The Janus Face of Parenthood

The Janus Face of Parenthood

By Vincent O’Keefe

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A parent’s face is a constant mix of past and future, which leads to the tendency to forget the present moment right before one’s nose.

 

Face it, parents: You’re two-faced. But that’s not necessarily a bad thing, since parenthood naturally has a Janus face. Janus was the Roman god of transitions who had two faces—one looking toward the future and one toward the past.

My most memorable Janus-faced moments seem to occur while I’m driving. For example, recently I sat at a red light with my oldest daughter, Lauren, who was fourteen at the time. The license plate on the car in front of us read “LIL LAUR.” I smiled to myself and assumed the car’s driver was a parent who probably reveled in the joy of having a baby daughter named Lauren. Memories of my own baby Lauren’s voluminous curls and ocean-blue eyes danced through my mind.

When I told fourteen-year-old Lauren my warm theory about the license plate, however, she replied coldly from the passenger seat: “No Dad. I think the person driving nicknamed the car ‘Lil Laur’ because she loves it so much. I wish I had a car too.” While I faced the past, she faced the future.

It was a moment fit for one of those “Janus words,” or contranyms, that convey contradictory meanings depending on their context—e.g. to weather can mean endure or erode, to sanction can mean endorse or penalize, or to dust can mean apply or remove (dust). My favorite Janus word in relation to parenting has always been “to cleave,” which can mean to cling to or separate from something (or someone). The parent-child relationship often features one person clinging to the other and one person trying to separate from the other, though each person’s role changes according to context. At that red light, I was cleaving to family while she was cleaving from family.

The moment reminded me of a bookend from thirteen years ago that also occurred in a car. When Lauren was just seven months old, my wife and I moved to an Orlando, Florida hotel for two months while my wife completed a medical rotation at a cancer hospital. Yes, that’s correct: I was a stay-in-hotel-room father to an infant for two full months. Let’s just say the Comfort Inn became a misnomer in a hurry. In addition, Lauren had just started sleeping through the night, but that ended in the hotel’s rickety crib. The result? Sheer exhaustion.

The point-of-two-faces happened one afternoon when baby Lauren and I were speeding around town in our tiny rental car. After she fell asleep in her car seat behind me, I parked and tried to work on a book review in the front seat. I had not yet accepted that my becoming an at-home parent with a wife who worked long hours would seriously curtail my production as a writer, at least for a few years.

Shortly into my writing session, Lauren started crying. It was incredibly frustrating, but I knew I had reached a limit. Tired beyond words, I looked back at my crying baby in her car seat, and it seemed fitting that she was facing backwards and I was facing forwards. Together we made a Janus face, though one that demanded adjustment. Obviously, I needed to be more in sync with her needs, to welcome her inevitable clinging and cease trying to separate from it. So I stopped writing for a time, and in the process became a better father.

Ironically, I started appreciating those moments with my child that become the cherished memories a parent clings to at red lights when his child is a teenager longing to drive away into the sunset. I realized a parent’s face is a constant mix of past and future, which leads to the tendency to forget the present moment right before one’s nose. In other words, parents are tweens too.

Thanks to these bookends, I can imagine the not-so-distant future when Lauren will have migrated from the car seat to the passenger seat to the driver’s seat. Little did I know, however, that as we switch places, we also switch faces. Talk about a Father-Daughter Dance.

Vincent O’Keefe is a writer and stay-at-home father with a Ph.D. in American literature. He is writing a memoir on gender and parenting. His writing has appeared at The New York Times “Motherlode” and The Washington Post “On Parenting” (among other venues), and he has been featured at CNN Parents. Visit him at www.vincentokeefe.com or on Twitter @VincentAOKeefe or Facebook at Vincent O’Keefe.

When Friends Matter More

When Friends Matter More

whenfriendsmattermoreMy ex-wife and son were busy, so the plan was for me to pick up my 10-year-old daughter at 2:00 and drop her off at 8:00. There would be cupcakes, a hike to the summit of Lone Mountain, probably some more cupcakes, Penang curry & pad thai, and the charming way that only your daughter can cull meaning from the various stories she shapes with narrative to bestow upon their splintered totality the thing she calls her life. Of all the things she could possibly say, there’s nothing quite like what she ultimately says. I love her so constantly from the edge of my seat. She’s always on the ready to make new sense, dismantle it, and make some more. Her thoughts dart from place to place with the jacked up frenzy of a frantic hummingbird.

But then the call came. She was invited to an exciting day down on the fabulous Las Vegas Strip with the two girls who have, over the past year, formed 2/3 of their rock solid triangle of BFF friendship. The next part. How can I say it? I told her to have a super great time and meant it. I smiled as I said so and the smile was somehow, at the same time, genuine and propped up with the willpower that wants a coin toss to come up both heads and tails.

My little girl and her best friends remind me of my childhood friendships with Danny Parker and Chris Delaney. There’s something about a trio, a triangle, that feels more substantial than the two person line. What comes to mind is long, long (long) bicycle treks to each other’s houses, sleepovers, maniacal laughter, and the unconscious sense that we were the first people in the history of the world to discover this new form of human relations. This was not even close to being a son or a brother. This was a heroic leap outside that circle, the familiarity of family, into the great big unknown world of everything else. And the feeling I shared with my fellow explorers? It was an entirely new species of love, this friendship, and it was enlivened by the bold sense that the future was a boundless thing as big as forever. In other words, we would never die and this, things as they were, would never end. In still other words, we were down for life.

A concern of mine has been that social media, and the fact that my kids don’t ride bikes, would somehow degrade the magical powers of young friendship for my kids. This is probably just indicative of my advancing age and the tendency of the old to critique young people’s unique approach to the same old archetypes (of my stepdad shaking his head when the Beastie Boys appeared on the Grammy stage in 1986). But my daughter and her friends have proven to me that friendship is alive and well and that Facebook and Instagram can serve as instruments that replace landlines and loud shouts across the playground about meeting after school. Anyway, to watch my family dependent girl leap the gap to a tight-knit group of friends has been a thrill. It’s a common cliché to dwell on the perils of growing up, but it’s not without its share of giddy pleasures and delights.

However, I am an imperfect and messy man who, in addition to being happy for her, is also subject to thinking things like But what about the damn cupcakes and the mountain hike and me, you know, daddy? How many times, I wondered, had I felt tethered to her, trapped? And now, as she begins to construct a world to call her own, by what logic do I experience my freedom as a form of abandonment? Damn it. Is the grass always greener? To what end green grass? Can the fence itself hold up to a thorough line of questioning? She didn’t know when she’d be back or even if she’d be back before 8:00; she would call and let me know. I would read with half my heart, write with half my heart, and wait for her call so we could begin our day.

And I know you’re waiting, here, at the end of the essay, for a resolution of a kind, some valuable lesson learned. Perhaps my conflict rests as I bask in complete acceptance or balance is achieved when my daughter has a great time with both her friends and her daddy. Me too. I’m waiting too. I’m still waiting for my daughter to call.

Till Death Did They Part

Till Death Did They Part

By Molly Krause

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When my dad came back after two decades of divorce, I wondered if my mom had somehow been waiting for him.

 

My dad was a man who was careful with his words. He was bothered by the incorrect use of ‘excuse me’ when someone should have said ‘pardon me.’ And don’t even get him started on overusing the words ‘you know’ as I did in the 1980s as a teenager. He had the habit of introducing my mother as his ‘former wife’ never his ‘ex-wife.’ Given his precise use of language, his word choice seemed deliberate. It was as if he was saying, “In my former life, back when I was trying to be straight, this was the wife I chose.” When he moved back to Kansas to die, his former life and his current situation intersected.

When I asked my dad in the early 1990s what he thought about research to discover the ‘gay gene’ I’ll admit I was trying to probe into his inner dialogue about his own homosexuality. As usual, he didn’t give me much.

“We all make our choices, we just have to live with them,” he answered.

This was his answer after he came out during a therapy session so many years before, after he chose to leave his own marriage to my mother, after he left his three young daughters behind, after he lived his own life in the big city, after he contracted the HIV virus.

This was his answer before he lost his vision in one eye, before the lesions appeared first on his hands, before most of his friends died, before he started walking with a cane, before he returned to the landscape and family he had once left behind.

Love is a choice, a decision on some level, he was telling me. He didn’t choose to be gay, but he did choose to leave. And while the cultural tide of 1972 may have given my mom a nod to stay in a marriage with her gay husband, as he was willing to do, she wanted him to leave. She wanted to choose love, too.

He stayed away most of my childhood, leaving my mom to struggle with raising three daughters. She never remarried and my sisters and I managed to run off any of her serious boyfriends. My dad was spotty with child support, forgot birthdays and spent time in rehab. She had every reason to feel bitter and to pass that along to her children. She never did. And while my father was prone to being critical, the only judgment he had about her was that she failed to teach us how to make a bed properly. Taking my mom’s lead, I didn’t act angry about my dad’s lack of time and attention. I smiled and tried to be lovable, all the while nursing a hidden wound of abandonment.

As my dad’s health was failing in 1995, his relationship was too. He and his partner lived in Key West when, at age twenty-three, I flew down for an extended visit. I was hoping for a suntan, sleeping in and shooting pool at the neighborhood-drinking hole. What I walked into was not a respite; it was a war zone.

My dad and his partner hardly spoke to each other, and when they did, they screamed. His partner drank a half a bottle of Bombay gin nightly; my dad self medicated with his pain pills. “I can’t stay here,” my dad whimpered to me. “No,” I agreed. “I don’t want to die down here in Key West,” he confessed.

Whose idea was it for him to move back to Kansas with me? Did I suggest it, the grown woman still searching for her father’s affection yet half hoping he would never do it? Did he bring it up as an option, trying to feel me out for how it would be received by my mom and sisters? Or did he just ask me directly, desperate to escape his unhappy situation?

When we decided he would come back with me, I felt full of purpose and determination. This would be the situation where we would finally get close, the barriers removed, a satisfying closure to the buried pain of years of distance.

My focus didn’t last long. Quickly overwhelmed sharing the same house with him for the first time since I was a toddler, I disappointed him by staying away. Away from the Vantage cigarette-tinged fog of the house, away from his moaning that could not be alleviated, away from his biting sarcasm and sharp tongue. My hidden resentments began to bubble to the surface—he feels bitter, does he? I stepped away; my mom showed up.

She drove him in her Volvo to his many medical appointments, singing the lyrics from their favorite musicals together. They huddled over the Sunday crossword puzzle. He defended the use of a pencil in all forms of writing, preferring the textured feel of its scrawl; she tried to convert him to the fountain pen, with its smooth delivery. Bickering over what was correct grammar, she inevitably ended the conversation with an eye roll and “Honestly, John, you can be insufferable.” She emptied his overflowing ashtrays, picked up his prescriptions and bottles of Insure, found someone to come over to cut his hair. They were competitive over Wheel of Fortune, my dad holding his magnifying glass up to see the TV. Yelling out the answer, their voices on top each other, they looked to me to make the call. “Marie Antoinette! Marie Antoinette! Molly, you know I said it first!” my mom shrieked. I raised my hands in surrender and walked out of the room.

I found a photograph as a small child, loose in a box among other forgotten objects. A black and white image showed my parents gazing at each other on a boat, a strand of my mom’s hair loose on her cheek, my dad holding a smoke between his thumb and forefinger. They were laughing as if a joke had just been told. Although I imagined an exotic far-away island, it was likely a mud-bottomed, coffee-colored lake. They looked like a couple in love. I clutched at it, unable to stop looking at them. Evidence, the only I had really, of my parents’ one time love for each other. The sadness I felt for my mom after spending time with the photo caused me to bury it back in that box.

I had never seen my parents fight, but I had never witnessed this new, almost domestic scene, after he returned, either. I always knew they liked each other, but as he lay dying, this affection was amplified. When my dad came back after two decades of divorce, I wondered if my mom had somehow been waiting for him.

The last person my dad reached out to was his former wife. He called her; his voice filled with panic in the middle of the night, and told her he didn’t know what happening. His last moments of lucidity were spent with her, but there was no singing together on that car ride. That was the last time he entered the hospital. It was my mother who called me and my sisters to come quickly. We all arrived in time as he continued to make his gasping breaths, clawing at his oxygen mask. His three daughters and his former wife surrounded him in his hospital bed after the mask was removed and he was allowed his peace.

As my mom reassured him, stroking his hair, remarking how little grey he had, I realized for the first time that us girls were not the only ones losing someone that day. We were losing our dad, but my mom, such as he was, was losing the only husband she ever had. The family that they had created together was all he had left at his end. And when that time came and his suffering was over, none of us cared, my mom included, that he preferred men over women.

When I thought about that picture later, it no longer made me feel sad for my mom. Seeing her stringless love made me aware of my own tethers I held to my dad—unmet expectations, unsaid words, unrealized intimacy. Unclenching my fingers and releasing them expanded my view of love. It is bigger than I had thought, too big to be contained to a greeting card, Hollywood movie or perhaps even a marriage. It is big enough to see someone for who they are, who they want to be and forgive them the difference.

We all make our choices; we just have to live with them.

Molly Krause is a writer and restaurateur living in Lawrence, Kansas with her husband and two daughters.

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Understanding Our Kids’ Goofy Picture Face Phenomenon

Understanding Our Kids’ Goofy Picture Face Phenomenon

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“Hey you, there! Smile for your daddy!” You surprise your daughter with a camera pointed at her and, quicker than light and thought, a purity of joy erupts across her face and click—got it, happiness, digitized. How do they do that? I like to believe that it’s bigger than classical conditioning, stimulus and response, a camera equals time for a big fake smile. No. The little ones. I imagine them having a direct pipeline to unblemished joy, immediate access to the original thrill of Being, so when they see a camera, the veneer of their surface concerns immediately give way to a religious-like sense of aesthetic pleasure in the fact of just being little beings. Like tiny Zen Masters, they seem to gasp “AH!” and then chuckle wise and true. Here we are again. Little kids are the best subjects of pictures. Still happy about their relatively new status of being subjects at all, they revel in being photographed. They smile like ecstatic sunrises.

But then they turn 10 and who knows what the hell happens? Of course the age may differ for your kids (or it may never happen to your kids), but both my kids turned 10 and somehow lost their ability to summon instant access to a delighted face in the presence of a camera. Is 10 the year when self-consciousness reaches such a magnificent pitch that its hands wrap around their necks and choke them half to death the moment a camera flashes? Their tongues fly out, their eyes cross, and they even make goofy noises to underscore that this is a game they are no longer willing to play. Or is it a fall from grace? Do they perhaps themselves sense that their unencumbered path to unadulterated, spontaneous joy has, for reasons unknown, become blocked so that they, bewildered, make distorted and goofy faces to compensate for this loss?

Or are they maybe just trying to drive me insane? Smile, dammit! This picture is for your Nana!

Does their reasoning capacity, at age 10, reach a level of sophistication that realizes the flawed nature of our culture’s emphasis on physical appearance so, in a defiant effort to subvert this emphasis, they suddenly go all punk rock and ram their fingers up their noses? On another cultural note, there’s a traditional Native American aversion to being photographed due to the belief that their reproduction (either in a mirror or a photograph) produces a loss of soul. The soul is actually stolen by the image. Are the kids’ distorted and contorted faces maybe ways of shunning the activity of photography itself as a means to protect and cultivate their spiritual lives?

Then again, funny faces are just, you know, funny.

I remember being 10 and the precaution to look both ways before I crossed the street took on heightened importance. In fact, I began to look both ways twice! Anyway, what I’m driving at here is the possibility that the child’s grotesque face in the presence of the camera might in some way signify his or her more fully developed relationship to the fact that they will one day perish. This knowledge is certainly worthy of a really gross and twisted face.

Finally, maybe the goofy picture face phenomenon represents the child’s first real steps toward the direction of escaping who they are on the way to becoming who they’ll be. Until now, they have been satisfied with the roles of being our enthusiastic babies, hungry for our love, eager for our approval, and ready to smile every time we chime SMILE! But when middle school looms and they begin to sense that impossible place between childhood and adulthood, who can blame them for shunning the camera, closing their eyes, snarling, and sticking out their tongues? To thwart our desires by refusing to make the camera faces we crave and filling our scrapbooks with monsters and punk rockers is the way a self undoes itself on the path toward sketching the outlines of their own worldly countenance.

And to that I say cheese.

The Whole Truth

The Whole Truth

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“How often do you see your dad?” she asks casually.

The question is one of many questions we’ve volleyed back and forth this particular afternoon as we sit in the sun and let our children play on the playground.

How should I answer this question I’m sure she perceives as benign?

I could simply say, “My dad visits a couple times a year.”

That’s true. Or, at least, true enough.

Or, I could say, “I see my father’s shadow every day.” That’s also true but it takes some explaining.

I could tell her I see his shadow every time I pass a big rig on the highway and glance at the forearms of the trucker to see if they are connected to my father’s hub-cap sized hands.

I could tell her I see his shadow in the uneven gait of anyone in cowboy boots. And in every pair of Wranglers with extra slack where a butt should be.

I could tell her I see his shadow in the hand firmly gripping the upper arm of the whining child in front of me in the grocery checkout line. And in the neck swiftly turning to administer a fierce gaze and the promise of action to an off-task child at the park.

I could tell her I see his shadow in the red nose of the man in the bar who asks for another with eyes at once hopeful that the next round will bring relief and simultaneously sorrowful because he knows the amber elixir lost its magic years ago and the bottom of the glass is not where second chances hide. And in the father sitting across from his child at a nearby table holding up his end of a patchwork conversation, pieced together as good as it can be given the uneven stitches of court ordered visitations and shared holidays.

I could tell her I see his shadow in the Vietnam vet on the corner and hold my breath while I check to make sure that the stranger is indeed a stranger and that the remarkable resemblance is only just that.

I could tell her all this and reveal myself to be a not-so-well-adjusted, not-so-resilient child of divorce. I could reveal myself to be the dented can somehow placed on the shelf alongside all the unblemished cylinders that made it through similar journeys without permanent damage.

There are plenty of other moms on the playground that appear normal and self-actualized. Friendship with me will cost the same as friendship with one of them. Surely she would prefer to invest her time in building a friendship with someone else. Someone not standing in the long shadow of what could have been but wasn’t. Someone who won’t tense when she hears kids whine. Someone who won’t weep when she sees the easy affection of a father for his child. Someone who won’t speed up to overtake a semi on the off chance she knows the driver. Someone who won’t lose her train of thought when she sees a bearded man at the off ramp with a Sharpie plea written on a cardboard remnant.

I could pose as an undented can. I could turn my best side forward and hide the imperfections. I could pretend to be unaffected by the bumps and sharp corners of my journey.

I could say, “My dad visits a couple times a year.”

Or, I could reveal the scars of improperly healed wounds and say, “I see my father’s shadow every day.”

I look at her and realize that I’ve taken too long to answer what she thinks is a simple question.

Showing Lola Brain, Child

Showing Lola Brain, Child

showinglola“Come upstairs, Lola Blue. I have something for you.”

“WHAT?!?”

“Well no don’t um—get all excited about it. I mean, it’s for you and all, but it’s the kind of something that you just sort of keep and put away and maybe look at from time to time like your purple volcano stones from Maui.”

“Cool! Let’s see!”

Upstairs, Lola sat on my bed and I handed her a copy of Brain, Child, Volume 16, Issue 2, a literary magazine for thinking mothers. On the cover was an animated image of two young people from behind, holding hands, and they both have cell phones in their pockets. (If, by chance, you wanted to ORDER this magazine, you could click here and we could definitely make that happen.) Lola did her best to feign interest in the magazine but it was a far cry from purple volcano stones from Maui.

“Just—uh—you know, flip through the pages a little bit,” I instructed. “Figured there might be something in there you might find interesting.”

She leafed through the pages, humming, skimming titles and checking out the art work (was that what she was supposed to find interesting? who knows? dad’s not being especially direct with this particular “something special”) until page 54 stopped her cold in stunned recognition. What the hell? It was her.

“It’s me!” she exclaimed on the border of a question, looking at me, amazed, and then back again at the full page black and white image of herself in a magazine. “The Poetry of Math?” she read the title, wondering what it meant, “And it’s by you! You, Daddy, in a magazine! And me!”

“Yeah,” I said and sat next to her. “I write about you and your brother on the Internet all the time, but this is different, hey? Here we are, out in the world, in print. Is that pretty cool or is that pretty cool?”

“It’s way pretty cool!” She smiled, turned the page, and read “{OUR KIDS} + (the FUTURE) = Anything. You write so crazy, Daddy. What’s that even supposed to mean?”

“I don’t know, little girl. I just scribble things down about you kids and hope that maybe one day you’ll check them out—like when you’re 20 or something—and maybe they’ll mean something to you. And then, maybe when you’re 30 or 40, they might mean something else. Hell, I’m not even sure half the time if I know what they mean and I’m the guy who writes it. But I do know this much for sure. Sometimes, you kids mean more to me than anything I could ever tell you. I could never explain. So I just try to write it down and see what happens.”

“Like how?”

“Like how what?”

“Like how do me and Jay-Jay mean things you can’t explain?”

“Sweetheart. I just explained to you that I can’t explain and that’s why I write—”

“But, Daddy, this IS writing. It’s not like we’re having a real conversation. This is an essay on the Internet.”

I felt weird. Dizzy. Like drugs, or colors. “Whoa,” I said, “this conversation just went all meta-essay. Do you know what that means?”

“That the writing no longer seeks to deceive the reader by representing a transparent reality but, rather, becomes conscious of itself as writing while exploring and articulating its limitations.”

“Yeah. You’re pretty bright for a 10-year-old girl.”

“I have a really strange dad. So, anyway, how? How do me and Jay-Jay mean things you can’t explain?”

“Okay, it’s like this. Sometimes you and your brother will just… DO something. Like, anything. And I can’t just say ‘Wow, Lola, that was really awesome the way you brushed your hair,’ because, even though that’s what you did, that’s not what it meant. See? What it meant is what I can’t explain.”

“Well, what did it mean?”

“Are you even listening to me? I don’t know. Nothing, maybe? It’s like there’s this world, you know, and it’s spinning in a circle and whirling around the sun, in circles, going nowhere, and there’s all this war and sex and reality television and people—it’s the people, I think—the way we’re trapped inside the narratives of our own stories as if they’re, like, realer than they really are and I’m the same way, just living my life, oblivious, consumed, selfish, and then all of a sudden­—WHAM—you’re brushing your hair or Jaydn opens a window and I can’t believe there’s such a thing as any of this or you and I get—like—stunned without a tongue so I write things like ‘Lola brushed her hair free of tangles and rubies as Jaydn opened the window to get some fresh dreams. My children are made of tulips and stardust. Nothing in the world is what anything seems.’ Do you see? I can’t explain. I can’t—”

“Shhhh,” she spared my lips. “Hey, Daddy? Can I keep this? The magazine?”

“Of course you can—yes. I wrote it for you.”

“You will always be the candles on my eyes’ windowsills.”

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A Flair for the Dramatic

A Flair for the Dramatic

By Aaron WhiteWO Beating Outside my heart Art

Self-Injury

I’ve always had a flair for the dramatic. I’m not proud to admit this. A large part of me wishes I’d outgrown it by the time I reached adulthood. The ideal portrait I’ve always painted of myself is stoic, collected, but I know otherwise. When I was a kid, I often babysat my three younger brothers. I was too young to be left in charge of children, and after hours of angrily trying to corral them, stifle them, all in the hopes of preventing spilt milk on the linoleum or broken glass in the bathroom, I’d had enough. In seething, utter frustration I grabbed my whitest shirt and soaked the front in stage blood from the previous Halloween. Corn syrup crimson, I let it permeate the fabric and rest on my stomach. I then pulled a steak knife from the kitchen drawer and screamed for all the neighbors to hear. Collapsing to the floor, shutting my eyes extra tight, I felt the clustered patter of bare feet. They approached me, timid and cautious. I tried my hardest not to breathe. Soon, a blanket was thrown over my dead frame, and their bellows of laughter were chased by the intense melodrama of my searing rage, pursuing them to the other end of the house, steak knife in hand and bogus blood caked to my torso.

Tantrums

 I’ve always had a flair for the dramatic. I’d gotten better about hiding it by the time my daughter was two. I remained stoic and collected in the cold exam room, antiseptic white. My wife, Tiffany, nervously rapped her heel against the slick linoleum. What was concern for an earache soon turned into questions about Harper’s severely regressed speech. The doctor showed unnerving angst for the early stages of autism. That evening, I locked myself in my office. I shut the door tight and wept in secret. I wept and cursed and spat without shame. I slammed my fist on my desk. I knocked pens and paper to the floor. I stomped my feet and hit my head in unison. I despaired the loss of my normal child. What little experience I’d had in the public school system taught me that autistic children are awkward. They’re good with computers, sure, but they walk on their toes and struggle to end a sentence. These kids are corralled into special education classrooms and taught how to shut up, sit straight, act appropriately, and smile accordingly. I collapsed to the floor and wished for a blanket.

Speech Delay

I’ve always had a flair for the dramatic. I try not to let it get the best of me. Just a few weeks before the final diagnosis, before hours spent pouring over pamphlets and web pages and online seminars, before working with a slew of speech and developmental therapists, I got out my phone and snapped a photo of my daughter. Tiffany was away and in my absentmindedness Harper got a hold of an apple. Before I could catch her she’d already started in, her teeth dug tight into its green flesh. The juice bled down her chin and permeated the collar of her shirt. She babbled happily, plump cheeks resting atop a wide smile, and ran from the kitchen to the living room to devour her well-deserved spoils. As she finished up, I wet a napkin and tried to wipe her down. Before I could reach for the core she handed it to me, mouthing in a little voice I so little heard, “Apple, Dada.” I smiled and welled up inside. I inflated and I danced. I stomped my feet and hit my head in unison, in laughter. I hugged and kissed Harper, welcoming her confused, timid expression. I eagerly called my wife and tried to speak but found my mouth useless. The photo was sent to her instantaneously. We rejoiced over the scattering and reassembling of digitized pixels, an accomplishment and reminder that our daughter was going to be okay.

Aggression

I’ve always had a flair for the dramatic. Sometimes it can’t be suppressed. In the pediatrician’s office three hours from home, they diagnosed Harper as autistic, but it sounded wrong. Tiffany’s eyes welled up big and wet and I tried to remain stoic for her and my little girl. I tried so incredibly hard to keep myself from shouting “bullshit” and throwing my chair. Two well-dressed, tight lipped, closed-minded strangers evaluated Harper for a mere hour and a half. They bled color from the word “autism.” They dismissed two years of laughter and growth and love to throw it over her like a wet blanket, to stifle her with a condemnation, a disease, a sickened, blackened word. This was not the same portrait of autism I’d come to know. It was not a new way of thinking, but a wrong way of thinking, of seeing the world. “Take advantage of the Social Security benefits,” they told me. “ABA therapy,” they told me. I wanted to stomp my feet and hit my head. I wanted to shove that picture in their faces, show them my little girl, my Harper, standing on a kitchen chair with that bright, green ball of fruit in her hand. I wanted to tell them, “Apple, Dada!” She said two consecutive words! Unprovoked! She associated the abstract with the tangible, god damn it, can’t you see? I wanted to hold a steak knife to my gut and shout, “Look at me! Look at me!” I wanted them, for just one second longer, to avert their eyes from my daughter, to cast that blanket over me.

Repetitive Behaviors

Harper has a flair for the dramatic. She can melt in a mere moment, kicking and screaming, flailing her arms and legs like something wild. Harper will bite and pinch. She will shake her fists and flap her hands. She will also laugh. And kiss. And wrap her arms around my neck so tight I’ll forget to breathe. Late at night, when I kneel over her bed and the blinds allow only a modest amount of white moonlight to enter the room, I’ll feel her plump arm reach out to me from the void and pull my head toward her chest. Harper’s heart thumps rapid and rhythmic and I know she’s narrowly escaping some nightmarish landscape of phantasm. I pull her fleece blanket close to her chin and static pops in small bursts of blue light, like Fourth of July sparklers, enticing and delusive. I’ll close my eyes and listen to her breathe. When she swaddles my face in milky gusts, the tension finally loosens its grip.

Aaron White recently earned a graduate degree in creative writing from Eastern Illinois University. His work has been published in The Tonic and Heart. His fiction and poetry has won awards from The Academy of American Poets, The Mary-Reid MacBeth Foundation, and The James Jones Literary Society. In grad school. This essay is his first venture into creative nonfiction.

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Swinging Lola

Swinging Lola

Lola SwingingWhen you were pushing your daughter on the swing, you forgot about the rent. You forgot about your taxes and your credit cards and the broken towel rack in the bathroom and the hangnail on your right index finger. You forgot about work and working out and the bad dreams you’ve been having about a wicked pack of oil slicked witches chasing you through an endless concrete maze lacking both entrance and exit. From a pop psychological perspective, you were not a symptom of your issues. You were not abandoned. You were not the victim of a God fashioned after the constraints imposed by your drunk and raving stepdad. Your inner child was not wounded. You were not hounded by the sense that you’re not okay or good enough or worthy of love. Nor did you smother yourself with positive self-talk about all your admirable qualities and the good things you deserve. You did not obsess about, or feel compelled, to have a drink—just one drink, to take the edge off. Indeed, you forgot you had an edge. From a less conventional perspective of our psychopathologies, you were not possessed by demons or haunted by ghosts and you weren’t the numinous vessel through which bloodthirsty gods of war erupted, blindly seeking power and vengeance. You forgot to worry about the future’s uncertainty. You forgot to dwell in the muck of the past. You even forgot to remember that your car was low on gas.

Come to think of it, when you were pushing your daughter on the swing, you forgot about yourself entirely and, in the ecstatic release of this blessing, you forgot you were even a you at all, that such an odd little thing called you existed. Where did you go? Pay attention. Because here’s where it gets interesting and twisted. When you were pushing your daughter on the swing, some vaster You, the great big You that, indeed, contains you and everything else, but frequently—too frequently—gets imprisoned by your persistent identification with It, freed Itself from your unusually imperial dominance to inhabit the perspective of your daughter and, as a result, you forgot yourself in the service of this You that loves only to wander through the exotic forests of otherness.

And you were swinging! As the chains binding you to the swing set moaned with their predictable creaking like the bones of the very old, you were swinging, wildly to and fro, screaming Higher, Daddy, higher, screaming WHOO, and laughing. You were swinging and your long yellow hair sailed behind you like a superhero’s cape and the big yellow sun hung in the perfectly blue sky like a painting that sought only to explore the magic of juxtaposing a vivid yellow circle on a vast blue canvas. You forgot that math was hard and that school was a drag and that it’s becoming more and more difficult to navigate school’s social demands. Some girls are mean. Some girls are nice. Who are you? You forgot that your parents are divorced and how confusing it is to somehow be a member of the same family while blurring into the scenes of two new families. You forgot about your big brother, how much you admire and despise him. You forgot that your dad always goes to those meetings and you don’t really understand why but you’re glad he does. You forgot you spilled mustard on your blue dress and that you can’t find your hairbrush under your bed or anywhere and you even forgot that your braces make your whole mouth sore.

Come to think of it, when you were swinging, you forgot about yourself entirely and, in the ecstatic release of this blessing, you forgot you were even a you at all, that such an odd little thing called you existed. Where did you go? To the mountains! As you reached the highest point of your backward arc, you swooped forward and, freed from yourself into some vaster You, you were a bird launching into the air and flapping your wings, trafficking with airplanes and clouds, thinking big thoughts as big as the sky. Look at you! You can fly anywhere, anywhere at all, but the city and all its cold angled concrete and people bore you to death so you fly to the mountains where the rock is red and yellow and as constant as hope. You belong in the mountains. The mountains are home. For only in the mountains do you fit like a carefully built nest in the branches of a humble tree. You feel free in the mountains. There, you can finally relax and sing and, unafraid of men with guns and other predators, forget yourself. Come to think of it, as the idea of yourself as a bird gives way and blurs into your surroundings, you yourself are the entire range of red mountains covered in blue sky and we, too, are all of this.

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Straightening Things Out, With the People You Love

Straightening Things Out, With the People You Love

bracesWhen all the happy teeth of your mischievous smile were covered the other day by your shiny new braces, I remembered brushing your hair. But that doesn’t make any sense at all, I imagine you saying without hesitation. No? Well maybe it doesn’t. But that’s the way I think, all over the place, all the time. Don’t you? Doesn’t everybody? Well I do and, for all we know, it does make sense. Let’s see if we can straighten this out.

When you were a little girl, I used to give you baths, which I loved when I wasn’t consumed by myself and my own ambitions, which was often but, nonetheless, there was always a part of me that stayed aware of loving to watch you play with cups and water and I loved the way it felt on my big hands when I washed and conditioned your pretty hair. It was after the bath when things got ugly. I went downstairs as you dried off and put on your pajamas. Solemnly, you descended the stairs with your detangling spray, a comb, and a brush. Your mouth was a straight line and your eyes were half-lidded. You walked straight to me and turned around, rigid, like a soldier. I doused your hair with the spray and so it began. First, the comb to rake through the bigger tangles and then the brush. You tried to stifle your outbursts but sometimes you squealed as big raindrops formed in the clouds of your eyes and rolled down your cheeks and God it killed me to hurt you.

One of the many beautiful things about primal cultures and children is their convincing ability to inhabit a world of amazingly creative theories of causation. I don’t look upon this ability in a disparaging way at all. I admire it, respect it, yearn for it, and fundamentally believe that it’s a truer way to dwell in the shelter of the world than the diminished world merely understood through the lens of science and its useful discoveries. People used to have gods that oversaw almost every form of activity and nearly everything they did was a prayer. They made sacrifices to influence the harvest. Mimicked myth through ritual. Created idols to protect their homes and sleep. Attributed good fortune to the goodwill of deceased ancestors. Danced for rain.

It’s been almost 4 years and you don’t talk about the divorce much; you never have. But I imagine you might shoulder the burden of your own ideas about what went wrong in your secret and magical way of making sense. What did you do wrong? Were you perhaps mean to the cat? Did you steal cookies? Did you think a horrible thing in anger that you quickly wished you never thought and couldn’t think away? Or maybe you stepped on a crack or forgot to water the plants and your parents got divorced. And though I wrote above that I admired this ability to live in a world where what happens occurs in the realm of art, one of my deepest desires is for you to know and understand in the deeps of your bones that nothing you did caused your parents’ divorce. That blame lies solely with me. Your dad made sacrifices to all the wrong gods and incurred the wrath of their vengeance. And, even though I’ve told you so many times that we’re both sick of hearing it, I remain always on the ready (when you are) to discuss my mistakes with you, to make amends, and set things straight. God, it killed me to hurt you.

But eventually the brush would slide through your long yellow hair like a hot knife through butter and I could see your body slacken with relief. And I would keep brushing for a good long while because I knew it felt so nice to have a brush running through your shiny clean hair without a single snag or snarl. Loosened up, you would climb on my lap and start telling me your funny stories about the way things appear and happen for little girls. The cat likes to sing when she thinks no one is listening but you have heard her, on more than one occasion, sing I Shall Be Released by the big glass slider. When you fell off your bike and skinned your knee, you yelled at your bike and now she doesn’t feel much like riding no more. If you ever get scared at night, you just talk to the moon, which makes you not scared, because the moon is maybe your best friend in the whole world next to Maddie. And I would just listen and love you, brushing and brushing your long yellow hair until it was perfectly straight.

Now it has come to my attention that a smart little girl has taken to sneaking a peek at what her daddy writes on the Internet, so I will break one of my rules—a magician should never ever never reveal his tricks—and explain to you exactly why your shiny new braces reminded me of brushing your hair. You start with the braces. They straighten your teeth. I brushed your hair to make it straight. But these are just metaphors for the constantly ongoing need to straighten things out with the people you love. I am ready when you are. Now turn that thing off and go to bed. I love you. —Daddy

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The Power of Speech and Texts

The Power of Speech and Texts

lola iphoneBefore you could talk I used to stare at you a lot and wonder where you lived. In what kind of world? I confess to being somewhat addicted to the Linguistic Turn in Western philosophy—the counterintuitive notion that it is language itself that constitutes the things around us as opposed to words merely being labels we stick on pre-existing things.

Huh?

Okay. Either a chair is just, um, there—as the thing people sit on—and then, eventually, we learn the word for it: “chair.” Simple enough. OR… it’s the word itself—chair—that gives rise to the thing upon which people sit. Calls it into being, so to speak, so the world we live in is only as large as our vocabulary.

I like modern art and poetry and destructive philosophy that teases the logic of common sense so it’s probably no surprise to you that the latter relationship between language and thinghood appeals to my taste.

Which brings me back to the curiosity that got this essay rolling. In what kind of world were you before you could speak? A sloppy swirly soup of color and form, I imagined, like a trippy Jackson Pollock movie. No wonder you cried all the time, swimming around in such chaotic flux. But sometimes you stared right back into my eyes, seemingly unafraid and perhaps even defiant, which was weird. And then you’d smile all gums as if mocking my world among reified things.

I waited and waited for your first word—that first thing upon which your world would stand and against which everything else would contrast, not being that, being something else until the whole wide world would snap into place. Chairs. Owls. Snowmobiles.

It was cracker. Out of chaos you called forth a cracker, which was actually a Cheerio, but I think you really just meant food, an expansive word that of course embraces crackers, cheerios, and Peking duck. By what monstrous act of mentation do we cull our first signifier in isolation from all others? It’s impossible. It resists explanation. But after your first great leap, you soon distinguished kitty from cracker and, from there, you never shut your flapping yappus. You were one of us. It was amazing.

And as you spoke and continued to speak, naming and constituting a world of things, something equally—perhaps even more—mysterious evolved in conjunction with this eruption of external reality. An inner life. The thing we call you. It grew and grew and grew in rooms of thought and memory and I have never stopped wondering who you are. Did your acquisition of language bring us closer together or cleave us apart? Hard to say. And isn’t that—what is hard to say being hard to say—precisely the problem?

Who are you? Where did you go? What’s on your mind as you gaze out the window?

*   *   *

You turned 10 a few days ago and got an iPhone. I wasn’t thrilled by the plan but, more important than the fact all your friends have them, your activities and travels around town are beginning to expand and you’re finding yourself in more and more situations where a phone is just practical.

It’s easy to get swept away by the negative critique of “you damn kids today,” your mobile devices, social media, the end of grammar, the death of spelling, and the corrosion of the ability to form deep and meaningful relationships. Narcissists! Sociopaths! Brain Cancer!

But I have to confess that, in spite of the end of the world as we know it, I have been delightfully surprised and charmed by the way you’ve so intuitively embraced and used the text message.

“BOO! I love you daddy :)”

You will probably never know how often I think about you, imagine you, wonder about you, and hope for you. And this device, this supposed blemish on our crumbling civilization, has granted us access into each other’s lives whenever we want from wherever we are.

Tell me something good,” I type and hit send.

“I made 2 new friends :)”

And then, late, I’m reading in bed and drifting in and out of sleep when my phone beep beeps.

“Im supposed to be asleep, daddy hee hee. I love you goodnight :)”

*   *   *

Tonight, you’re flying to Washington, DC, and we’ve promised to stay in touch. I’ve assigned you the mission of finding a statue of Abraham Lincoln and sending me a picture. I will sneak attack you with declarations of love and flowers and butterflies and cupcakes. And in this minimal amount of time, exploring these new ways that a father and daughter can appear to one another in language, I can’t help but wonder about the power of the text message. In what way—how—can it utilize and possibly extend those original magic powers of the word to call forth crackers and kitties? The text message spans the distance and closes the gap. Speaks love and so it is. In new ways? In ways that alter the reach and shape of love? Perhaps. Hard to say.

“Fly home soon, Lola Blue. I miss you. You are the cool breeze blowing through the window. xo”

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Tell Me Something Good

Tell Me Something Good

BHJThe first cup of coffee. A good joke. The quiet certainty that you’re not alone and that you are loved. Sunrises from behind mountains. Long runs. Chocolate.

My daughter’s teacher called to discuss a classroom display of frustration that didn’t seem to shore up with merely struggling with long division. Something else was bothering her. Something she conceals that builds and builds until she unloads her sublimated wrath on that God awful math. She snapped her pencil and cried and cried and cried some more. Couldn’t be consoled. The teacher took her to a different room until she calmed down.

Movie theaters. Sharp pencils. Finding money in an old jacket. Forgiving. Forgetting. Popcorn.

Autumn explodes in a mad dazzle of fireworks but make no mistake: it’s the finale. It’s already over. And I suppose I keep returning to the metaphor of autumn with the hope of unveiling a graceful end. How, I wonder, can we situate death in a good story that’s beautiful? I have snapped my own share of pencils. It’s inherited. This frustration. These tears. And never knowing for certain what’s really wrong. Math’s giving her a hard time, yes, the teacher said, but she also let it slip that she misses her daddy.

Holding hands. Cherries. Looking up at a blue sky and feeling somehow boundless. Reading. Writing. Old wives’ tales.

To our delighted surprise, we realize that there’s no ultimate distinction between self and other. The painful experience of being-apart is merely a trick of the ego, itself the result of an illusion—some Great Reality mistaking itself for a smaller reality that often takes itself way too seriously. For an I is a you and the rest of it too. Unfortunately, however, our insights into ultimacy are ultimately fleeting. Being so stubbornly subjected to our own subjectivity, we find ourselves frequently lonely, afraid, and frustrated by math. We miss our dads. Will, we ask, these wounds ever mend?

The moon. Bridges. The ecstasy of losing one’s self in reverie. Solitude. Silence. Unagi.

The alcoholism recovery people suggest that we make amends to the people we harmed, which is easy if you stole $500 from your old boss because all you do is pay him back. But how do you make amends to your kids for wrecking their family? How do you put that right? I’m of the mind that it can’t be done, that the most I can do is maintain a vigilant attempt to mend the wound, to heal the separation. And this call from her teacher, this report that my daughter is frustrated and misses her daddy, stirred up—again—the issue of amends.

Smiling monks. Forest paths. The way light and shadow converse in a little girl’s hair. Belly laughs. Cold water. Naps.

An old friend, long dead, once, after vomiting blood for the better part of 45 minutes and collapsing on the bathroom floor, asked me to lay down next to him because he was scared. He shook with delirium tremens and cried and we just laid there, knowing he would die. And then from nowhere he said, “Tell me something good.” I peered into the brown sludge of his hopeless eyes and flashed him a counterfeit smile. “Please,” his voice quivered, “tell me something good.” We’re going to win, I told him. We didn’t.

Old photographs of your grandparents. Ice cream. The windows down in August. Devotion. Prayer. Potato chips.

And so, in addition to seeing her three times a week, to make amends, to keep busy with the work of mending, I commit to calling her on the days I don’t see her, to either see her or talk to her every single day. It’s awkward at first. We are often at a loss for words or she responds to my inquiries with single word answers and I flounder, stutter, stop. Until, as if haunted, I demand without thinking, “Tell me something good.” Silence. “Yes, that’s what we’ll do,” I make it up as I go. “It’s my job to call you, but you need a job too, so your job is to, every single day, tell me something good.” Silence. More silence. And then: I have five Jolly Ranchers.

Five Jolly Ranchers. Friendship bracelets. Indian food. A repaired microscope. Substitute teachers.

Autumn explodes in a mad dazzle of fireworks and—yes—it’s all over (nobody wins), but look at that bloody mess of red, orange, and yellow—gasp! Good things. Not a solution or a cure or an attempt at justification, but there nonetheless, always in all ways. And maybe in spite of the despair and the woe and all our lonely missing being-apart—maybe a way toward the real work of the never-ending mending is in the shared discipline of seeking out good things.

A Little Fire in Her Dark

A Little Fire in Her Dark

IMG_8102Stop the presses and close the doors and play all the slow songs about promises and memory. The leaves are on the ground, dusted with snow. All the people walk away. Planes take off and there’s nothing to do but watch. You can’t see the moon tonight. No one is home. The stores are all closed and the letters were either lost or not written. The building’s abandoned, the window is broken, and no one in this whole wide world gets long division.

I broke your heart tonight.

We were sitting in an Italian restaurant and the tablecloth was red and white. Maybe, somewhere, an old woman wrote a poem, a collage of memories that would otherwise disappear forever. I said, “I saw your report card. What’s going on with you? Since when do you get such poor marks?” and two big tears raced down your cheeks and splashed in your bowl of spaghetti and meatballs.

When you were born, after your mother fell asleep, I cradled you in my arms and whispered promises to your stunned pink face. I like to imagine that my hushed words started a little fire in the darkest dark from whence you came and that you might one day hear them again when you were cold and needed warm hands and good thoughts. I will protect you. I will protect you. I will protect you.

But who am I—how can I possibly stack up—next to this concrete world of broken promises, lifeless pink bunnies, and long division? Long division is hard, man. It doesn’t make sense. What makes sense when you’re 9-years-old? I mean, what’s it even MEAN to ask how many times this goes into that? How many 3’s go into 18? Falling leaves and slot machines? One handful of jelly beans? More to the picture—not what it seems.

I promised to protect you but then banished you to a world where they do long division, where pet fish die, where everything’s conditioned by the ebb and flow of ceaseless flux, and there are boys. And then, tonight, with just a couple callous questions, I broke your heart and made you cry in a bowl of spaghetti and meatballs. It’s hard to keep the path through the forest after dark. Are we on the right one? Or are we even on a path at all? It happens so easily and quick to lose one’s way in the weeds and thicket. And my God it’s cold.

But if you keep walking, slowly, with your hands out in front of you so as to avoid smashing into a tree, I believe that eventually your pupils will constrict on the distant flicker of a tiny little fire that, by virtue of its being an orange smear on the dark, will seem to say Over here! Over here! And as you walk toward it, your muscles will slacken, you will begin to relax, and your hands—your defenses—will drop because you will then be able to see the trees and they too will seem to wave you in and cry Welcome!

And now, too, the clouds will have parted and you will once again see the moon.

The fire, a hub, reveals many paths in all directions and you’ll be able to choose your way home in the morning. But, for now, sit by the fire and get yourself warm again. Stick out your hands; let it lick your fingers. Do you hear that? The way the fire cracks, pops, and hisses. Relax. This is how it whispers. Welcome to the world, little one. I’ve been waiting for you. I have always waited for you. The world is big and scary and easy to get lost in but I promise you that I will stay here, burning, in the very core of the darkest things and the most broken hearts, to keep you warm and light your way. I will protect you. I will protect you. I will protect you.

A Real Fantasy With My Daughter About Imagination

A Real Fantasy With My Daughter About Imagination

0-25“I’m bored. So bored. I’m going to die of boredation,” she said in her bed. All the birds, perturbed and concerned, stopped singing.

A door’s slow creak gained in momentum and slammed.

Not a door in the house nor a door in my head, but rather a door between worlds. The kind of door that, when open, confuses things with the clarity of some largeness that confounds. Do you follow? Please do. Come along and don’t worry. We’ll leave a trail of breadcrumbs or popcorn or pearls.

A big orange flower, not yet wilted, is drooping. The dream animals, lost in the desert, are dying of thirst. My little girl is bored. She dangles precariously on the precipice of a reified world of inanimate, impersonal matter.

“Want some candy?” I ask her and hand her a red and white lollipop. There isn’t much time. I check my watch but it’s not on my wrist. No matter. To hell with chronology.

“There’s always time. No rush. No rush,” the turtle mumbles in a slow deep voice as he lumbers lumberingly through the door. “Climb aboard.” We hop on the turtle’s shell, a maze of yellow and brown wherein it’s easy to get lost. We don’t know where we’re going. Nobody does.

I remember you, Lola Blue, on your stomach, straining the just barely able muscles in your neck to lift your wobbly head. I marveled at how you were able, already, to focus and direct all your baby energies into one concentrated act. And why? Why did you so tenaciously will your head off the pillow?

To see. Driven only by the wonder and thrill of the ability to see and all that might be seen.

“Look! It’s raining lemon drops and gummy bears from pink and blue clouds of cotton candy!” she screams, and the turtle sighs. Taking cover, slowly, he heads toward a cave on the side of a mountain as Lola catches candy on her tongue.

The mountain, to put things in perspective, is actually an irritated blemish on the back of a Cosmic Yellow Dog who is said to devour each moment in his voracious maw. It is not known if the Cosmic Yellow Dog is God’s tame pet or if he is wild and incorrigible.

Inside the mountain, the turtle, whose name was Martin, was soon gone. We found ourselves on a playground upon which a gentle snow fell. Lola listened as I stood atop the tall red slide and recited Dylan Thomas. “The force that through the green fuse drives the flower / Drives my green age.” The poetry made us feel weird, like we were dreaming, enchanted by the spell of some rhythmic witch.

“Daddy,” she said, “This isn’t real, is it?” The snow turned to tiny pink and yellow flowers that fell in slow motion, twirling humbly to the earth. I felt empty with longing. I wanted to argue about truth and beauty and justice with ancient Greek philosophers. I wanted to keep the door open and stoke the fire.

“Of course it’s real, little girl,” I replied and did a cartwheel.

“But none of this is happening. Not really. Not even this conversation. It’s make believe.”

“But, baby, here we are, you and me—talking.”

“No, Daddy. Not really.” She shook her head but her eyes were wide with hoping.

“Then why do you keep answering me?”

The question caught her off guard and she thought about it. She shook tiny flowers from her yellow hair and thought some more before saying the magic words: “I don’t know.” A choir began to sing. All the prisoners escaped from jail. Reunited lovers embraced and kissed, celebrating ignorance.

“We are strange and mysterious creatures, little girl,” I lectured. “Thrown into the world against our wills—here—there is so much to see and eat and dream. There’s no time. No time for boredom. Boredom begins where your imagination ends. There are too many books to read to possibly be bored. Too much music. Too many poems. Too many worlds waiting to be born, waiting to happen, waiting for you.”

As she became interested in her boredom, the door creaked open. Inside her clenched fist she found a magic silver key. “It’s the secret,” she said, “the secret to everything.” And, without hesitation, she gave it to you.

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When Pictures Ache To Be Songs

When Pictures Ache To Be Songs

photo-1 copy 4

My daughter, just the other day, gave me her 4th Grade school picture and I got that feeling. You know how when you want to say something about rivers, the intangibility of memory, and a fork slicing through a piece of blueberry pie? It’s like that. But only for a second and then it’s not.

It’s frustrating, isn’t it? Because that feeling? It’s made of images but those images themselves are only symbols for water that slips right through your fingers when you try to grab it. Sometimes the content of the feeling veers away from imagery and seeks to announce itself in sound. I mean, it erupts into words but it yearns rather to be heard as opposed to dwelling in what the words mean. Like, for me, it seems to most often be about the conversation between long e’s. I want to stand on a chair or atop a tall building and yell something like She’s calm seas and bumble bees and the breeze through trees on a Japanese puzzle box. But I never do. And so that feeling stays lodged in my chest, caught in my throat, restless, urgent, waiting to explode.

In the end, there’s something strangely and tantalizingly lacking in the reach of what words are able to say. Often, in relation to that feeling and its expression, I discover that it pushes and kicks at its boundaries in an effort to be a song. I hear the fast rippling notes of an acoustic guitar that come and go like a waterfall and the lyrics drip like syrup in a foreign language that belongs not to another country, but dreams. None of it makes any sense and, it seems to me, that it’s this inability to decipher that feeling in a way that secures meaning that ultimately secures its mysterious and unfathomable beauty.

It’s just a 5X7 and—yes—it’s the rectangular limit of the picture, the boundary it erects between the image and everything else that initially stirs that feeling into being because it evokes an immediate contradiction. She is in the picture. But she’s more than the picture. This contradiction creates sparks that flicker into imagery, poetry, and music. And there she is, frozen in a blink of time, well lit, smiling, wearing a purple leopard-skinned top and a light blue sweater peppered with the silhouettes of dachshunds. And I get that feeling. That jagged inhalation. The ancient aesthetic gasp. Because—yes—she’s beautiful and—yes—pictures are great and wonderful things to preserve bits of stasis in an otherwise relentless world of fluid and flowing flux, but it’s this stasis that refuses, even in imagery, to stay put.

There she is, a 9-year-old 4th Grade girl, trapped in a rectangle but, like a song, she pushes and kicks at the boundaries, dripping like syrup into the past and the future. She was my baby, a speck of pink flesh in tiny pajamas (with zebras), and I rocked her to sleep night after night to the tune of Lou Reed crooning Pale Blue Eyes. And, still dripping from the picture, she will one day be an old woman with wise eyes that seem to float in a calm sea of memory and wisdom. Pictures accrue meaning from their befores and afters and it’s all the time that erupts from the blink of the moment—flash—that gets lodged in my chest and caught in my throat, that feeling urging itself into being more, into strangely juxtaposed images, the assonance of poetry, and the opaque familiarity of the songs that haunt our dreams.

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Why She Turns

Why She Turns

0So she slams the car door, says “Bye, daddy,” and starts running to the house. Halfway there and suddenly, she stops.

Sure, I write to remember, of course, but I also write to wonder, to poke certain memories with a stick in order to see, in and through language, what they reveal. And also to create a documented memorial to memory, for the minutia, for those fleeting things, so sly, that frequently slip by into the unspeakable realm of forgotten things.  So maybe she can one day read them too, a woman, perusing tombstones of her childhood, things her daddy thought.

And it’s all in the stopping. When she stopped. Stop.

What, spinning on dimes, changes our minds? For instance, you’ve decided with certainty that you want the carrot cake, you close the menu, sip your coffee, wait. But when the waitress comes and solicits your decision, you hear yourself order the crème brulee. It’s like that, no? Someone else emerges through you and you, from some quirky 3rd person perspective, hear them trump your carrot cake with crème brulee and you’re like ‘What?’ But then you quickly adjust to the thought that it was your idea because the spooky alternative lacks coherence and, besides, the crème brulee? It was delicious.

And she turns.

One of the first paintings I ever loved was Vermeer’s Girl with a Pearl Earring. Because, though ambiguously, she—a static image—wants to move and she does in your firing imagination. She’s turning. But away from you? Or toward you? And what’s the deal with the expression on her face? Is she longing for her lover? Mourning? Startled? It was the first painting that ever filled me with confused wonder that, far from irritating, lit me on fire with awe and questions. I wanted to know her but I knew I never would, that her story would always both beckon and elude me. I remember the last day I saw my best friend. He walked away as I wondered if he would stop and turn around. I remember my rum soaked step-dad walking down the hall as I wondered if he would stop and turn around.

The sky is so blue that it could make you cry if you thought about it too hard and the sun smashes through like a baseball shattering a window. And there she is, wearing a purple dress. Stopped, turned, and now standing on the white sidewalk. So present, she owns the space she occupies and the palms lean in. She has such a keen draw on my attention that she often forces me to imagine that the vast interconnection of all the things of this world are all thus locked in an effort to continue producing her, permitting her to erupt into the world with her mischievous smile and long yellow hair. What does she want? Why is she standing there?

When you closely observe, in the midst of a conversation, how fast we talk, how quickly the words come up our throats and off our tongues, it becomes easy to doubt that there’s a process by which we first think of words and then say them. Rather, language sometimes, especially when we “say things we don’t mean,” seems to have a mind of its own, as if perhaps Language itself is speaking and merely using people in the way we tend to believe that we use art supplies. Can you imagine? We use paint and brushes to paint landscapes. What if Language uses us to speak its mind? It’s just a thought. But whose?

“I LOVE YOU, DADDY!”

It startles us both. Because it’s more than the declaration of a 9-year-old girl. It was as if something grabbed her, stopped her, and spun her around. And then, wild and blue-eyed, she yelled it. A man walking his dog stops to make sense of the scene. There is a yellow fire hydrant and yellow flowers waving in the wind. And I, so often perplexed by issues of meaning and worth, feel as if the world just opened its front door and invited me in.

How separate are we? Is there such a thing as alone? What, besides ideas, stands between me and you and the infinite riches of the treasure house? She runs back to the car, leans in the window, and gives me a kiss. “I love you too, little girl,” I reply and she turns once again to run to the house without looking back. And I drive away, cruising the city’s streets as everything—cars, park benches, litter and debris—come alive and smile at me.

Art: Girl with a Pearl Earring, Johannes Vermeer, 1665

Moving, And The Thing That Doesn’t

Moving, And The Thing That Doesn’t

0-16My apartment looks like some thieves broke in and took half my stuff. And then put it in boxes, which is where this simile no longer conveys meaning because thieves never put half your stuff in boxes—they steal it. See, I’m the one who put the stuff in boxes because I’m moving. Again. There are root bound people and there are nomads and I’ve always gravitated toward getting down the road. Running away? Running to? Not sure, but the bottom line is that I like running and I like moving because it feels akin to the way things are. Indeed, what isn’t constantly moving, exploding into newness, and changing? Even the most statuesque monk is riding a planet that’s spinning more than a 1000 MPH as it hurls, 67,000 MPH, around the sun.

What’s the deal when half your stuff is in your old place and the other half’s at your new one? Where do you live?

Though actually lugging them can be a bother, I love to pack and unpack my books because it forces me to touch them, to hold each one in my hands and rocket through what I remember about them, where I was when I read them, how old I was, who I was. I would venture to say that all books change you in some way, even if only minutely, but then there are some books that really mess with who you are. Like, before you read the book, you were this person, right? But afterwards, now you’re someone else. And in the boxes they go, now between places, those books between who you used to be and who you became.

The sight of a half furnished residence is unsettling. Whether someone’s moving in or moving out, the lack of balance says There is no place to rest. A symbol? Perhaps. Or maybe the actual place where everyone always lives.

Emptying the contents of my desk drawers into a box. Stopped. By a picture. My little girl, littler, in a pink corduroy coat standing on a green football field. Smacks of a watermelon. Her thin blonde hair held in sway by the wind and the stasis of photography. She grins mostly toothless. Saliva on her chin. Michigan, so she must be two. Then. But here, now, two again. She waits at the finish line for me to finish a 5K. She runs the last part with me. The tiny barrette barely necessary—her hair just beginning to trickle into her big blue eyes. She runs. Or hobbles with haste on her short little legs. But she tries. She runs and runs and things run together. I’m in my apartment. I’m running a race. I’m holding a picture. My daughter is nine. Not the girl in the picture. A little sister? An acorn? A seed? My god how the wind just blows and blows.

Where are we always going? Backwards. Forwards. The wind keeps blowing.

Someday she’ll be twenty-two, between times, and I’ll help her pack boxes. She’ll be tall and thoughtful and her face will harbor only ghostly flickers of the nine-year-old girl I run with today. So changed. Never the same. And I’ll wonder about the substance of the thread that runs through the two-year-old girl in pink corduroy to this twenty-two-year-old woman on the move and what will there be? Nothing. Just various erupting forms of nothing held together by only a sloppy lack of distinctions, a name, and a social security number. “Dad?” she’ll say, snapping her fingers. “Over here.” Clap Clap. “Dad? That’s the face you make when you’re wondering if I’m real. I am. Real. I promise. And so is this couch that needs to go on the truck. I’ll show you.” Straining to lift the couch, I’ll remember the way she strained her little legs to finish a 5K with me and her later efforts to read, make friends, find her own way, and grow up. And even if I philosophically conclude that there is no place to rest, that no self abides, and that we are always only somewhere in between, I will ultimately concede to the substantial fact of my daughter. In spite of the constancy of flux, she is held together, no matter which way the wind cares to blow, by the ceaseless love of her daddy.

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The Consequences Of Losing Bunny

The Consequences Of Losing Bunny

0-21“As truths are the fictions of the rational, so fictions are the truths of the imaginal.” —James Hillman

When my daughter, 9, recently unpacked her suitcase and discovered that she had left her oldest friend, a pink bunny named Bunny, 9, in a San Diego hotel room, she lost her mind. Here, I choose my words carefully. She lost her mind. Or a big part of it. The rich, important part.

I once caught her talking to her bike. “You are a very good bike, you know? Yeah. Uh-huh. Of course I will ride you. A good bike makes little girls happy and happy girls love to ride good bikes. I like your horn. Are you hungry? I will ask my daddy for a treat and then we’ll go for a ride. Okay? I will be right back but don’t you dare go riding without me because that would be silly. Okay? Good!”

And once, after gulping down a refreshing glass of red juice on a very hot day, she exhaled with a satisfied Ahhhh, held the purple cup to her face, and said with solemn sincerity, “Thank you, cup.”

I’m not relaying these stories as cute little anecdotes about the whimsical nature of childhood. Rather, I want to assert with the same solemn sincerity my daughter uses when talking to cups that the imagination is real. Without going into lengthy investigations into the history of ontology (the philosophy of what things are) and religion, allow me for the sake of brevity to point out that, at some catastrophic point in our pasts (both cultural and personal), the imagination, once an aspect of our experience as viable as any other, was demoted to being the opposite of what’s real as opposed to being a part of what’s real.

Everything speaks to us, yearning to be heard.

But it’s just our imagination, right? You see how we do that? We say it’s “just” our imagination. And when our children talk to bikes and cups and form intimate relationships with stuffed animals and invisible friends, we smile and chuckle because it’s “just” their imagination. But the imagination hasn’t always been thus degraded by being “just” so much nonsense in comparison to what’s reallier real. It was once collectively considered JUST as real as the scientifically measured stuff that monopolizes reality today.

And to what end? Well watch the news. Take a look outside. And ask yourself this: If we all believed, and acted as if, the myriad things that inhabit our lives were sentient; that our bikes and cups did talk to us, not through audible waves that vibrated our ear drums, but through our newly restored and esteemed imagination; that we genuinely do hear the whispers of our dead friends and relatives; that the whole world, all of it, was as alive as you and me; that, indeed, you and me were but lively voices in this enormous choir of liveliness; and we crowned it all off, this big teeming lively thing, with some fancy word like psyche or anima or soul or God—again, if we believed all this and acted as if it were true, how then would the world appear when we looked outside? Of what then would the news consist?

Put more simply, what if we were as kind to each other and the things of this world as my little girl is to her bicycle? Is racism, sexism, homophobia, environmental crisis, etc. and so on, even conceivable in a world where we feel sincere gratitude for the cup that provides our refreshing red juice?

Can you imagine?

These ideas would be certifiably insane (indeed, what is insanity but a way to label and marginalize an imagination that won’t cooperate?) if we didn’t have constant everyday proof of their reality parading right before our eyes in the children we’re raising. They are living examples of the way things really and truly are until those ways are stamped out of us by the tyranny of growing up.

And that’s precisely why my daughter lost her mind when she lost her bunny. I don’t want to minimize my daughter’s living relationship with Bunny by abstracting it into some deeper issue, so let me be clear. Her relationship with Bunny is real and it’s the primary thing. They’ve grown up together, shared all their nights together, and they’ve maintained a lively dialogue since the days my daughter first emerged into the evocative power of language. However, because she is 9 and approaching the appalling threshold where rationality begins to assume its imperial dominance (in our culture), the loss of Bunny amounted to nothing short of my daughter losing one of her last portals to a vital world where imagination retains its airy substance and becoming trapped in the rigid adult world of the way things are. And she lost her mind. She couldn’t sleep. She was inconsolable. Just like us, back when the reality of the imaginal vanished into being just our imagination.

On a happier note, Bunny has been discovered asleep beneath the hotel bed in San Diego. She is right now flying home, first class, where a raucous tea party will be had with a caterpillar, a guitar, and the ghost of my dead friend, Skip.

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Because I Will Always Do It Again

Because I Will Always Do It Again

0-4For me it’s never been about here or there; it’s all in the movement from and to, the freezing and, my oldest love, the melting.

Though I can’t, in a general way, believe much of anything, I especially couldn’t believe that you were IN your mom’s tummy, floating around in that complicated liquid. I would squint at her belly and imagine—because you were not yet steeped in discursive thought and unable to distinguish yourself from otherness—that you were somehow the liquid or the liquid was somehow you or that you and the liquid dwelled seamlessly together in a place ontologically prior to your distinction, and I loved you with an abandon that bordered on madness.

The first time I drank I blacked out and remembered oblivion. Swallowed, lost myself, in the passage of time.

Chan master Furong said “The blue mountains are constantly walking.” David Foster Wallace said it was within our power to experience things “as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.” And Adam Duritz, when referring to a black-haired flamenco dancer, sang “She’s suddenly beautiful / Well, we all want something beautiful / Man, I wish I was beautiful.” You may not understand why I juxtaposed those three quotes in the same paragraph and that’s okay. Not knowing is part of it. Not knowing is how I know I will do it again. Because I always do it again.

Ever since you could not be distinguished from liquid—and probably before—you mattered. It’s more than I can fathom to imagine you melting. Now if you’re reading this closely enough, you’ll say “But Dad, a contradiction—” and, yes, that’s right, because you are sacred and beautiful and it’s illogical, yet possible, to love someone with the same force that made the stars and to simultaneously be so, so sorry. I am never not sorry.

I have watched you meet people and matter to them. They see you, smile, say hello, and—from there—from not knowing each other and crossing the bridge to mattering, you begin to mean something to one another. You change each other. Melt a little. Become mountains that walk. It’s during these times that I remember the idea of you inside your mom’s belly and yet, here you are, mattering in the world, and a tension twists my skin and my heart is a piece of ice that pines for the sea. I love you. I love to melt. Man, I wish I was beautiful.

There is something about you, little girl, that commands my attention and paying attention is a giving of one’s self and, in this giving, an inquisitive mind might find the bones for a definition of love. I become absorbed in your laughter. I lose myself in the rambling narrative of your animated storytelling. Where does the time go? You make me wonder about the blurry place between (or prior to?) my eyes and you, where one of us ends and the other begins. It’s bedtime. You are reading me a story and I marvel at the strange reality of your eyes as they skim just ahead of the sound of your chirpy voice, fluently. The story happens. But we’re in your bed, two ice cubes floating in your room. The world outside throbs with innumerable manifestations of the same old stories. People coagulate into the matter of love. Others melt away in the confusion of tears. Mountains crowd the sidewalks. Between places, in taxis that blow rude horns, people reflect on themselves and wish they were beautiful. Somewhere, a drunk looks up, beside himself, and speaks to the moon. Candles burn in mysterious windows. Wax melts. And so do we, you and me, melting into the story you read. There’s a castle, a princess, and something difficult and urgent that must at all costs be done. In spite of a great big world that relentlessly happens and happens on fire with the same force that made the stars, we’re lost in our story, swallowed in the mystical oneness of all things deep down.

And then you, gone, lost at sea, are sleeping. I sneak out the front door, sorry, to do it again. I always do it again.

 

 

 

 

 

 

Ear Buds At The Opera: On My Daughter Turning 13

Ear Buds At The Opera: On My Daughter Turning 13

By Vincent O’Keefe
Earphones at the Opera Art“How’s it feel to be a teenager?” I asked my firstborn from the front seat. It was the morning of her 13th birthday.

Silence from the back seat. When I glanced in the rearview mirror, I saw the reason: ear buds. That’s how it feels for both of us! We are now one degree further separated from each other, I thought to myself. I made a mental note to pierce the fog a bit later with a text message reading “Look up n answer ur father plz.” That usually works (and annoys her in the process).

As for most parents, my oldest child turning 13 has been bittersweet for me. We seem thrust into the middle of so many endings and beginnings. Especially as a stay-at-home father, I lament that our ears are not the buddies they used to be. There is less talk of card games and bike rides, more talk of make-up and what not to wear.

I know our bond remains strong, however, even if it may need to hibernate for a while. I also acknowledge that after many years of at-home parenting, the exhausted part of me has longed for this day. Speaking of exhaustion, one of my daughter’s friends perfectly captured the contradictory nature of thirteenhood when she commented on the girls’ odd trend of wearing mismatched socks (or not wearing matching socks, I guess): “Wow, I must have been really tired this morning. My socks actually match.”

Turning 13 has also brought my daughter closer to her mom, as all those body questions have inevitably arisen. Recently at the dinner table, I listened politely for a while to their talk of various feminine products but eventually tried to change the subject. At that point, my ten-year-old daughter cackled, “Dad, you’d make a horrible mom!” Given how many times I’ve been dubbed “Mr. Mom” or its emasculating equivalent, I welcomed such mockery of my maternal skills.

One of the most gratifying moments I’ve experienced since my daughter turned 13 was when she learned how to play a song on the piano from her parents’ wedding years ago. I do not read music, so it was already a thrill to watch my daughter surpass my knowledge in this area. But when she learned “All I Ask of You” from The Phantom of the Opera, my wife and I had to hold it together.  Life had come full circle; what more could we ask of her? That earned her a few sleepovers.

The most dramatic line from the song reads: “Anywhere you go, let me go too.” Hearing that line decades since a date with my future wife in Toronto, I couldn’t help seeing the paradox. When my daughter followed me around the house as a toddler, that could have been her anthem. When my teen now leaves the house, a small voice inside me echoes the line. Well, not every minute–I’m no helicopter–but more times than I thought I would.

Another of my daughter’s friends recently quoted Dr. Seuss in her 8th grade graduation speech: “Don’t cry because it’s over. Smile because it happened.” I think every parent in the audience fought a lump in their throats for a moment.

Before going to bed on my daughter’s 13th birthday, I noticed my first grey eyebrow hair. What the pluck? Coincidence? I think not. My mustache has started with the grey outliers, but I was hoping the rest would take more time. Alas, there is no magic formula to stop the turning of the world, our kids’ ages, or the color of our hair. Well, there is that formula for grey hair, but I’d look ridiculous (and further embarrass my teenager).

Vincent O’Keefe is a writer and stay-at-home father with a Ph. D. in American literature. His writing has appeared in The Huffington Post and The New York Times’ “Motherlode” blog, among other venues. He is finishing a humorous memoir about a decade of at-home parenting. A chapter on colic is currently titled “Take This Onesie and Shove It.” Read more of his work at www.vincentokeefe.com or follow him on Twitter @VincentAOKeefe.

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What’s A Girl For?

What’s A Girl For?

IMG_7030

 

“Dad. Dad. Dad. Dad. Dad. Dad. Dad. Dad. Dad.” This is how my daughter gathers up my scattered attention into one focused lump. “Watch!” She runs toward the pool, jumps, transforms from a 9-year-old girl into a cannonball, and makes a huge SPLASH! Wet old people grimace. The sun continues to hurl 100+ temps at the valley. The earth spins on its axis, devoted. Anxious traffic crawls and honks. My daughter emerges from beneath the water, smiles at me, and swims away, a happy little fish with yellow hair. My God how I love her.

In order to avoid thinking, a lot of fathers immediately inhabit an outworn stereotype when someone mentions the prospect of boys eventually dating their daughters. They become caricatures of anger and make wisecracks about running boys off with guns or keeping their daughters locked up until some ridiculous age. But I’m curiously warm to the idea of my daughter going on dates someday. Mostly because I think she’s really cool and falling in love is a wonderful thing to do between broken hearts.

“Are you looking for Gate B-8, sir?”

“Indeed,” I reply.

“Nonstop flight to Chicago?”

“How did you know?”

“Because that’s exactly where I’m headed,” she beams, “Climb aboard!” She’s too small to climb aboard—I would crush her—so I latch my hands on her shoulders and follow her around the room. Her arms are outstretched. She’s a little airplane in a yellow dress. The clouds are fat and happy ghosts that haunt, lazily, as if from big celestial hammocks, the fearless blue sky. I listen to the drone of propellers and Bob Dylan. My daughter offers me honey roasted peanuts and a diet Coke. My eyes hone in on a suburb of 100s of tiny houses below and I dream about the various dramas occurring simultaneously and ignorant of one another. A man is yelling something about a wet dog and an open door. Another one hopelessly pays the bills. A woman paints her toenails blue and remembers what the boy said on the playground years ago. A door slams. Somewhere, two people have sex as if the fate of the world depended on that frantic brutal deed.

As she grows up, as the boys and men inevitably gaze at her more and more from that perspective of apprehending her only as an object with which to have sex, it will become increasingly important for her to not permit those gazes to construct the woman she sees in the mirror, to refuse becoming a prisoner of that perspective. In this regard, I consider it an essential responsibility of my fatherhood to provide my daughter with an endless supply of avenues to otherness, keys out of the jail of certainty and the stasis of identity. Which means taking her to modern art museums, constantly using the words or and maybe, and celebrating the myriad ways she girls in the world. There are as many ways to be as there are stars in the sky and more. Of course a sexual being will be one way for her to understand herself, indeed a wonderful way, but in the end only one facet of numberless ways to shine.

“Tick… tick… tick,” my daughter is hiding beneath my desk and tapping my ankle and ticking. I’m trying to write this essay. People are dying in the war. People are dying in the street. My neighbor is in jail for selling methamphetamine. There is more than just our story. We are more than who we are. “Tick… tick… tick… Guess what I am, daddy. Guess what I am.”

“A clock,” I guess, thinking about deadlines.

“Nope,” she grins, “I’m a bomb—KABOOOOOOOOM!”

One of my biggest hopes for my daughter is that she never sells herself short in terms of what a girl’s for. What’s a girl for? A girl’s not for anything. Nothing. Not a single thing. A girl is for holding the space between, for or. And only from this space between, from nothing, can she ever and continually participate in the groundless potential of anything. She’s everything. My daughter is a cannonball, a fish, an airplane, and more—may she never stop exploding.

 

 

 

 

 

 

 

 

 

 

Auspicious Signs

Auspicious Signs

By Jesse Cheng

0My afternoon visit with Mom was approaching that inevitable moment when she’d ask how soon before I’d provide her a grandchild. Since marrying two years before, I had learned, like many men before me, that the best counterstrategy couples the Preemptive Dodge with its natural companion, the Convenient Exit. I edged toward the doorway emitting a stream of chatter about the sick guava tree my wife and I were nursing, then the cute jujube sapling we’d just bought, before somehow letting loose a remark about the pair of doves nesting in the back of our house.

My mother clutched the sleeve by my elbow. “Doves? Where? Where did they build that nest?”

I kicked myself, wondering how the frontal lobe let that one slip through. The top of a patio light fixture was where the birds had constructed their home, a patchwork affair of twigs, dried grass, and evergreen branches tucked into the wooden frame encasing the bulb.

“Ohh, the patio outside your bedroom.” She leaned back, nodding. “That’s good. That’s very good.” And she uttered nary another word about it for the next several weeks.

I suppose it was reasonable to read a felicitous birth omen into the appearance of mating birds. Still, Mom’s silence seemed a touch too content—smug, even. I suspected some time-honored belief supported by the weight of venerable cultural authority; and so, like any good American-born, culturally challenged child of Asian immigrants, I started to look online.

There, I discovered that to our native Taiwanese, the nearby presence of birds is indeed an auspicious sign. Good luck, though, seemed to me something of a stretch from the promise of procreation. I also learned that in some Asian cultures, mandarin ducks are traditional representations of lifelong marital accord. It happens that my wife’s Vietnamese name derives from the Chinese word for that very type of bird. Nevertheless, any etymologist will confirm that fidelity is not synonymous with fertility—and our new tenants were landlubbing doves, not waterfowl.

What did my mother know that I didn’t? For several days I observed the birds perched on their roost. They certainly appeared worthy of immortalization in cultural folklore. While one of the doves tended to the egg, the other kept tender watch from the rafters a few feet away. I imagined a legend about forbidden lovers reincarnated in aviary form, weaving the nest for their child atop the silk-covered rim of an imperial lantern.

Back in real life, I read that the Chinese believe bird’s nest soup—a delicacy that involves an actual bird’s nest, boiled—to aid the reproductive function. Progress! But further study revealed the magic ingredient to be the saliva of another species, the swiftlet … and my mother never did say our guests’ home was intended for consumption. This was fortunate, since my wife and I were becoming quite protective of the critters.

It was with some feeling of loss, then, that after returning home from a long vacation, I’d poked my head out the back porch door to find the nest empty. The birds were a full-fledged family now, all three taken to the skies. As I drove to visit my mother, I wondered how she’d handle the news. But then, the bombshell: three new nests at her house—doves on the eaves under the side porch, thrush cuckoos in the backyard bush, and a to-be-identified species in the tree on the front lawn!

“This is good,” Mom said. “This is very, very good.”

By now, I accepted her prognosis must be justified in some culture’s historical lore somewhere in the world. And, as it turned out, modern Western medical technology would follow up with its own bombshell not long after: positive! My mother was pleased, albeit none too surprised.

But the issue remained of what to do with that abandoned nest back home—I just didn’t have the heart to take it down. Happily, one last bit of online research was in order. According to multiple sources, the same pair of birds (doves, like mandarin ducks, tend toward monogamy) may come looking for their nest the next year, and possibly many more seasons after that. And so it remains.

“You haven’t taken down that nest, have you?” Mom asked the other day.

I transferred baby Amie to my wife’s arms, shaking my head. “No, Mom. The nest is still there.”

“Oh, good.” My mother crossed her arms, smiling. “Oh, that’s very good.”

If some cultural authority out there has its say, our little girl may one day point up and tell a sibling all about it.

Jesse Cheng is from Southern California. His website is jesse-cheng.com.

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Reconciling The Past By Looking Into The Future

Reconciling The Past By Looking Into The Future

 

Guitar

LIVING WITH MY PAST: WRITING AN IMAGINARY FATHER’S DAY LETTER TO MYSELF IN THE FUTURE FROM MY DAUGHTER, LOLA, AGE 35

You were either oxygen or Saturn and, like you, I have developed a taste for the jarring juxtaposition of opaque metaphors. “Make them wonder,” you used to tell me back when I was 9, writing incomplete story after story in green and yellow notebooks, motivated by a blurry mess of loving language and loving the way you loved me when I dared to imagine. “If you get bored, don’t finish and just start a new one,” you instructed, “All the wildest culture and coolest philosophy is unearthed in fragments, pieces, ambiguity. Leave a trail of incomplete pieces. It’s a way of showing respect for your reader. Make them wonder.” I stared at you like poets get drunk on the moon, wondering what you meant, trying to be bigger. “How do you spell tomorrow,” I asked.

Your black guitar.

Oxygen because you were so often there, in my face, and Saturn because you so often weren’t. There were times, Dad, when I felt utterly submerged in your attention, an extension of your presence, with no doubts, unquestionably there and granted like grass and clouds and the illusion of safety. And other times, sitting in your lap with my arms draped around your neck, it was as if you were no less than 746 million miles away, gone, lost in some thought or desire or world in which I didn’t exist. It wasn’t easy being your daughter, but I don’t hold that against you. It’s not easy being anything.

The broken coffee pot.

You were a piece of trash in the wind, a mad scientist, a ghost—you had no time for toast, a blue ribbon, a bomb, and you exploded with the belief that everything was a metaphor for everything. “Two unlike things,” you’d say, pacing, arms flailing, crazy-eyed, “with nothing at all in common but then you think and wonder and bang your head against them until a bridge spans the space between, informs them, and makes meaning. Everything is everything and bridges—bridges are metaphors for metaphors.” You were a fire. You got out of hand.

Reading books aloud. Stopping to wonder.

I want to wish you a happy Father’s Day, Dad, and I want to wish you a terrible Father’s Day, Dad, and the only way I can contain and express the way I feel about you is to imagine that I am two—maybe more—people and we, all my mes, have these simultaneous and conflicting perspectives of you. And maybe, when all these angles collide, you are a Picasso or a Braque, a beautiful calamity of cubes and a mad riot of color or, maybe, all these conflicting perspectives of you embrace and, like something whispered in Sanskrit, they cancel each other out and you are a library. A dead end road. Zero, infinity, or both.

The pink hat from Kate. Was it worth what we paid?

I don’t know. But, because I am your daughter and because bridges span the spaces, no matter how the pieces of me cohere or don’t or what they signify, I want, on Father’s Day, to love all of you. The empty bottles. The home you broke. The way your enthusiasm and attention created me line by line like a little poem that revealed the worlding of a world with the girling of a girl. All of you. All of us. Because you’re my dad, yes, and it’s Father’s Day, too, but also for me, your daughter, a metaphor for you, weeping blue flowers, big yellow stars that howl in the dark like coyotes, juggling clowns, everything.

I love you,

Lola Blue

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Telling Addy

Telling Addy

By Joseph Freitas
Portrait of a girl. She is beautiful in its anger. Almost a witch.Every family has an agitator, a provocateur who is always ready to call attention to the embarrassing moment, the underlying motive, or the simple fact that things are not as wonderful as everyone would like to believe.

Addy was that dissident voice in our family. Peering through her teenage insolence, she seemed to understand that things were not okay. Despite the fact that I moved as carefully as possible between the big house and the pool house where I had been sleeping separately from my wife for several months, tiptoeing across the yard after all the lights were out, and despite the fact that Jamie and I had been working on the words we would use to describe our situation to the kids, Addy found a way to preempt any and all our timelines. Like that August three years before – when she stole the car and brought Jamie and me to our life-changing conversation – she was now a constant reminder that we could no longer wait to take action.

During our last few months of life together as a family, Addy took advantage of our preoccupation. And why wouldn’t she? Jamie and I were so engrossed in our impending separation that we barely monitored her schoolwork; we asked her very few questions; and we accepted implausible explanations for her whereabouts. When we actually stopped to focus, she was always well armed.

One night in early October she asked if I would drive her new boyfriend Nick home. He was 17, two years older than Addy, and had dropped out of high school the year before.

Nick sat in the backseat looking dully out the side window while Addy sat in the front punching music out of the radio, barely letting a single note register before shifting again to the next station. I didn’t even try to make conversation.

“That’s it,” Addy said. She pointed to a small bungalow up on the left.

I pulled over and Nick got out with a quick, “Thanks.”

Addy opened her door and approached him. I could see their hips through the passenger window as she walked up close. I turned and looked straight ahead like a dignified chauffeur. A few moments later she climbed back into the car.

We were quiet for a while and then I asked: “Is Nick going back to school?”

She began fiddling with the radio again. “I don’t know,” she said.

“What does he do all day?”

Her sigh was audible even over the music. She settled on a song and sat back.

“What’s going on with you and Mom?” she asked.

The counterattack was perfectly planned. It was a square hit. With a single question she managed to switch our roles. I moved from protective father figure to guilt-ridden teenager. What did she know about Jamie and me? Had she caught me sneaking in and out of the pool house? Was she aware of my life on the Internet? For an instant I felt afraid – afraid that I would have to reveal everything at that very moment. I looked over; she was staring straight ahead. Both of her hands were held up close to her mouth, and she was biting the nail of her left index finger. I regrouped and spoke.

“I ask you what Nick does during the day and that’s your answer?”

She ran her fingers through her hair with dramatic exasperation. “He’s looking for work. I’ve told you that a million times. What do you do all day?”

Good question. Even I had to admit that. What did I do all day?

There was a time when I could answer that question without even thinking. I took the train to work. I went to meetings. I reviewed big budgets. I got things done. And now, well, I wrote. I floated in the pool. I talked to men online. I worried about the future. I worried that Addy might actually know what I did all day.

One of my contract goals was to tell the kids about our separation, but I didn’t have the language down yet. And even though I had nearly completed my so-called screenplay, it was clear that I had been working on the wrong script.

I ignored her last question and focused instead on the first: What was going on with Jamie and me? Should I give Addy some information, warn her of what was to come? And more important: Was this the time to have the talk?

I looked over; she had turned her head away from me. As I made the final turn on to our street, the lamplight trapped both of our reflections on her window. Our eyes inadvertently met. And suddenly a memory – the one of the Caribbean – came rushing back again.

This time I remembered that the kids were in the back seat when Jamie said, “We’re lost.”

“How can we be lost on five square miles?” I asked.

Evan, who must have been eight years old, began to jump up and down with excitement.

“We’re lost!” he shouted into Addy’s face. “I love being lost!”

Addy pushed him away from her. “No we’re not! Daddy, are we lost?” Peering into the rear view mirror I could see her beginning to panic. The painted beads at the end of each of her braids rattled around her head.

I gave Jamie a look. “No, Addy, we are not lost.”

“But where’s the hotel?”

Our eyes locked in the rear view mirror again, but this time I tried to hold her attention as if my reflection could cup her small, tanned face. “It’s very close, honey,” I said.

She kept an eye on me in the mirror. And then I smiled. “Yup,” I said. “Here we are. There’s the little market.”

“Shoot!” Evan sat back and looked out the window, dejected, like the air had been unplugged from the source of his excitement.

“See?” Addy said to her brother. “I told you we weren’t lost!”

I pulled into our driveway and stopped the car. I wanted to be that father again. The one who reassured her, the one who set her mind and heart at ease. But I no longer had that power. Besides, I had no idea where that little girl in the braids had gone – the one afraid to be lost. Where was she?

I pulled the keys out and turned my whole body toward her. Out of reflex more than anything, she looked at me. She twisted a strand of hair in her hand; I could see the chipped blue nail polish on her fingertips. And though her jaw was set and her eyes were filled with an angry determination, she seemed more lost than she had ever been before. I wanted so much to make it better.

“Your mom and I are having some problems,” I said. It was a lousy open- ing and I regretted it as soon as I uttered the words.

“No shit,” she said. “It’s so obvious that you don’t want to be together.”

She looked at me in the darkness. It had become rare for us to share any pro- longed eye contact. The outside light dropped an uneven shadow on her face but her eyes stayed fixed, ready for my response. I could feel her breathing, waiting, her underlying unhappiness and dissatisfaction almost palpable. Would these new revelations make her situation worse? Would the eventual knowledge of my homosexuality make her even more rebellious, more difficult to deal with, more disappointed with the sorry lot she called her parents?

I sat there trying to imagine the impact our separation would have on her – and Evan. But she and her brother were both so different that it seemed as if the discussions – though filled with the same content – were a diametrically opposed set of problems that I had yet to overcome.

I looked at her and felt so deeply sad that our relationship had become more like an unpleasant truce. And though there had been a time when she stood at the doorway waving goodbye as I headed to work, left her drawings on the pillow for me, and wept when I left on yet another business trip, I knew that our bond had been damaged.

Still, despite the armor she had constructed around herself, I knew I had to continue trying to reach her, to bring her along as best I could.

“Addy,” I said finally. “Your mom and I aren’t sure what we’re going to do.”

“Just get a divorce.”

She said it as if she were tired of the whole thing. She started to open the door but then turned back, waiting for my response.

I looked into her eyes, trying to transmit all of my feelings to her – as if there were some sort of telepathy that could intervene and help me communicate.

“Whatever we do,” I said, “we love each other and we love you.”

“Whatever,” she said and got out of the car.

I watched as she rushed up the porch steps and into the house, and I wondered whether our problems were as clear to everyone else as they seemed to be to Addy.

Author’s Note: “Addy” is a chapter from my forthcoming memoir, An American Dad, which tells the story of coming out: to my wife of 20 years, our children, family, and closest friends. Despite its challenges and heartbreak, being a father continues to be my greatest joy.

Joseph Freitas is the father of two children. He taught memoir writing at the Westport Writers’ Workshop in Westport, Connecticut. He and his partner own and run 141 Bedford Natural Market in Provincetown, Massachusetts, where they have lived for the past two years. Joe is currently completing work on his memoir, An American Dad.

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