he continued to hold the towel to the livery man’sneck. While only minutes had passed, it felt like hours had gone by without an ambulance. I worried that the man would die before EMTs could save him. The smell of death at our front door meant that for the first time in eleven and a half months there was no reason to fight about money, formula or whose turn it was to empty the dishwasher.

“Where are they?” Ross said, looking up and down the street for the ambulance.

“They’ll be here. Just keep doing what you’re doing,” I reassured him.

It was the gentlest, most civil exchange we’d had in months. We turned our focus back to the man, who had one eye open, and told him with confidence, “You’re going to be alright.”

I didn’t know if that was true, and I imagine Ross didn’t either, but it felt good to at least agree on something again.

Author’s note: While Ross and I were told that the man survived, we never spoke to him after the ambulance took him away. Our son is now four years old and while we still struggle with some of the issues raised in this essay, we agree on a lot more than just “Friday Night Lights.”

Addie Morfoot is a freelance reporter who writes frequently for the entertainment media. Her writing has appeared in The New York Times Magazine, Marie Claire, Daily Variety and The Wall Street Journal. She’s currently completing her first novel.