Womanhood

Womanhood

By Stephanie Andersen

womanhood“It’s still snowing out there,” she said.

Mom and I were tucked under her blue comforter on her bed late one afternoon, staring out the window into the backyard. The snow had settled on the pine branches, and the windows shook a little in the November wind. I pushed my head into the space between her arm and breast, tracing the hardness of the catheter buried under her skin. She was holding a tiny portrait of a young Victorian woman with big brown eyes, soft curly hair, and pursed lips.

“This is how I imagine you’ll look when you grow up,” she told me.

I stared at the face of the woman and tried to imagine myself as her. She seemed gentle, her hands folded neatly in her lap, her eyes shy and hopeful, her breasts round and high. I was only nine years old, and it was the first time in my life I ever seriously considered the possibility of becoming something other than the child I was.

Mom had found the lump in her breast five years earlier, and the doctors had told her she had only three months to live. She told the doctors, “Go to hell,” then started her treatment. She’d changed her diet, exercised, meditated, repeated positive affirmations, lost her hair, burnt her skin with radiation, and begged God to save her life. She had a little girl to take care of.

She had lived six years longer than the doctors expected, but when they told her they would have to remove her breast, my mother refused. She told my father that she was sure losing a breast would take something from her that she wasn’t prepared to lose.

I had not yet developed breasts. All I knew of womanhood was the shape of my mother’s body, the way she fit around me in her bed, the way she smelled of St. Ives lotion, of baby powder, and of ginger. I had no interest in attaining any of this for myself. I loved the simplicity of my own body, my ability to run barefoot and shirtless in my own backyard. I was thankful that I did not bleed from my private parts and have to leave diapers drenched with blood in the bathroom garbage. My father and I were free, untangled by the chains of what kept my mother from throwing off her shirt and jumping into the lake at the park with us.

I didn’t want to be a woman. I didn’t want my mother’s body. Strength was freedom, and a woman’s body was weak and stifling.

One morning, I woke up with a sharp pain in my chest. I ran to my mother.

“I have a bump on my chest,” I told her. “And it hurts.”

She smiled. “You’re getting your breasts,” she said, rubbing her fingers gently over the tiny bump. “You’re becoming a woman.”

I backed away from her. “It’s breast cancer, isn’t it?” I asked. “It must be.”

For several weeks, my mother argued with me, explaining that I was not dying, just growing up. But I could not be convinced until she took me to a doctor for a thorough examination.

“I don’t want breasts,” I told my mother. “My life is over.”

“No, Stephanie. Your life is just beginning. You’re going to be a woman. And that is a magical, wonderful thing. You’ll see.”

“Breasts stink,” I told my mother after school a week later. “And so does womanhood.” Then I stomped into my bedroom and slammed the door.

Two months before my twelfth birthday, I stood over her, studying her lifeless body. She lay stiffly on a hospital bed in our den. I raised her cold hand and tried to memorize how her fingers felt between mine. Above her on the wall hung a picture of us, me as an infant in her lap, my two sisters flanking us, Mom’s hands wrapped tightly around my waist. It was only then that I realized why my mother stared so intently at the picture of that Victorian woman. It was the only image of me as a woman that she would ever see. And as this realization crept through my thoughts, I suddenly felt a new desire that I had never known before. I wanted to find out what it was about a woman’s body that my mother sacrificed her life for. I wanted to understand what I had been missing.

*   *   *

I was finishing my junior year of high school when I made that happen.

I stood in front of the bathroom mirror one afternoon, watching my boyfriend’s white ejaculate drip from my abdomen. I was supposed to be studying for the history final. My boyfriend was still in my bedroom. As I studied how the sperm appeared against my tan, summer skin, I imagined what it looked like under a microscope. It wasn’t that I didn’t know it was wrong: I was too young, and I was certainly not considering the other party involved. But I wondered if I were capable of growing and swelling like other girls I had seen at school.

In the late nineties, in upstate New York, teenage pregnancy was no longer a surprise. My hometown, a small suburb just outside of Binghamton, was home to at least five pregnant adolescents in 1997, and they were not the first of their kind. These girls came late to school, flaunting growing bellies and exciting plans for their very own apartments. Two-bedroom, two-bath. They let us all touch their stretching skin. They said things like, “Only two more months,” “We think it’s a boy,” and “I don’t have to take gym anymore.” They were separate from the rest of us, more grown up, more in touch with the future, more interesting, and far more sexual. I watched them as they waddled down our high school hallways with heavy book bags, heavy bodies, and severe looks of determination. I found myself eager to know what it felt like to be watched and touched, to be mysterious, and to have such unavoidable purpose. These girls were at once scorned and cherished. They were our future and our failure. They were not ready but going ahead with it. They were dismal and exciting statistics. They were pregnant.

The longer I stood in front of the mirror, the more honest it all seemed. I was built for it. I needed it. I told myself that in the end nothing I did would matter to anyone else. It was my body, my choice, my wish.

*   *   *

Ten years and six hundred miles later, I hold a cell phone to my ear and listen to a fourth-grader tell her sixth knock-knock joke in three minutes.

“Knock, knock,” she says.

“Who’s there?” I ask.

She giggles. “Egg.”

“Egg who?” I say.

“Egg knock’s my favorite drink, too.” Then she laughs uncontrollably, squealing and hiccupping into the phone.

It’s difficult to fake a laugh. But I giggle nervously, tell her it was “a good one,” knowing that she had made it up on her own and is proud.

“What did the picture say to the wall?” she says, not ready to quit yet.

I pause for a moment as if to think about it. Then I admit, “I don’t know.”

“I’ve got you covered.” She squeals again with delight, hiccups twice, sighs, and continues laughing.

Elianna lives in upstate New York, just outside my hometown. She hiccups if she laughs too hard. She likes to read; she loves to draw. She takes gymnastics but accidentally kicked her instructor last week at practice. She’s tall for her age, almost five feet now, and embarrassed by it. She always has a good report card and likes to impress her teachers. She enjoys jumping on the trampoline in her backyard, swimming at the YMCA, shopping for clothes at The Limited and Old Navy, and listening to music, mostly Hilary Duff; she loves going to yard sales and has been begging her parents to let her start taking piano lessons.

When she heard there were people in the world without hair, she grew hers out, cut it off, and donated it. Her favorite color is blue. She watches Survivor every Thursday night at eight o’clock. She loves having her nails done, being an older sister, and staying up past her bedtime. She doesn’t like bras or mean people. When she grows up, she wants to be an artist.

This is the first time we have ever spoken directly to one another on the phone, but she has a picture of me in her bedroom she stares at, brings to school for show-and-tell, and sleeps with. She has never met me, but Elianna, the girl on the other end of the phone, is my daughter.

What I want to say to her: None of this is your fault. It was never you. I want to smell you, your head, your hands, your toes. I want to know what your hair feels like between my fingers. I want to see the way your thighs turn into your calves and your calves into your ankles. I want to find out, for myself, if your big toe is shorter than your second toe. I want to know the direction in which your arm hair grows.

I dream about you, wake up in the middle of the night worried that you are sick, sad, angry, or afraid. I want to crawl in bed next to you, wrap myself around you, finally feeling the shape our bodies make together. I want to feed you, cook the food myself, make you strong and healthy. I want to help you learn how to read, write, paint. I want to read you my favorite stories, the ones my mother read me. I want to walk through a mall with you, help you try on clothes, tell you how beautiful you look in blue.

I want to know the people you know. I want the pain in my breasts and abdomen to go away when I hear your voice and see your picture. Forgive me. Let me kiss your face, your arms, your ears, your fingers. Your jokes, as much as I love you, are really not that funny.

What comes out: “Very clever, Eli. Very clever.”

Before we hang up, she tells me good-night and that she loves me.

I tell her, “Sweet dreams.”

I’m back in my apartment in North Carolina, under this blue comforter. I cannot complain about much here. I have just earned a master’s degree. I work at a community college, teaching freshman English. I rent a nice little apartment outside the city on the third floor of a brand new building, behind an almost-finished Wal-Mart. I have a large friendly group whom I am lucky to call my friends. There’s no boyfriend, but this doesn’t bother me. I run through the routine, wake up every morning early, walk my dog.

Life is normal enough. I am free and strong, a product of my father’s firm encouragement to be an independent woman. “Women are no different than men,” he always said. “Women can do everything a man can do. Don’t ever sell yourself short.”

The only signs of weakness are the colorful stretch marks on my breasts, the grip I still have on the phone long after she’s hung up, and the picture of my daughter hung on the wall over my bed.

*   *   *

A baby. I would make it work. “No,” my father said. “It will ruin your life.”

“I can do it,” I begged.

“Not in my house.” He ran his fingers through his beard and flipped through his mail. “I won’t be a part of it. If you have this child, you will never know what it means to be independent, to be successful, to accomplish all that you’re capable of. If you choose this path, you choose a life I can’t support. Find another place to live.”

No problem. I would find a place to live. A charity organization. A family who would give me a home, tell me it was okay to be a mother.

At first, inventing myself as a teenaged mother-to-be was exciting. I collected baby clothes, pacifiers, bottles, and bonnets. My charity family gave me a tiny room in their basement. At night, as I lay alone in the dark staring up through the windows into the flower bed outside, I had no doubt that I was becoming who I was meant to become.

As my breasts and abdomen grew, I became thrilled with the changes, finally feeling like I was being given the opportunity to be a real woman. School no longer seemed important. Homework seemed petty. College seemed like a fantasy. In the waking hours of the morning, I would get up out of bed, my bladder full again, tip-toe up the stairs, and stare in the mirror. In my reflection, I searched for a change in my face, something familiar, any sign of the mother I planned to become. But my face never seemed to change. My growing breasts and the bulge in my abdomen grew on their own, separate from my eyes. I’d crawl back into bed and run my fingers over my stomach, feeling my daughter kick my hands through my skin, and ask her to have patience with me.

I wanted to keep that baby just as naturally and vehemently as I wanted my mother to live. And I tried for seven long months to find a way to do it. But 1997 was a difficult year. Clinton reformed welfare, making it impossible for anyone under the age of eighteen to receive aid, and I couldn’t find a way to keep a stable job, finish high school, and care for a baby all at once without at least a little help from the father, who was unwilling to admit to his parents that he even had a girlfriend.

At seven months pregnant, it became clear to me that there was no hope. I couldn’t do it. It had all been a fantasy I couldn’t live up to. I was no mother. In fact, I was little more than an irresponsible teenager with a penchant for the dramatic. I had no job and no future.

Worse, I found myself desperate for reprieve. I wanted out of the martyrdom. I didn’t want to wake up in the middle of the night for anyone, much less for a child I had nothing to offer.

And one night, as I collapsed in the corner of my borrowed basement room, I knew in the most horrible sincerity that I was unwilling to give up my freedom and security for my womanhood. I didn’t want it badly enough. And when the realization came, I wanted to empty myself of my miracle as quickly as possible, renewing myself to the state of freedom, loneliness, and asexuality to which I’d become accustomed.

I would do what my father had told me and do everything my mother hadn’t. I would graduate high school. I would go to college, pay my own bills, travel, and live a long, successful life.

“I’m so proud of you,” Dad said, his eyes red with weepy gratitude.

“This was a hard decision to make but a very strong one.” I was still living in my basement room, but when the pregnancy was over, Dad promised, when life was back to normal, he said, I could return home.

“I want to be strong,” I told him. “And successful.”

“I know you will be,” he said. And I believed him.

*   *   *

Angel and her husband, Matt, had been trying to have a baby for eleven years. Every month, for all of those years, she had hoped she was pregnant, picked out a name, constructed themes for the nursery, and imagined the baby’s face. And every month, when the blood came, another imaginary child died. She had long since lost count of all the faces that might have been.

A friend of hers mentioned a pregnant teenager with whom her daughter went to school. She tried not to get her hopes up. It took me a while to work up the courage to dial her phone number.

“I can’t do this,” I told Angel over the phone. “I’ve decided to go to college. I just can’t do this alone.” I listened to her cry, in what I would later find out was relief, for several moments. Part of me hoped she would tell me she would adopt both of us, the baby and me. I wanted to tell her how desperately I wanted to keep my baby, but I just needed her to help me. I wanted to explain what it was like to feel a human being growing inside me for so many months, to learn what sounds made her sleep, to learn exactly the way I needed to walk in order to lull her. I wanted her to know that what I was saying was dangerous for me.

“Can I meet you somewhere?” she finally asked.

“Okay.”

We chose McDonald’s on Main Street.

Angel became a mother there, when I nodded my head across the table from her, licking the ice cream cone she and her husband bought for me. I said they could have my baby.

It would be Angel who held Elianna minutes after she was born. It was Angel who held her when she first cried and learned the motions of her body and the difference between hungry and wet. It was this other woman—whom I met by accident when I doubted my ability to be faithful to my own instincts—who watched my child grow from a seven-pound, eight-ounce infant into this nine-year-old girl who tells knock-knock jokes and giggles until she hiccups. It was never me.

Because of this, I cannot complain now if Angel, this other mother, chooses to explain the adoption in such simple terms as, “You grew in Stephanie’s belly but in Mommy’s heart.” I can’t blame this woman for waiting so long to let my daughter communicate with me. I can’t tell my daughter that her jokes are not funny or that it is the hope of one day meeting her that keeps me waking up in the morning and trying to be successful, impressive, and strong.

Friends ask, “How do you talk to your daughter on the phone so casually?”

And I respond. “How do I not?”

Since they brought my daughter to their home for the first time, this couple has repeated my name in her ear like a mantra, wanting to “do the right thing.” They want for her to be aware of her heritage and proud to be adopted. My daughter’s only questions have been whether or not I love her and why I gave her away. “Of course she loves you,” her parents tell her. “Stephanie was just so young.” But Eli repeats the same questions, seemingly waiting for a truth she’s sure she has not yet heard.

When her parents first told her she could speak with me, she decided it wasn’t time. Instead, she listened over the speakerphone while her mother spoke to me. When she did this, I tried to adjust my voice and attempted to comfort her with my words, even if I was only telling Angel about the weather in North Carolina. Sometimes I would hear her giggle in the background or whisper something to her mother. But she wasn’t going to talk directly to me, not for six more months.

“Eli’s doing really well in school,” Angel would say.

“Oh, wow,” I responded, trying to express a pride recognizable in my voice. “That is so wonderful.”

I heard a tiny giggle in the background.

“Stephanie’s proud of me,” she told her mother later.

“Yes,” Angel said. “She’d be proud of you no matter what you did.”

Angel always calls and tells me the whole conversation later, all the questions Eli asks about me. She reports that my daughter, her daughter, is making me a glazed plate for Christmas with my name and my dog’s name printed across the front in child’s handwriting and swirls of purple and blue along the edges.

It was my sister’s idea to create a website for Elianna. It may have been illegal for a nine-year-old to have her own MySpace profile, but it wasn’t illegal for a birth family to create a profile titled “We Love Elianna.” With a few keystrokes, my sister made a profile that displayed several pictures of all of us, even my mother. There were pictures of me as a baby, of my sister and me carving a pumpkin when we were children, of my father, of Elianna on her first day of fourth grade, of Elianna when she was a baby, of Elianna when she was still inside me. I e-mailed Angel the password, and we waited.

Three months later, I received a message from Elianna over MySpace. DEAR STEPHANIE, I AM JUST STARTING TO TYPING. WRITE ME BACK PLEASE! I WOULD LIKE TO MEET YOU VERY MUCH.WELL I HAVE TO GO. BY LOVE. ELIANNA

“At Olive Garden,” Angel told me later. Apparently Eli imagined a girls’ lunch with the three of us at the same restaurant where I had celebrated her first birthday, one candle stuck in a scoop of ice cream, my father and I wondering how to celebrate without the birthday girl.

“Does she mean it?” I asked Angel.

“I don’t know,” she said. “I guess we’ll see.”

“Why now?” I asked.

“I don’t know,” Angel said. “I asked her, and she said she wanted to know what your favorite color was. And she really wants to meet Daisy.”

Daisy is my Jack Russell terrier. Eli refers to her as the “birth dog.” I paused. “Will she ask me why I did it? Why I gave her…”

“I don’t think so.”

“What will I say to her?”

“I don’t know,” she said. “Tell her what your favorite color is.”

“When?” I asked.

“Are you coming home for the holidays?”

I haven’t been home for Christmas in three years. In fact, I rarely go back to New York for any reason. I opt for distraction—grad school, affairs with married men, short-term love affairs with strangers, menial social melodrama, heavy drinking, various jobs I latch onto and pour myself into, my writing. Now I dial my sister’s number and tell her I’ll be home in a month for the holiday.

She says, “Okay,” but I can tell she doesn’t believe me.

“Elianna said she wants to meet me,” I say.

She’s silent for a minute.

I think about the last time I went home. I can’t remember whose idea it was to spy on my daughter. We had never driven by Elianna’s house before. We hadn’t expected her to be climbing out of a minivan in her driveway, her face so much like mine, with moving legs, with a real mouth, a living, breathing little girl. I slammed on my brakes and fumbled for my sunglasses. My sister slid down in her seat, thinking, like me, that Eli would look up and somehow recognize our car, maybe from the North Carolina plates. We pulled our car behind the tree across the street and watched her for a minute while she waited for her mother to unload the van. I held my sister’s hand, surprised at how much we were shaking.

“That’s your baby,” my sister said, shaking her head. “That’s her.”

I knew she was waiting for me to do something remarkable, to become the lioness confronted with her stolen cub. She stared at me, watching the way my face trembled. Maybe she hoped these long years had been enough to awaken the mother inside me. But after Eli disappeared into her house, I shifted the car into reverse and drove away up the hill.

My sister has often tried to stir my maternal instincts. There have been days I cry in her arms and tell her how much I regret it all. And she’ll call an attorney, tell me to get creative, get angry, claim duress, anything. Just get my daughter back. But I’ve never tried. And I know I never will.

“Are you ready for that?” she asks now.

“I don’t know,” I say.

*   *   *

“You’re not ready for this,” my boyfriend, Elianna’s father, told me ten years ago, the night before I would promise my child to another couple. “You’re not ready to be a mother.” And then I was hitting him. I punched him for all the decisions in the world I felt I had no control over. I clawed at his chest for my dead mother and the baby I couldn’t find the will to keep. I screamed because I couldn’t remember my mother’s face, I would never see my daughter’s, and I couldn’t find my own. He let me go on like that for several minutes as the snow fell against the windshield and melted into water.

There wasn’t anybody who wanted to help me be a mother. But there was a world of people who wanted to help me go to college. And slowly, this became my answer. I constructed a new truth out of what I decided the rest of the world expected of me. I learned that most everyone would respond delightfully to my change of heart. Teachers gave me extra time on my assignments; my father bragged about me in church; my boyfriend thanked me with wet eyes, told me he loved me, and that he would marry me one day.

Over and over, for years to come, all I had to say was that I gave a daughter up for adoption, and people would do everything but bow at my feet, chanting the popular “what a selfless, brave decision to make.” This gave me identity. I was the teenager who gave her daughter up for adoption. But the only image I had of the life I was choosing was the word my father repeated to me over and over throughout my childhood: college. And now that I had no choice, it sounded so good.

I waited, but no matter how many times I recited my mantra—”I’m going to college. I can’t be a mother”—my hand still found its way to her and I still spoke to her. I knew then that my instincts to care for the baby would not disappear when she did.

*   *   *

It’s been three days since Eli wrote to tell me she wants to meet. I tell myself that nothing—no lunch at Olive Garden, no knock-knock jokes—will ever make me her mother.

In the small box in the corner of my bedroom, I keep two ultrasound photos secretly tucked away, the two I once hid from myself just in case one day I needed to remind myself the pregnancy actually happened, that Eli was not a dream. I take them out occasionally and stare at them. I keep her second-grade picture sitting on the antique end table my mother left me in her will.

A year ago, Eli sent me a box for my birthday, a collection of her things she thought I needed to have. Inside, there are leopard print pillows, blue sandals, necklaces, pictures she drew in school, photographs of her swimming, lotions, Beanie Babies, and a letter that she wrote, explaining the little details of her life. I keep the box in another corner, sit next to it some- times. I smell the little pillows, hold the earrings in my hands, study the letter. Once I took out the sandals and tried them on. They fit perfectly.

Eli’s need to show me who she is doesn’t surprise me. These years with- out my mother and daughter have brought me no happy endings or clear answers, but I have realized that my inability to become the Victorian woman in the portrait is not tragic. My mother did not show me that picture to assign me an identity to live up to. That picture was for her. She would never know how my face would evolve as I grew older. This woman I have become, nothing like that portrait, with all of my regrets, with my two diplomas hung on my wall, with an absent daughter, is a woman my mother will never know.

My daughter and are I left to struggle through this strange distance from each other, memorizing pictures of each other, unable to put the pictures away. When asked whether or not I regret my decision to give my daughter up for adoption, I answer honestly. Yes. Going to college has never made up for the nagging regret. I can still smell the milk that leaked from my breasts for a week after she was born. The smell of those leopard pillows is still more comforting than any freedom or success I have earned. But what I’m left with is not a gift I take for granted. I have my daughter’s face next to me as I sleep. It changes in every new photo, her eyes like my mother’s, like mine, but with their own nuances, unexpected, miraculous.

*   *   *

Elianna was born on March 7, 1997, at seven o’clock. She was seven pounds, eight ounces. Lucky seven baby. As I pushed her out, I begged the doctor to not let anyone take her from me, but my words were dismissed as nothing more than the emotional roller coaster of a seventeen-year-old girl in labor. My father stood over me and covered my eyes as she slipped from between my legs. I heard her gurgle for a second, and then she was gone.

I saw her only once before I left the hospital for good. Angel’s husband passed her off to Angel who brought her into the hall for me.

“Do you want to hold her?” she asked.

I looked down at the baby. I waited for something in my mind to click. I waited for whatever it was inside me that might have become a mother to react, but nothing happened as I clung to the IV stand I had wheeled along with me. It was over.

“No,” I whispered.

“Is there anything you want to say to her?” Angel asked.

I thought about it for a second. But only one thing came to mind.

“Yeah,” I said, “I guess there is.” I reached into the blanket and found Eli’s hand. She wrapped her finger around one of mine as I cleared my throat. “Go to college,” I said. Then I pulled my finger from her grip, turned around, and walked away.

*   *   *

I won’t meet my daughter this Christmas. She’ll change her mind, lose the courage, send her mother in her place. I’ll have lunch with her mother alone. I’ll offer Angel a picture of Daisy and me along with a wrapped gift to give to Elianna. It will be a necklace that splits into two halves. Angel will sit across the table from me, run her fingers over my hand, and tell me Eli has my fingers.

“Are you okay?” I’ll ask her, watching the way her eyes well up at the sight of me. I understand that I am a reminder that Eli will never have her eyes, her fingers, or her lips. She will never be able to know what it felt like to carry her daughter to term in her own uterus. And she will watch me remove the necklace from the box myself. I will keep one half, and Eli will keep the other. I’ll never take off my half. I’ll run my fingers over the charm while I am at work, driving in the car, grocery shopping, or staring out my apartment window into the Wal-Mart parking lot.

“I’m dealing with it,” she’ll say. She will return home to my daughter, maybe brush the hair off her forehead, feed her dinner, and tell her what it was like to have lunch with Stephanie, the birth mother.

Back in North Carolina, I will continue to occasionally stand in front of the mirror naked, staring at the scars on my breasts and at the ever changing slope of my abdomen (which has never shrunk back to its original size). It reminds me that there’s a part of me that’s missing.

One night, to my surprise, my nine-year-old daughter will call with an unusual question. “Do you have big boobs?” she’ll ask.

“Elianna’s getting her breasts,” Angel will say in the background. “And she’s not happy. She has to wear a bra.”

I’ll laugh and tell Eli that mine aren’t so big, that there’s nothing to worry about.

“Okay,” she’ll say, sighing.

“I know how you feel,” I’ll tell her, picturing her standing there, staring hopelessly down at her swelling chest. “I didn’t want to get boobs, either.”

And after a small silence, she’ll clear her throat. “Well,” she’ll say. “Your boobs look big in your picture.”

We’ll laugh, and she’ll hiccup, both of us remaining somewhat damaged and slightly delighted.

“I don’t think she’ll ever take this necklace off,” Angel giggles in the background.

And I’ll be thankful, with the phone held tight to my ear, for my own breasts, for the shape of my body, and even for this regret.

Author’s Note: Birthmotherhood has followed me like a grinning ghost into an existence I thought would be empty of my daughter. I am a mother who is both without her daughter and full of her. I have both abandoned her and taken her with me. This essay was a grueling process of discovery and redemption.

Stephanie Andersen teaches college writing in Reading, Pennsylvania.

Brain, Child (Winter 2008)

I Know You Had Surgery, But How is the Dog?

I Know You Had Surgery, But How is the Dog?

By Francie Arenson Dickman

Pickles5One look at the dog and I knew that my surgery had been upstaged. 

 

This was going to be like any other road trip home from Wisconsin to pick up stuffed animals that had been accidentally left on the camp bus, except that on this one, I needed to tell my kids I had cancer. I’d been stewing on what I’d say for sometime, and being a writer, a fan if there ever was one of controlling the narrative, I had my presentation scripted. I’d kick off with, “This is going to sound worse than it is.” I’d wrap up with something like, “It’s no big deal.” In the middle, I’d drop the phrases, “a little bit of breast cancer” and “a little bit of surgery.” I’d be breezy. I’d be calm. And I’d be acting. Isn’t that so much of what mothers do? Spin-doctoring is not in the basic job description. But it should be. All mothers, at some point or another, will pretend the new hair-do isn’t hideous. Or the bloody gash is just a little scrape. Or the bi-lateral mastectomy and reconstruction will, for her kids, be just another day, only without their mother. I suppose these maternal charades fall into the category of the little, white lie. We mean well. We’re out to either make our kids feel better or ourselves look better so that in some therapist’s office somewhere down the line we’re not catching the blame for something.

My own mother, for example, in effort to introduce healthy foods, once tried to pass off fish as veal. She disguised the fish in breading so that it resembled her familiar veal cutlets. “Tonight’s veal is going to be delicious,” she told us gesturing, without pause, to the baking sheet on the counter. But then she put the “veal” in the oven, and the house began to stink. Like fish. Her cover was blown. We ended up at McDonald’s.

But where would we end up aside from a therapist’s office if my own cover was blown, if my daughters had to digest the full story of my bout with breast cancer, including the risks of surgery and my own fear? And so, I went to great lengths to ensure that during the weeks of my surgery and subsequent recovery, our house would run so smoothly that my girls, both 14, would barely know I was gone. There wouldn’t be a wrinkle in their routines, let alone their psyches. I arranged for dinners. I typed out schedules. I even sent the dog away to a sitter. As anyone who’s ever had a dog knows, if you are attempting to control a narrative, a dog in the picture is the last thing you need.

I went into the hospital. I came out. All with little issue, fanfare or expression from my daughters, which at the time—right up until the dog was in a fire at the dog sitter’s—I took as a sign of their strength, that they’d bought into my campaign of “It’s no big deal.” It didn’t cross my mind until, as I mentioned, the dog got stuck in a fire, that the absence of their questions and their stoic sweeping of floors while their mother sat motionless on the couch was, in fact, a charade, as well. They didn’t know how to handle the situation, I’m sure they’ll be telling their therapists, because their mother, who was plugged into Netflix, binging on Friday Night Lights and Norco, wasn’t giving them the words or the tools or the permission. In fact, they’ll tell their therapists, their mother was beginning to enjoy herself.

This was true. While a six-hour operation does seem like a ways to go for a little time off, I’d be lying if I didn’t say that a part of me wasn’t enjoying the role-reversal. “There are many positives that come from cancer,” people all along my journey had told me. All along, I’d added the words, “assuming you survive,” in my head. But now, with the surgery behind me and drugs in my system, I was beginning to buy into this narrative, too. “It’s a blessing in disguise,” I told my husband. I was getting rest and our kids, who lacked in household skills, were gaining experience. “It’s a win-win,” I said from the couch as my children took in the mail and boiled the noodles.

Soon after I convinced myself of this, the house began to smell. Not like fish but like smoke. The dog hadn’t been burned, but he’d inhaled smoke for hours on end. My husband had collected him from the sitter’s while my kids and I, exhausted from pretending that everything was no big deal, were still asleep. When we awoke, there it was—a furry hole in my narrative—another patient on the couch. This one couldn’t open his eyes. Or wag his tail. Not only couldn’t he move, but he couldn’t breathe either. My first reaction was, of course, to curse the situation. One look at the dog and I knew that my surgery had been upstaged. Next to him, the beloved dog, I became as I’d been wanting to be seen: no big deal. Forget the research I’d done on how to talk to your kids about cancer, I was now scrambling to explain the term hyperbaric chamber, which is where the dog spent the next four days at a hospital in the hinterlands with my children and my husband at his side. So long to the mother being mothered. So long to the round-the-clock care. So long to the drugs, even, as I now needed to be lucid to care for myself. So long, too, to my charade. Our house turned to chaos. My own mother, who I’d forgiven for the “veal” incident, came over. She did the laundry and brought me food, while I murmured, “Be careful what you wish for.”

Only after the fact, after the vigils were held for the dog, the tears over the dog dried, the worry about the dog’s prognosis died down, could I see that the dog did us a favor. The dog himself had wagged the dog. He’d made me seem in relatively good shape, but more than that he was, as he always is, a diversion. He vomits on the car keys as we’re rushing to leave. He pulls the last piece of steak off the dinner table. He lightens the mood, relieves tension and makes us forget our concern of the moment, which on that day at that time, I know, was me. At least that’s the story I’m telling myself now.

Francie Arenson Dickman is a contributing blogger to Brain, Child. Her essays have also appeared in The Examined Life, A University of Iowa Literary Magazine, The Chicago Tribune, and Literary Mama. She lives outside of Chicago with her husband and twin daughters and is currently completing her first novel.

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My Girls Will Be Fine

My Girls Will Be Fine

By Francie Arenson Dickman

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When it comes to mothering, getting to do it is the only thing that matters.

 

I’d planned to refurbish our house this summer. Not a little nip and tuck but an overhaul. Picking up floors. Wrecking walls. Reconstruction. We’ve lived in our home for almost a decade, our home needed to be tended to. I don’t like decorating. I don’t like any activity that pulls me away from my daily routine. So you can imagine my reaction when, a week before my kids left for eight weeks of overnight camp, I was diagnosed with breast cancer (from an annual mammogram, so please, girls, go get your mammograms). I kept the news mostly to myself, but back-burnered appointments with the architect and scheduled them with a surgeon instead. There was a biopsy. An MRI. An opinion. A second. A lumpectomy. A second one of those, too. And lots of waiting. The worst part is the waiting. All the while I went through the motions of summer and watched the online camp pictures, my children in blissful ignorance. Then, timed with their return, I was told I needed a mastectomy. The wrecking and rebuilding would be mine.

“You are going to be fine, you will not die from this,” my breast surgeon told me so many times over the next 8 weeks that he offered to voice record himself into my phone because his words have a 2 second half-life in my head. There’s nothing like a little case of cancer to trigger the ultimate case of FOMO (Fear of Missing Out) to right your perspective, to realize that when it comes to mothering, getting to do it is the only thing that matters.

An older, wiser friend had tried to teach me this lesson a long time ago, when my kids were little, when my husband was on the road and I was doing what I do best, complaining about being buried in a mother’s mundane and demanding tasks. She told me to spin the way I looked at the tasks. “You don’t have to give them baths, you get to. You don’t have to clean their spills, you get to.” I laughed as one would at any preposterous suggestion. Over the years, my girlfriend and I would joke about it. “We don’t have to drive 5 hours to sit on the floor of a convention center for days while our daughters’ dance, we get to.” I’m not laughing now. Well, certainly not as much. At least I get to say that it seems I have a “good” kind of cancer. It hasn’t spread. It’s noninvasive.

Nonetheless, how it’s invaded. I put my girls, oblivious to my circumstances, on a bus in late June, with the expectation that by the time they returned 8 weeks later, I’d be able to speak to them about what happened in past tense. A blip on the radar, a bump in the road. I’d get it treated. I’d go on redecorating as planned. But plans, especially when microscopic cells are involved, do not always go as such. I didn’t plan to write my kids 8 weeks’ worth of letters filled with half-truths, but I did. “I didn’t go to the concert because I had a migraine.” “We didn’t go to Michigan because a tornado hit our condo.” (Ironically, a tornado actually did hit the condo, so technically, it wasn’t a lie, but that wasn’t the reason we didn’t go.) I didn’t plan to keep my life a secret from friends I speak to regularly. But, in order to prevent the same type of disaster that happened in grade school, when my classmate found out her mother had breast cancer from another kid on the playground, I did. And I definitely didn’t plan for them to return in the eye of the storm, their mother’s major surgery coinciding with the start of school, and even worse, the start of dance. (You know something’s really out of whack when you are checking your surgery date against your daughter’s performance schedule.)

So, for the first and I pray only time in their camp careers, I anticipated their August return with a touch of dread. The waiting is the worst. I wondered if they would be angry with me for lying to them. I’ve never lied to them. I’m a stickler for telling it like it is, a habit left over from my lawyering days. “Lying by omission is nonetheless a lie,” is one of my favorite parenting lines. Is there an exception if the lying was in the best interests of the children? And since I’d already lied, would the children then believe me when I told them as the doctors told me, “I’ll be okay?”

Would the daughter with anxiety, the fear of bodily disfunction and disease, spin out of control? Or would she have matured enough over the years to keep it together, to perhaps even (dare I say it) rise to the occasion during my recovery, and take care of things, like the dog or maybe her mother, that fall outside the purview of her typical adolescent concerns (i.e. herself). I hoped that my speech would go as planned, that when I told them as I’d rehearsed—something involving the words Stage 0 and Angelina Jolie—and they saw that I seemed fine, that they’d be fine, too. They would take me at my word and turn their attention towards their bedrooms, which I did manage to redo under the wire, the paint fully dry only minutes before the buses arrived. As for the rest of the house, I’d get to it later.

Or should I say, I get to get to it later. Just as, I keep reminding myself, I get to show my kids their new rooms, and see my daughter’s face fall because I painted hers a darker shade of lavender than she’d requested. I get to watch them panic when I deliver my news, I even get to have them angry with me for not telling them sooner. Then, I get to unpack their bags. I get to do their laundry. I get to drive them around again and dole out cash. In a month’s time, their new bedrooms will be a mess, as will be the rest of the house, but God willing, when I write next, I will at least get to say that the girls in the house, all 3 of us (along with the fresh ones on my chest) are fine.

Author’s Note: A month has now passed, and I am grateful to get to say that thanks to my fabulous doctors and my extraordinary family and friends who I am so lucky to have, we are, in fact, all fine. I could write a whole essay about the conversation I had with my girls and the way they handled themselves throughout, but I will summarize by saying that the experience taught me that my kids are braver, stronger and more mature than I knew. And actually, I am, too.

Francie Arenson Dickman is a contributing blogger to Brain, Child. Her essays have also appeared in The Examined Life, A University of Iowa Literary Magazine, The Chicago Tribune, and Literary Mama. She lives outside of Chicago with her husband and twin daughters and is currently completing her first novel.

Beneath the Surface

Beneath the Surface

By Francesca Kaplan Grossman

Pink Breast Cancer RibbonThe first time I found one, I had just downed a can of Arizona Iced Tea. Sweet, soft on the back of my throat, ice cold and only 99 cents, it seemed to me the best deal in drinks. I needed it. It was August in Massachusetts, and the air was hazy and heavy around my face. The can sweated, and so did my back, in fluid sheets, and I could feel my sports bra forming a damp “o” shape between my shoulder blades. Soccer practice for high school preseason had already begun, burning off the early morning hours with drills I loathed.

I pinched the cotton of my tee shirt between two fingers and pulled it away from my chest, fanning myself with the thin white fabric. Putting both hands in my shirt, I wriggled out of the bra. It felt like a stunning release to let my breasts slap against my chest as I peeled off the sticky spandex. And then, for some reason, I laid my palm directly over my right breast.

I’m still not sure how I found it. The tiny marble under my right nipple shouldn’t have been noticeable, even to me. But somehow my palm landed directly on it. I rubbed it around for a minute, kneading the circle under my skin, the flesh soft and pliable around it. Then, I pulled my hand away.

I was only sixteen and I had a plan. College, work, motherhood. But mostly motherhood. My mother was the example I could hold onto—a working mom home every day by 3:00 p.m. She was equally obsessed with her work and her children.

My mother worked hard, played hard, and knew us well. Nothing would get in the way of my being just like her when it was my turn.

“It’s nothing,” I said to myself, flipping over onto the hot, yellow lawn, the sharp grass scratching my face, the sun drying my salty neck.

The ground felt hard under me, and though I knew it wasn’t possible, I felt the little marble roll beneath me, like the princess and the pea. I imagined it green and tiny, like a pea, but also hard and impenetrable, like a marble. A marble pea.

“Nothing,” I said again.

I ignored the marble pea for six years, until it started to grow a cousin. This one I could not ignore because I was twenty-two and into truth telling. On my neck, right above where I would have had an Adam’s apple if women had Adam’s apples, was what looked like an Adam’s apple. It was oblong, as if I had swallowed a whole olive and it had never gone down.

“You have a thyroid nodule,” the endocrinologist said, looking at my chart and back at me.

“What does that mean?” I? asked frantically. I scanned?the room for the diplomas?that would tell me this man?was the best doctor ever, but all I could find was a? Best of New York Doctors mention from 2000 taped to the side of his desktop computer.

“It’s no big deal, Francesca,” he said, mispronouncing my name “Francessa.” Not a good sign….

“So what do we do about it?” I asked, my hand instinctively flying to my throat to finger the olive. It was solid under a thin layer of skin, and it moved around when I pushed it.

“Nothing, we’ll watch it.”

“Will it affect me getting pregnant one day?”

“Are you pregnant now?” he asked sharply.

“No.”

“Then don’t worry about it.”

But I wasn’t satisfied with this answer; I couldn’t bear to imagine my life without children. I remained quiet, nodding my respect for a doctor that I was sure must know much more about my body than I did.

So I watched it, in the mirror, in store windows, wherever I could get a glimpse. And it continued to grow.

My husband, Nick, is six foot two. I am five foot nothing, which makes for funny family pictures and a tough time kissing. When he’s on his knees, we’re the same height. There’s a picture of us on our wedding day with my head completely pushed back like a Pez dispenser as he leans down over a foot. At that moment, the olive had grown into a walnut, jutting out of my otherwise flat neck in what should have been the best picture of my life.

“Don’t you think we should take it out?” I had practiced this line a thousand times in the bathroom, at home, and then, right there, outside the doctor’s waiting room. It was the first thing I said to him when he checked on the walnut.

He gave me a stern headmaster’s stare.

“We don’t need to do anything, Francessa. It’s a nodule. Many, many people have them, especially Jewish women.”

Huh? I nodded. It had taken all my courage to get the sentence out, and I could say no more.

“OK.” I finally mustered, unsatisfied and uncomfortable.

“We’ll biopsy it. All right? If that will make you feel better,” he added. It sounded like an accusation.

But I welcomed anything that might reassure me that I was going to be okay.

I had the walnut biopsied every year for seven years, and there was no change. Every time the six-inch needle pierced my neck flesh, I winced guiltily for making the doctor check it.

*   *   *

The first time I shit in my pants I was on the platform of the Number 6 train. I was twenty-six, and a cup of coffee I’d sipped now led to stomach pain I can only classify as agonizing. Though I did everything in my power to get up the subway steps and into a nearby restaurant to relieve it, my cold, shaking body had to let go three steps from the top. The problem in a situation like that, I have since learned, is that walking makes it worse, and stopping gets you nowhere.

Now covered in a putrid brown film that no one could mistake for anything else, I sprinted in shame to my gym, a place that had been my salvation. I rushed? into the shower with all ?my clothes on, peeled ?them off, pumped bright ?green body soap into the crotch of ?my jeans, and threw away my balled-up underwear in a naked dash from the scalding shower to my locker.

When I was finished, I sat on the cold metal bench with towels draped over every part of me, my jeans and tee shirt and bra draped over the bench. How could I possibly live a normal life like this? How could I one day take care of someone else—a child. My child?

I should tell Nick it’s over, I thought. Let him find a woman who is healthy and strong, always ready for life.

Yet I felt elated, having escaped the stomach pain that had overtaken me a half hour earlier. It was blissful, this pause, like a welcome inhalation of normalcy.

I learned later that year that autoimmune disease means your body is attacking itself. It’s chronic pain you can’t escape. You can’t run away from it because it’s inside of you, in some ways it is you.

A delicate young woman with a black gym tee shirt came over to me in the locker room.

“Are you okay?” she asked me.

I nodded, unable to speak. A rising ball of humiliation threatened to choke me, almost like the giant walnut within me. “Do you want me to dry those for you?” she asked gently.

I sighed with gratitude, nodded my thanks and sat in tiny white towels for the next forty-five minutes while a woman I didn’t know dried my shit-stained clothes. She handed them to me in a CVS bag someone had left behind. I had no choice but to put them back on. I proceeded to walk home, seventy-three blocks and two avenues and one bridge, just so I wouldn’t have to get on the subway again.

All this time I hadn’t only been growing a walnut in my throat and developing an angry belly—it felt as though I’d also been growing new skin. Heavy skin. Skin that felt bruised in every pore. Soon, simply turning over in bed was torture. My skin was calloused, pocked, red and raw, especially in the joints.

The doctor told me this pain was peripheral arthritis, connected to the Crohns disease I apparently had developed to accompany my thyroid autoimmune disease.

He actually said, “It goes nicely.”

*   *   *

On a Tuesday I went to have my thyroid walnut biopsied, and, three weeks later, I was having it removed.

“I’m sure it’s nothing,” the doctor said. “It’s so rare to have cancer so young,” a second doctor agreed. “Plus, thyroid cancer is a good one to have, if you have to have cancer at all.”

When I turned twenty-nine, I went into Lennox Hill Hospital to have my whole thyroid removed. Doctors suggested I just take half out and “see what we are dealing with,” but I was getting to the point that enduring two back-to-back surgeries was an unbearable alternative. And, I was starting to doubt that these doctors knew what they were talking about, so I demanded they remove the whole thing.

I recovered fairly quickly from the surgery and was home on the couch, a cat curled in the indent of my knees, watching “The Golden Girls,” when the phone rang.

“I don’t want you to come all the way in to hear this,” the surgeon said. “It turns out it was cancerous after all.” He added quickly, “But the good news is, it’s out, so you don’t have cancer any more. Probably.”

Probably?

I remember hanging up the phone and staring at the TV for a full five minutes. When I thought of Nick, my stomach curdled into ice-cold cement.

“I can’t believe I will never see my own children,” I mourned out loud. And then, “I can’t believe he is going to love someone else.”

Assuming I was going to die, I couldn’t bear the idea that Nick would have a whole life, a good life, a long life, after I was gone. And the children he would have would not be mine.

I called him. “It was cancer,” was all I could say. He was home twenty minutes later, sweating as if he’d run the whole way.

I’ve always been angry that the doctors didn’t acknowledge that I had cancer. For years, they told me I was fine, I was overreacting, nothing was really wrong with me, and then they took the thing out, diagnosed it, and it wasn’t mine anymore.

I am, of course, grateful it is gone, but I can’t help but feel cheated. It is a strange and wicked reality.

In a bout of post-cancer depression, I lay on our couch for twenty-two days. No extra radiation was needed, but I ducked out of society anyway.

No one but Nick knew how long I stayed there, only getting up to pee, eat, and feed the cats. I ignored calls and Nick ran interference. Sometimes, he would come home, walk over to me, kiss my head, make us dinner, and tell me about the world outside.

“It’s nice out, Fran,” he said at the beginning of April, two months after my surgery, seven weeks after diagnosis of something I no longer had inside of me. I nodded through heavy eyelids.

Soon after, Nick took me to Jamaica so I could get away. It was such a beautiful thought, to take me away from the grime of the city so we could spend a few days on the beach. It was a grand gesture because we didn’t have the money, and my guilt spread as I agreed. I didn’t have the heart to tell him I couldn’t imagine anything less inviting than spending hours on a plane, in line-ups at the airport, without the comfort of my own bed at night, in a strange, hot place.

The first night, I had a glass of wine and watched the resort show, thinking that if I were pulled up on stage to dance like some of the other vacationers, I would just have to lie down on it.

“You look great,” Nick said to me, smiling his crinkly smile and touching my arm. He was a liar, but he was a sweet liar. I looked at myself in the mirror behind the bar. My eyes were rimmed with a yellowish tint. My skin was flaky and beet red from the sun be- cause the medicine I was taking made my skin sensitive in a new, exposed way. My neck was swollen and my fingernails, for some reason, were blue.

“Thanks,” I said, smiling back at him, knowing that I was about to throw up.

I muttered an “I’llberightback” jumped off the stool and dashed back to our room, three outdoor stairways away. I slammed myself through the bamboo bathroom door and didn’t make it to the toilet. Orange vomit covered the walls of the bathroom, sliding down the tile in gooey bits. I lay down in the middle of the room on the bathmat, and a few minutes later, Nick knocked on the door.

“Fran?”

I couldn’t answer.

“Fran?” He pushed in the door and took a step back. I am sure what he saw repulsed him, and though I couldn’t possibly move, I imagined retreating even further into myself.

“Oh, honey,” he said sadly. He got a towel and washed the walls with the floral soap from the shower, scrubbing the floor, literally mopping up the mess.

“I’ll be right back,” he said, and took the bundle of towels out into the hallway. When he came back in, he had bedding, a pillow, and a glass of water.

“Can you drink this?” he asked gently.

“I don’t know,” I squeaked. “I don’t know if I can sit up.”

Nick came over to me and slid down onto the mat next to me. He smelled like the floral soap and salt water and the beer he had abandoned. Lifting my head in his hand, he tipped a small sip of water into my chapped lips.

“There,” he said.

He put the glass of water down on the floor?next to me and I rested my?face on the tile in front of the bathmat, the coolness an astounding relief.

Nick tucked my head under the pillow and made a floor-bed under me.

“You don’t have to do this,” I croaked.

He ignored me and slid his body down next to mine. “Try to sleep,” he said.

I tried to nod as his hand traced light circles on my back.

*   *   *

Since that day, I have been to many doctors, but rarely one who smiled. So when I started to see OBs, I feigned calm as they poked and prodded, expecting a deluge of bad news, like “barren,” and “unable.”

I surprised myself (and Nick, too, I think), when we got pregnant swiftly, without event. Both times. And both times I was nauseous and swollen and pimpled and sweaty and so, so tired the whole time.

But I was a “healthy” sick. Which was new to me.

Finally, both times, my body was working like a normal woman’s, and I was finally growing something inside of me that wasn’t going to kill me.

*   *   *

Our son was twelve weeks old when Nick went into the hospital the first time. His first migraine was now six days old. The second time we were practiced in both migraines and newborns, but this one was accompanied with a stomach pain that drove him to his knees.

Covered with monitors, IVs and confusion, Nick stared at me in disbelief. I could only stare back. We were in the wrong roles and weren’t sure how to act them out. I grabbed his hand and squeezed the bruise that had started to form beneath the IV needle. He winced, and I mouthed, “I’m sorry.” So I did what he always did for me. I called his family, got him a ginger ale, cleaned his chin, rubbed his back, sat in the chair, and waited for answers.

We don’t have an answer, even today, for the disease that clots Nick’s blood. Until we know what it is, and probably even if we do, he has to take a blood thinner that prohibits him from any activity in which he might bump his head and bleed to death. He can’t ski or play basketball, and if he gets into a car accident, the prognosis is grim.

But there is more. Our roles have changed and meshed?into one. There is no longer the strong and the struggling. Now we are both.

There is not much we can do. We go to yoga on Tuesday mornings. I work part-time. We both take generic Paxil. We stretch our dollars, we cook on Sundays, we watch Millionaire Matchmaker and chuckle.

Even in the most peaceful, mundane, white-picket-fence version of our lives, there’s a tinsel-thin fear. Another knowledge, one neither of us will admit.

Sure, I’m scared he’ll collapse again from the pain of a clot, shield his eyes from the agony of light, or that his bruises will spread until they paint his skin purple. Or worse, that we won’t see the bleeding, and it will drown him from the inside.

I’m scared I’ll be aimlessly squeezing my flesh and come upon another marble pea that won’t be so easy to remove and will snowball rapidly. But there is more than that.

It is quiet, this fear, and it says: To have two sick parents is a curse. As I tuck in my son and I kiss the wispy hair on the back of my daughter’s sweet head, it whispers around the room. What if they lost us both and had to fend for themselves? Even worse, I wonder if there are silent horrors swimming around beneath their skin? Will their genes betray them? What have we done?

It does not escape me that my two children grew out of me the same way everything else has. They, too, started tiny and unnoticed, growing into the small, wonderful people they have become. I made them.

We made them.

Which can’t be good.

When one of them gets a cold, I prepare for tuberculosis. When one has a bruise, I take a sharp breath in, praying it will not grow. And fevers, well, they just about crush me.

Will my daughter shit in her pants on the 6 train? Will my son be attacked by knots of blood in his veins? Will they grow things the size of olives, walnuts, golf balls under their skin? Will they demand they be removed? Will they hate us for it?

I didn’t drink alcohol for nine months both times I was pregnant. I power-walked and did yoga, tried to sleep well and limited my medications to those that were absolutely necessary. I ate eggs. I did everything I was supposed to do to keep my babies safe and healthy.

But I couldn’t give them healthy, strong parents. And I don’t know how to live with that.

We have dinner together every night, the four of us, like the family we hope we can be.

“Mama,” my son says, his dark brown eyes wide, a yogurt mustache tracing his upper lip.

“Yes?” I say, controlling myself not to wipe it off for him.

“Will you take me to school tomorrow?”

“I can’t, babe.”

“Why?”

My daughter parrots, “Why?” in a two-year-old voice that barely makes sentences work. But her blue eyes are expectant.

“I have to go to the doctor, guys.”

“You always have to go to the doctor,” my son replies, annoyed.

I can do juice cleanses and downward dog myself into my forties. I can strip the negativity from my bones and delete phone numbers from people who will never be real friends. Nick and I can eat more quinoa, love each other late into Sunday night, cut up credit cards, and find family-friendly bikes.

But the very real possibility that something new is happening, is growing beneath the surface of our collective skin, is almost impossible for me to stomach. Though the only choice for us is to try.

Author’s Note: There is a thin line between having it all and losing it all. And it is on that line I balance, and I think we all might balance. We, as mothers, as women, as humans, all teeter between an ecstatic celebration of what we have—a job we are proud of, some people who love us, a home we make—and the impending terror of the possible—a sick parent, or child, or us, a money catastrophe, a splintering friendship, relationship, marriage. The thin line is where life is, and we grab it with our toes, begging them to brace us. That line is where I like to hang out, where I try to write. I hope it is the place where fact becomes truth. This essay turned me inside out, and I feel better after writing it, like throwing up after a stomach bug, or coming up from a deep dive, gulping for air.

Francesca Kaplan Grossman’s previous and forthcoming work includes contributions to Motherlode, the Huffington Post, Ed Week/Teacher, Glasscases.com, among other publications. Francesca lives in Newton, Massachusetts, with her husband Nick and two children, Theo and Brieza. She is currently working on her first novel, The Night Nurse, and a collection of personal essays, The Math of Me: A Collection from a Life out of Sequence.

 

Inappropriate

Inappropriate

By Tracy Lynch

fall2011_lynchThere’s a word in our household that is used rather often. I wouldn’t have thought much of this word even a few weeks ago, but for some reason, its presence has buzzed around my ear lately like a fly-by gnat. Not annoying, but just often enough to get my attention.

The word? “Inappropriate.”

Our family unit has used the word for many moons to describe shorts that are too short, dogs doing their business, the phrase “Shut up,” and the kind of dancing performed by the younger, more-Beyoncé-like daughter. My daughters’ friends giggle it from the backseat of the minivan; my husband utters it when one of his girls pretends to wear half-shirts; I whisper it when one of the girls forgets her manners and comments on the girth of the man in line at the grocery store. It’s a one-size-fits-all term.

When my daughters used this word at a younger age, it was endearing and adorable. The word stumbled out of their mouths whenever something simply wasn’t proper or right according to their itty-bitty worldviews. Recently, however, I’ve noticed a difference—a shift in usage—and that’s the buzzing in my ear. Now that the girls are ten and twelve, no longer does That’s inappropriate refer to something forbidden. Its current translation is now something along the lines of I know that’s wrong or feels weird to me, but I don’t know why and I don’t think I want to know. Or maybe I do. Why are the grownups laughing? What’s going on with my understanding of the world around me?!

My response has shifted, too, moving from adoring to slightly unsettled. The weight of the word seems heavier as their definitions of “inappropriate” evolve from childish simplicity to adolescent curiosity. A few years ago, my older daughter giggled with glee as our new puppy “hugged” her leg “over and over and over.” “He must really love me!” she laughed breathlessly. Fast forward to the present, and the same daughter, now awkward in her own beautiful body and entering seventh grade, stops suddenly one morning to chastise the same dog (who is now also old enough to know better): “Fergus! Bad boy! That’s inappropriate!”

A line has been drawn: the line of understanding. True, it’s a thick line, a foggy patch in the cognitive landscape, but it’s there.  My daughter, thanks to her growing brain, “family life” courses in health class, and television we probably shouldn’t let her watch, knows now that something is just not right. But she also knows enough to know that she has no idea what that is. Something that was once hilarious is now taboo. My daughters may not know why, but they are on the verge of knowing why. And for some reason I can’t quite put my finger on, that makes me a little sad.

Once I became aware of this shift, I found myself listening more intently for the word “inappropriate,” swatting at its buzzing with my own attempts at understanding. Finally, I’ve come to this: “That’s inappropriate” is an off switch. It’s a way to stop the conversation, the image on the screen, the dog humping your leg … and thereby stop yourself from thinking too much about something that just doesn’t feel right. If we label something as inappropriate, we stop ourselves from walking through the thick, foggy patch, through the unpleasantness and toward understanding. “That’s inappropriate” keeps us safe. It keeps us comfortable.

For my daughters, and for kids of all ages, that’s okay. That’s called learning your own boundaries. We give children permission to ease themselves into what is and is not appropriate because they are, after all, kids. They are preparing to travel through the foggy patch. Sometimes what growing kids want to label “inappropriate” really are just parts of growing up, like buying training bras, discussing armpit hair and how to work a razor, or talking with your mother about a boy you like in your math class. This kind of understanding can be uncomfortable, but if all goes well, my daughters will emerge on the other side with understanding as their souvenir. Why do we, as actual grown-ups, use the same off switch, “That’s inappropriate,” for any number of situations and in any number of conversations? What are we so afraid of?  For some (like me), political discussions are often inappropriate. So are religious ones. Reflecting on it, I may know why: I get too nervous discussing a point about which I’m not well versed for fear of being called out. Applying the off-switch word—inappropriate—can stop a conversation before it even begins. Of course, perhaps I could benefit from the understanding that broaching these so-called inappropriate topics could bring. Probably. Maybe. After all, turning off conversations has the potential to make us miss out on pretty significant growing up ourselves. If the adults of this world would strive to constantly re-evaluate what we consider inappropriate, we could charge, head-first, right through those foggy patches and toward understanding. Or casually stroll. What’s inappropriate to some is, after all, inspiring to others.

Take the work of David Jay, for example. Jay, a photographer who is slowly gaining respect and world recognition for his The SCAR Project, photographs of women who are on the other side of breast cancer and have the scars to prove it.

I first stumbled on Jay’s photographs on Facebook. They were going viral, and the link was passed around to tens of thousands of members within a matter of weeks. SCAR stands for “Surviving Cancer. Absolute Reality.” The photographs are, at their very basest level, real. It’s difficult to express the effect his photographs had on me, not because I’m quiet about the emotions they brought (and continue to bring) to the surface, but because, for a long time, I wasn’t quite sure what those emotions were or even how to describe them. Here was a man who was putting to print the most secret, private part of me. A part of me that still felt a little too new to share.

Two years ago, on June 12, 2009, I had a bilateral mastectomy to begin my seven-month treatment of Stage III breast cancer. Walking around without breasts has become only a part of who I am, but it’s always a reminder of what I’ve been through: my own absolute reality. I may not know one woman in the series, but everything about them, their bodies, their eyes, reflected me. Reflected what was left of my cancer. Jay’s photographs tore off the clothes I had been wearing to cover my scars and invited others to click “like” at what they saw. To share these photographs with people, as I felt compelled to do, was in a sense to show them myself naked. My family and friends could now see, on the chests of these women, what breast cancer had done to my body and, through their eyes, to my spirit. SCAR is what happens after the chemo, the surgeries, the hair loss. People who view the works have the chance to be informed.

Or to be confused. Or surprised. Or, even, afraid.

After my surgery and subsequent healing, my own daughters were no longer comfortable being with me when I undressed. A nudist by nature, I was profoundly altered by their response to my naked body. Nights spent putting our PJs on together were no more. Instead, if they saw it was time for me to change, they practically ran to their room, often shutting my door behind them lest I forget to do so myself. They were little and could not be casual about their aversion. My younger daughter, nestling with me in my chair one night, once I was healed enough to snuggle, rested her head on my chest and told me she missed my breasts, that I was too boney and not comfy anymore. The same daughter, with her trademark full-disclosure policy, instructed me once to change clothes in our hotel room bathroom, alone, away from them. She waved her hand in my chest’s general direction and explained, “That’s just creepy.”

This was almost a year after my surgery. Time and again, I was crushed by my well-meaning and brutally honest girls. I was less of a woman. I was a mystery. And, the most difficult pill to swallow, I scared them. My body was, to my daughters, inappropriate.

*   *   *

What my girls couldn’t handle in the flesh, many adults were uncomfortable with even just on paper. Jay’s photos, I learned, were deemed to be too real, too honest, and to show too much. There are nipples. There are lack-of-nipples. There are the curves of a woman’s shape. There are the glaring absences where a woman’s shape should be.

This winter, I worked on a writing project about SCAR and I had a chance to discuss this with Jay himself. He told me that only online publications ever included images of his work. Not one print outlet had ever shown a photograph. None would. One Italian journalist told me that her editor would not include his images in their publication because “he says the images are too much strong, that he makes feel bad.”

The editor’s statement, even in its broken English, says a great deal about what we, as grownups, see as inappropriate in the world. Why are the images so jarring? Are they too painful? Is the “absolute reality” a combination of nudity and illness (or the aftermath of illness) that causes a deep confusion—or simply hurts too much? Is it pushing us too far, too fast toward what we don’t understand?

For kids, facing the inappropriate is scary because they’re learning something that they didn’t know before. Is it the same for adults? Was the Italian editor—merely one of dozens made uncomfortable by the prospect of printing the photos—also afraid of that foggy area, the one that would allow him to cross to the other side, to understanding? Did he turn the switch off? I believe he did. And I believe that he and dozens and dozens of other print journalists missed out in the process. Unfortunately, so did their readers.

One evening in November 2010, a few months after I discovered Jay’s photographs, I was re-examining his extensive collection online. One by one, I clicked through the pictures, sucked into their honesty, until I slowly became aware that someone was looking over my shoulder. It was my younger daughter.

“What are you doing, Mama?” she asked, quietly.

“Looking at these amazing photographs.” Long silence. “Do you want me to stop?”

“No,” she said softly, and I continued on. Eventually, we reached a photograph of a beautiful woman, arms stretched high over her head, that revealed penetrating eyes and double-mastectomy scars.

“That looks like you!” my little girl practically gasped. I agreed, and we sat there in silence until my other daughter slowly came over, timidly, ready to see, too. They were safe there with me, computer screen in my lap, and they saw something new in that woman who looked like their mother.

A few days later, getting in my comfy clothes for the night, I gave my usual precaution to my little girl: “I’m getting ready to change, honey.” Our unspoken agreement had, over time, become Yes, it’s okay for you to leave now.

“That’s okay, Mama. I don’t need to go.” So she stayed. And we talked, and we giggled. One night soon after, my older daughter, typically more timid, joined us.

Neither of my girls has looked away since. I can try on clothes in cramped dressing rooms with them by my side again. They are comfortable whispering to me when my shirt is askew and showing a bit too much of my scars. I have been given the gift of time back with them.

Two years later, and we’ve turned the switch to on.

Author’s Note: My husband and I were overwhelmed by the love that came our way during my breast cancer diagnosis, treatment, and recovery. We used to talk about how we could actually feel it. I continue to be grateful for it to this day, and whenever I need to slow down, relax, or remind myself what I’m on this planet for, I just have to remember all those gifts, actual and emotional, from those who love us. It still strikes me as nothing short of miraculous that a stranger gave me the biggest gift of all. David Jay’s work changed how I viewed myself, absolutely; he’s gotten that kind of moving feedback from women all over the world and is still humbled and surprised by it. What I don’t write about in this piece is how much SCAR helped me to accept my body, to view it as more than just “appropriate.” Beautiful, even.

Brain, Child (Fall 2011)

This Sucks

This Sucks

By Kelly Feinberg

Pink Breast Cancer RibbonSometimes it happens so quickly, so seamlessly, that I’m not even conscious it is happening. I’m standing in line for a smoothie and a sweet potato muffin at our local co-op, say, and I go to unsnap my wallet only to realize my eleven-month-old son has pulled my hand up to his mouth and is sucking on my finger. Or I’m talking to a stranger who has stopped me to compliment my baby’s big brown eyes, his welcoming smile, and suddenly I’m aware of a line of drool sliding down my wrist. Embarrassed, I try to pry my finger out discreetly, but this kid’s had a mean suck since the moment of his birth. And it’s not a quiet, discreet suck either. When he takes my fingers to his mouth, it’s like they are his own and he’s just enjoyed a satisfying meal of barbequed ribs. There are sound effects and facial expressions. Whenever I try to take back my dripping digits, the result is often a sharp tug to his clamped little jaw or a loud popping sound and a spray of saliva. These are not mothering moments I’m proud of, so I often let the sucking continue while trying to make a quick getaway, mumbling something about teething.

When our son was about six to nine months old, my husband and I justified the whole finger-in-mouth arrangement because we believed Ari, who showed no interest in a pacifier, needed to suck on our fingers to ease the pain of incoming teeth. “Those poor little gums!” we’d soothe while rubbing the hard ridges that signal incoming teeth. Yet now all four front teeth are securely in, our son has grown into an accomplished eater, and still, as he reels toward his first birthday, his desire to forcibly take a finger and work on it like a peppermint stick only increases in fervor.

In part, I blame Dr. Sears for getting us to this point. If we had known that his advice to slip a finger into a breastfeeding baby’s mouth while transitioning to sleep would get us to this point, I don’t know if we would have taken it. My newborn barely napped during the day. Was it really that bad to let him soothe at my breast while sleeping? In the middle of the night, I never tried to release my baby from my breast; I just slept peacefully and soundly through nighttime feedings and (what was often) all-night nonnutritive sucking. I even enjoyed it. So why did I need to trade breast for finger during the day? We love Dr. Sears’ parenting philosophies, but we’ve pored over many of his parenting tomes and we just can’t find the next step—how do we now get our fingers back? I’m not the nervous, first-time parent type, but I have to admit, I’m starting to get worried.

When I’m able to step back and understand Ari’s sucking as an emotional need rather than a reflex or developmental stage, I feel tired, more than just from lack of sleep. I feel the weight of all that’s happened in the past five months, nearly half of his young life. When Ari was only seven months old, I was forced to wean him from exclusive and happy breastfeeding when an enlarged milk duct turned out to be cancerous. Due to my age, treatment needed to be swift and aggressive, involving a bilateral mastectomy. One day I breastfed Ari on demand, wore him wrapped tight against my chest, and slept with him skin-to-skin; the next day I mixed bottles of formula to hand over to my husband and moved to the other side of the bed, out of reach. Between the pain of weaning and recovering from the surgery, it was a good three months before I could swoop my baby up into my arms again and hug him close.

Through all of this, the Aerobed stayed inflated in the nursery as friends and family arrived in shifts; I simply couldn’t be alone with my baby. On top of it, right when I was really healed, my husband left for a month-long research trip and our presence in Ari’s life reversed again. Daddy was now out of reach, and Mommy was the constant. This might explain why “I need to suck on a finger sometimes,” which had always been directed at the closest warm body, has evolved into “I need to suck on Mommy’s finger at all times.”

Over the last few months, how I feel and how I react to my only baby’s favorite pastime depends a great deal on my own physical and emotional state. Pad over to me in the morning after a decent night’s sleep and a cup of coffee, and I’ll gladly let you lay your sweet little face against my leg for a quick sucking session between block play and a game of hide behind the curtains. Keep me up from two a.m. on by rolling over constantly and arm wrestling my finger to your mouth until it feels raw like a skinned grape, and I’m not so generous. I may snap and say things aloud I’m not proud of like, “Why don’t you suck on your own finger!” or “Do you want to sleep in your crib?” It’s not the questions themselves that I’m ashamed of really; Ari has been known to suck his own finger on occasion and he loves his crib, gladly taking his afternoon nap there every day, stretched out on the soft polka-dot sheets. It’s the angry, desperate tone I use when I get to the point where I’m offering ultimatums to an eleven-month-old that bothers me.

When the ultimatums during a night like this don’t work—as of course they don’t—I may do something drastic to avoid more relentless sucking during morning nap. Something crazy that I would be ashamed to share among the home-birthing, baby-wearing, attachment-parenting set I aspire to be a model member of. Something like, oh, maybe pulling a gardening glove printed with tiny watering cans over one hand like some deranged Michael Jackson impersonator in order to deter the relentless suckerfish. When the glove gets in the way of Ari’s mouth, he lets loose a terrible sobbing cry; his chubby baby fists pinch and swipe. When wrapping him up and wearing him doesn’t work (his reach is impressive and he doesn’t mind wrenching my wrist to get fingers into their proper angle), I try to soothe him in different ways that I remember from my days working in a daycare. I rub his back and swirl his soft baby hair, I shush him softly, I put on the new lullaby CD his grammy gave him. Over and over I say the mantra I’ve been whispering since I first held him in my arms. Mommy’s right here. Mommy’s right here with you. But to him I’m not really there. Not all of me anyway, not the part he wanted and needs to feel secure and to drift to sleep. Ultimately, I pull the glove off when I realize that we’re both crying, that we’re both feeling angry and desperate and out of control. I give him my finger and together we give in to much-needed sleep.

*    *    *

The hardest part about parenting a baby with an intense sucking need, whatever the cause, is other people’s responses. There’s obvious and unhelpful advice like “Have you tried a pacifier?” and “As long as it’s only occasionally…” There are the judgmental sideways stares from the childless woman on the small commuter plane (she visibly and audibly expressed her displeasure when I sat next to her), and there are the sympathetic and depressing half-smiles of other women in the waiting room of my breast surgeon. Most of the time, I’m sure, I have only imagined a public response that I then internalize and fret over the next time Ari grabs my hand. I have blushed hot from embarrassment while Ari sits in my lap at a restaurant, sucking away while I try to finish my dinner, and I have ended conversations with neighbors on my own front porch because I felt exposed, as if it wasn’t my finger in my baby’s drooling mouth, but instead my full, naked breast leaking milk down his chin.

And what if it were? Didn’t I breastfeed this same baby on a ledge, crowded with midday shoppers, overlooking a public market? Didn’t I pull up my shirt and offer my breast at a baseball game, just off the path on a hike, sitting in a hard plastic chair at Target? Then, I felt important breastfeeding in public, a champion of all things natural and best for my baby. Now I just feel sad. My finger is a poor substitute for breastfeeding, and my baby and I both know it. It is evident in his continuous, never-satisfied suck and in my impatience.

One day, while I’m chatting online with a friend who doesn’t think she wants children (and who isn’t keen on hearing what other people think about someone else’s parenting choices), I mention that Ari continues to suck on my finger. Christi was one of my first caregivers after the surgery: a nursing student, longtime friend, and someone I admire for her intelligence and fearlessness. “I’m just so worried that Ari’s going to be screwed up because I had cancer,” I type. “There was a two-year-old in my toddler class once who made herself throw up the whole time her mom went through chemo. What if this never goes away?”

Christi’s answer is humorous at first and I appreciate the chance to laugh. “I sucked my thumb until age twelve and I’m fine,” she writes. But then she adds that we’ve all been through a lot as a family. “You’re doing a good job,” she reassures me in that small text box at the bottom of my screen, “an unbelievable job managing it all.”

I read her instant message—filled with typos as our notes back and forth always are, we’re so eager to talk to one another—and I just feel better. Maybe that’s all I need, that stamp of approval, that understanding of our particular situation that I can’t get from a Dr. Sears book or from a stranger who happens to be sitting at the table next to me in a restaurant. If I can just let go of the feeling that I failed my son when I stopped breastfeeding him and that my body failed me when it fed cancerous cells, then I wouldn’t worry about what we look like in public.

If anyone asks why my one-year-old is permanently attached to my hand, maybe I should just tell them the truth—that I’d prefer to be breastfeeding but can’t. That breast cancer sucks, that weaning a baby before you’re both ready sucks, that not being able to hold your next baby to your breasts sucks, and that being hard on yourself for your parenting choices sucks, thanks for asking. And then I’ll go back to adoring that little boy in my lap who only knows how wonderful it is to suck; how dreamily soothing and simple.

A note from Brain, Child EditorsKelly passed away on Friday, May 14, 2010, about three months after writing “This Sucks.” The essay won a 2010 Pushcart Prize posthumously.

Brain Child (Spring 2010)

Faithfully

Faithfully

By Lorri Barrier

Dandelion in the wind“Okay, the doctor will look at these pictures and be in to talk with you in just a bit.”

The table is comfortable, lights low, it’s blissfully quiet. In any other circumstance, I’d drift to sleep. But this is my second mammogram in two weeks, and I’m on edge. The first one was easy, but then I got the call about the spot, “the area of concern.”

I look around the room, notice fancy drop ceiling tiles that would look nice in our basement, if we ever get around to remodeling it. I close my eyes, become aware of Steve Perry’s familiar voice singing “Faithfully” ever so softly, coming from somewhere in the room.

Faithfully. I was in middle school when that song came out. I was already a C-cup by then. I remember the boy sitting behind me in history class reaching around me, trying to cop a feel. I turned and punched him twice in the shoulder—hard. He never bothered me again.

But later that day I remembered where his hands had been, and they left a sense of shame. Something’s not right about these breasts, announcing to the world that I’m a woman. Because I’m not. I’m still a little girl.

I spent the rest of that year hiding under sweaters and jackets, waiting to grow up.

I look at my watch. 1:22 pm. I take a deep breath and tell myself not to worry. I put my hand to the breast with the spot, try to feel something. I don’t.

A boy I loved touched my breasts when I was sixteen. I remember feeling shocked awake, electrified. I gasped when he kissed me, his hand still under my bra. My breasts were alive for the first time. Sexy.

Sexy, when I lean down to kiss my husband, and he whispers, “Nice view.” This is what I will miss, if I had to lose one or both. How will I feel that way without them?

A knock on the door and the doctor and nurse come in. The doctor is youngish, red-haired, wearing a plaid scarf and coat, as if he just got here. He reminds me of Doctor Who. I smile a little.

“I’m just going to take another look with the ultrasound wand,” he says.

I have to roll on my left side facing the wall, to give this stranger full access to my right breast. I put my arm above my head. His hands move my breast to the desired position. “This gel might be a little cold.”

There’s a picture on the wall, right at eye level, for all of us forced to look this direction. It’s a lone dandelion magnified, a few seeds caught in flight, pulling away from the center, weightless. I think of blowing dandelions into my daughter’s face, her eyes closed, laughing.

It’s odd having an ultrasound on my breast and not my belly, though the connection is unmistakable. All my children preferred to nurse on the right side. Even now at age seven, Morgan often rests her hand there while we read a story or if I lie with her as she goes to sleep. Her hands remember. For the first part of her life, my breasts were food, comfort, home.

I look back at the dandelion, and I see the similarity to the image they took earlier, my ducts and veins aglow with radiation, like strands of Christmas lights, like fragile white dandelion fluff clustered around a nucleus. Not like my breast at all—a cross section in a textbook. From my angle I had to look askance at the image, my untrained eyes searching for the spot.

“I think it looks okay,” the doctor says after a few minutes. “I’m happy with this. The same spot on the second mammogram doesn’t look like something we need to be concerned about. We’ll see you in a year for your annual.”

I exhale the breath I’ve been holding all week. I practically jump off the table.

I wore my pretty bra, pink with black lace, and I look at myself in the mirror as I pull it back over my shoulders.

In the hallway to the lobby, I see exam room doors closed, and I know there is a woman behind each one. A woman with a life, a woman holding her breath, another woman releasing hers, another still waiting to take the next step of a difficult journey.

Outside, the sky is a perfect Carolina blue. I inhale. It’s warm; it feels like spring in February. It feels like a new day. It feels like a second chance at everything.

The radio says tomorrow we might get snow. It will probably just be a little bit, but the kids will be excited.

I’ll believe it when I see it.

About the Author: Lorri Barrier is a teacher at Stanly Community College in Albemarle, NC.  She married with three children, and lives in Mt. Pleasant, NC.  She has always enjoyed writing, and  finds her  inspiration from nature, daily life, and childhood memories.  She feels lucky to live on farmland that has been in her  family for over 100 years, and much of what she writes is tied to her rural upbringing.

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