Parents Need Privacy—If Only For A Moment

Parents Need Privacy—If Only For A Moment

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By B.J. Hollars

The day started off promising enough. I’d just risen from my bed without disturbing the dog, my children, or my wife, a feat that earned me a few minutes of solitude before the day’s chaos began. There, in the pre-dawn silence I tip-toed into the shower, a smile slipping over my face as the hot water rained down.

And then, without warning, my privacy was interrupted by a New Orleans-style brass band parading through the bathroom, complete with tubas, trombones, and a drumline. By which I mean my young children and dog had apparently woken, ignoring every other square inch of our home and opting to take their shouting (and barking) to the bathroom.

“Somebody’s in here!” I hollered from behind the shower curtain.

“It’s okay,” my four-year-old called, “you’re not bothering us.”

As the children fought over toothbrushes with the ferocity of rival street gangs, I reached for my towel and excused myself without even attempting to broker the peace. Doing so would require diplomatic skills I simply did not possess—at least not while wrapped in a towel without so much as a sip of caffeine.

This bathroom-barging soon became our morning ritual. There was always some battle worth fighting, my children decided, and there was no better battleground than the bathroom—preferably when I was in it. Thankfully, the shower noise generally overpowered my screams, though surely my frustration was palpable.

Is it asking too much, I wondered, for a moment’s peace of mind?

The alternative, I knew, was one’s mind going to pieces—a situation that seemed more and more likely with each passing day.

When the shower failed to serve as a refuge, I sought asylum in less conspicuous places inside our home. Surely there must be a coffin-sized crawlspace somewhere, I reasoned, or a bit of room behind the water heater.

Meanwhile, my wife retreated to the running trails alongside our home. Within a year of our second child’s birth she’d become a marathon runner—26.2 miles was nothing compared to putting up with us.

Through all this hectic mayhem, the veteran parents—whose children had long ago flown the coop—often reminded us to cherish these “precious moments” while we could. “It’s all over in the blink of an eye,” they chided. I didn’t doubt them, but I wondered, too, if those veterans remembered what it was like to spend years of one’s life never being alone. If they’d agree that not every moment was as “precious” as they remembered, and that the “blink of an eye” seems pretty darn long when you’re living it. For me, this is the most difficult philosophical dilemma of parenthood: making a sincere effort to embrace the chaos when some days I’m just a click away from a one-way ticket to Tahiti.

While I know those veteran parents are offering me sound advice, in my more sleep-deprived moments, I can’t help but wonder if their rose-colored glasses are on a little too tight. Make no mistake, I don’t begrudge them their prophecies. And when they get that faraway look in their eyes and tell me how “the days are long but the years are short,” I know there’re speaking truth. I know, too, that one day I’ll become afflicted with that same faraway look, and I’ll parrot the same advice. This is the cautionary tale all veteran parents must preach: a reminder to the new recruits that our time together is short. And a reminder, too, that every diaper we change leads us one diaper closer to the last one; that there’s always a day when the soccer games run out and the dance recitals come to a standstill. Inevitably, there will come a night when nobody requires a story before bed. With each passing day, that inevitably creeps closer. Some nights my children close their doors and tell me they need their “privacy.” Their request is ripe for revenge—a perfect opportunity to burst in with a tuba in tow. But I don’t. Not ever. Instead, I scratch my head and wonder what in the world we are to do with ourselves when we’re no longer constantly needed.

What’s a shower, after all, without someone tossing your keys in the toilet?

I write this now from the bowels of my basement. Overheard, I hear the pitter patter of small feet. From what I can glean, somebody has apparently stolen somebody’s maraca. And somebody else believes that maraca is rightfully hers. Fighting ensues, followed by crying, and then some unexpected laughter. Suddenly, I hear the sound of two maracas, some off-key singing, and a yowling dog to boot. Here in this basement, it might as well be the tabernacle choir.

“What’s going on up there?” I holler.

My children ignore me.

Which is all the invitation I need to close the computer, barge into their band, and start beating the bongos as if all our lives depend upon it.

B.J. Hollars is a Brain, Child contributing blogger. He the author of several books, most recently From the Mouths of Dogs: What Our Pets Teach Us About Life, Death, and Being Human, as well as a collection of essays, This Is Only A Test. He serves as the reviews editor for Pleiades, a mentor for Creative Nonfiction, and a professor at the University of Wisconsin-Eau Claire. For more, visit: http://www.bjhollars.com

Photo credit: Designer’s Trapped

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Remembering The Rotating Elephant

Remembering The Rotating Elephant

vector illustration of decorated elephant

By Kim O’Connell

On a bright afternoon not too long ago, I took my kids to the Smithsonian Museum of Natural History in Washington, D.C., a city that I’ve lived in or near my entire life. Although we’ve been there many times, the dinosaur bones and butterfly garden and mammal exhibits always draw us back. We especially enjoy seeing the giant African elephant that has been displayed in the museum’s rotunda for decades. As we gazed up at its famous uplifted trunk, I told the kids, “When I was little, the elephant turned on a rotating platform.”

They looked at me with raised eyebrows. “When did it stop spinning?” my son asked. Unsure of the answer, I went over to the information kiosk, staffed by a white-haired gentleman who looked seasoned enough to know.

“Excuse me,” I said, “when did the elephant stop rotating?”

The man looked at me quizzically. “This elephant has never rotated.”

“No,” I countered, “I distinctly remember it rotating when I was a child.”

“Nope. Don’t think so.”

I was annoyed that a docent could be so ill-informed. You see, it’s not just that I have a vague recollection that the elephant rotated; I have vivid, specific memories. All of them, I realize, involve my father. My parents split up when I was 7 years old, a moment that forever cleaved away the early part of my childhood. In the way of the newly divorced, my father compensated by frequently taking me to special places on his court-ordered every-other-weekends—the circus, the ballet, the zoo, and the natural history museum. With my small hand in his, I remember standing at the base of the Smithsonian elephant and watching it slowly move, almost imperceptibly, like the shadow of a sundial. I remember it facing a different direction every time I walked back into the rotunda. I remember the way the elephant seemed to spot me out of the corner of its eye as it came around again. There was no way I could be wrong.

When the kids and I got home from the museum, I crowdsourced a query on Facebook: Did anyone else remember the Smithsonian elephant rotating? The answers poured in: No spinning elephant. (However, some people remembered the creature as a woolly mammoth, so I’m not alone in my delusions.) Still unconvinced, I finally tweeted the question to the Smithsonian itself, which responded unequivocally: @kim_oconnell We’ve checked…and the elephant never rotated.

I was, frankly, crushed. I began to wonder whether all my other childhood memories were suspect, too. Had I really almost drowned in a motel pool in Beach Haven, New Jersey, until my father swam up and saved me? Did we really keep a box turtle in our kitchen for a week after my dad found it on a bike trail? Had my third grade teacher really taken me out for cherry ice cream after she testified in my parents’ custody trial? Or was it all like the rotating elephant, a figment of my imagination?

I may never know the answer. Among other things, my father is now gone, so I can’t ask him, and even if I could, chances are his memory would be just as faulty as mine. Scientists have studied the phenomenon of false memories for years, and the unreliability of memory has come up in countless cases involving eyewitness testimony. Apparently, our memories are malleable because our brains are taking in so much information all the time, and our thoughts about our memories, as well as our hopes and dreams and other input, inform what we are filing away for future retrieval. Psychologists have asserted that some false childhood memories can even be useful to us, if they help to construct a positive narrative of one’s past.

This is how I’ve come to view the rotating elephant. Because my time with my father was so precious in those early days, my experiences with him were seared into my memory bank—or some version of them. Many times I have told the story about how a group of camera-toting tourists accosted my father and me outside the Kennedy Center in the 1970s, convinced that I was presidential daughter Amy Carter and my dad was a Secret Service agent. Did it really happen? Maybe. Or maybe just being there with my dad made me feel like we were something more special, together, than we ever were apart.

I hope that someday my kids will feel that way about me, even though our nuclear family—in contrast to the one I grew up in—is so stable, so easily taken for granted, that they aren’t likely to consider our outings all that precious. Still, like my father did before me, I like to take my kids to places like the Natural History museum, where they are forming their own memories of the elephant, fixed as it is on the museum floor. Maybe they find enough magic in its broad shoulders, its wide ears, and its sad eyes. Yet I can’t help but feel grateful to my younger self for conjuring up something even more enchanting—a gigantic elephant spinning, almost dancing, almost alive—to carry with me to adulthood, along with all the other real and manufactured memories that make up my life story. I’m not sure I’m ready to let it go, even now. And in my mind’s eye, at least, I don’t have to.

Kim O’Connell is a writer whose work has been published in The New York Times, The Washington Post, Ladies Home Journal, Babble, PsychologyToday.com, National Geographic News, and Little Patuxent Review, among others. In 2015, she was chosen to be the first-ever writer in residence at Shenandoah National Park. She lives in Arlington, Va., with her husband, son, and daughter.

 

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The Decision

The Decision

mother and two daughters playing on the beach at the day time

By Francesca Grossman

My childhood stairs were carpeted red with little black flecks. The rug was threadbare in places, and I spent hours every day pulling the little wiry strings back to reveal more wood. The stairs always squeaked as they do in old houses, so that later, as a teenager, I knew exactly which side of which step to avoid when I snuck out to meet my boyfriend in the dead of night.

I felt most comfortable on those stairs, perched on the small landing exactly three stairs from the top, where upstairs became downstairs and daytime became nighttime.

I floated down those stairs once; I can still feel the flight in my flesh, the ultimate little girl freedom dream when life had yet to leaden me. That night of the floating dream, I ended up pouring a glass of milk in the kitchen, the cold white liquid overflowing the tall glass, spilling on my hand and then the linoleum floor, waking me up.

One winter afternoon when I was about seven, my father came back from the hospital after having surgery on his hands. He had arthritis, and it was bad enough that he had to “fix his thumbs” in my mother’s words. All I remember was he disappeared rather suddenly, and was gone at least a week.

It was a Saturday morning, and I wore a flannel nightgown with a lace collar and elastic wrists I would pull until they ripped and stretched. I wore my nightgown all day on the weekends, feeling the freedom of a day without pants.

My father was a gorgeous man. Still is. Tan, thin, one part Cary Grant, one part The Man with the Yellow Hat. His mole, black and distinctive, sat right on his cheekbone, below his left eye. When he walked in the front door, which was directly at the bottom of the stairs, my mother had to help him take off his coat. She had driven him home. His thumbs were wrapped in white braces wrapped in Velcro to render them immovable.

“Hey, CiCi,” he said.

“Hi, Daddy,” I said, and came down the stairs from my perch, not knowing whether to hug him in case I would hurt him.

“Miss me?” he asked.

I nodded.

“I missed you,” he said, and ran one finger under my chin, feeling the soft skin there. The Velcro scratched my neck, but I kept that to myself. He kissed my head.

He went into the kitchen to talk to my mother and I stayed in the foyer, the black marbled linoleum cold under my feet.

A little later, after he went upstairs to rest, I crept up after him and sat again on the stairs, slowly inching my way toward his room. The door was closed and no light shone through the crack at the bottom. I reached the doorframe and sat outside. The old floor was hardwood and splintery, and I arranged my nightgown so that I wouldn’t sit directly on the prickly bits.

At first, I thought my father had the TV on. Long low moans punctuated by hiccupping sobs filtered through the doorjamb.

Then it hit me—my father was crying.

I had never heard my father cry before, though I would hear it again in the years to come. But on this day in my childhood, I had never even considered my father crying a possibility. He was a mostly happy man who only seemed to ever get upset when I woke him up from a nap, or when my sister and I would pretend to run away, filling our knapsacks with stuffed animals for dramatic emphasis.

My mother was always the anxious one, the rule maker, the one who checked the stove twice before we left, even though she hadn’t used it that day.

I didn’t know what to do. I scooted closer to the white, peeling door and held my arms wide and flat. I pressed my face up against it, and closed my eyes, smelling the old paint. I stayed there, hugging that door, for a long while, knowing that I couldn’t go in, but not willing to leave.

My narrative on love, marriage and parenting was tight and exact. Everyone in my family met young, married young, and stayed together until they were old. I grew up with parents and grandparents all who were still together and (mostly) happy. The people in my family loved their children fiercely. There was never a doubt in my mind that my parents would do anything for me or for my sister, anything at all. I never wondered if they wanted me, I never felt as though I didn’t fit in the family. There still is no doubt in my mind about that. If I call, they come. It has been tested more than once, even in my darkest days. That’s it.

I think, as a child, my understanding of this kind of love made me feel protected and safe. As I grew up and moved away, I set a goal for myself: give myself to other people, especially my future children, with a feverish protection of love.

So when I heard my dad cry from pain, or I saw my mom anxious and worried, or any sliver of doubt made its way under my fingernails, it unwound me. It shook me to see them shaken, and I didn’t know how to deal with that. What I decided on was probably the worst way to deal with anxiety: stomach it all and not let the unraveling show.

In a sense, it was this self-magnified promise of parental love and safety that rooted something in me that was both good and bad: a deep need to echo my childhood, and an even deeper fear that I wouldn’t be able to.

As long as I can remember, I have been a hopeless maternal. I would mother my friends, my pets, my sister and my stuffed animals. I wanted to be able powerful, multitasking, strong. Like my own mother.

My mother put us before herself at every instance. There was never any doubt in my mind that my sister and I were the best things that had happened to her. There was never any competition with friends, or work, or life, really. As I look back, I realize this may not have been the healthiest reality for her, but for us, it was paradise. And it was the way I learned what motherhood meant—giving everything, all of myself, to everyone else.

Every summer, still now, my family rents a cottage on a beach in Cape Cod. The house is tiny and sparse, but the beach is expansive, spectacular, ours.

Almost every day, we would walk down to the completely desolate part of the beach, about a half a mile from the eighty stairs that took us up the dune and back to our cottage. There was clay that made itself from the water and the sand and the wind and we would paint it on ourselves with our fingers, sure it would do something magical to our skin and soul.

My mother, sister and I were painting with the magic clay when a gust of wind blew by, whipping sand into our faces. My sister got sand in her eyes and she burst into tears. Later in life, my sister’s eyes would get her into or out of anything she wanted, but back then, a child of four or five, they got in her way. Catlike, huge, taking up half of her face, they were quick to catch pinkeye and seemed to always be irritated by something.

“Get it out, get it out,” my sister shrieked, holding her little balled-up hands against her eye sockets, hopping on one foot to the other. I had closed my eyes in time, my seven- or eight-year-old self much more sandstorm savvy. Plus, my eyes were a much smaller target – relatively normal sized, and plainer than my sister’s.

“Stop, wait, stop!” my mother exclaimed as my sister jumped around in agony. We had nothing with us, no towel, not even a tee shirt.

“It hurts,” my sister cried.

My mother paused.

“Ok, hold on.” She kneeled on the sand next to my sister. Her red bathing suit wedged up her bum but she didn’t move to pick it; she was working. The tan line on her rearend made a perfect “V.”

My mother pulled my sister’s head close to her face.

“Here,” she said. And she put her lips right up against one eye, and then the other, licking her eyelids.

“Ew,” I said, but quietly.

She did it again, slowly, making sure to get the sides of the eyes too.

“Ok, now try to open.”

My sister opened one eye slowly, blinking rapidly, then the other. She looked around.

“It’s gone,” she said.

The awe I felt watching my mother lick the sand out of my sister’s eyes was palatable. That was the kind of thing that big love makes. That was motherhood. My mother was a master of motherhood. She put us first always. She’d lick the sand from our eyes.

In that moment, as I watched my mother heal my sister, I knew I needed to have children of my own someday; even then, I wanted the ability to come up with a solution out of thin air. I wanted to love my children with that kind of thick, unconditional, and obvious maternal love. And I’ll be honest: I wanted, of course, to be loved with that kind of awe too. I wanted, I still want, I think, the kind of gratitude that my sister had for my mother in that moment. Her mommy stopped her pain.

I was twenty-nine and had just had surgery to remove my thyroid and the cancer had grown. I was also sick with Crohn’s disease and a peripheral arthritis that brought me to my knees. I was stricken with insomnia and used that time to internally obsess about whether it would be selfish to have a baby in my state, to the point where it’s all I could think about. It was taking over every inch of my headspace, and I was slowly starting to drive myself crazy. What would I do with my life if I didn’t have children? What would my husband do? Would he leave? Should he leave? Should I leave to save him that choice?

There’s no clear prognosis with Crohn’s. Usually, hopefully, it was possible to get it under control and live a long, happy life. Doctors, patients and the internet showed me the gamete of other dire possibilities. Since then, I have heard more varying and optimistic versions. But it’s also very possible that my life could be spent in and out of hospitals, having numerous surgeries, living with very little energy and a low quality of life. Even if I never got worse, living a life I had been living—having to be within a ten-foot vicinity of a clean, private bathroom, hiding my depression from my friends, having a difficult time walking, standing up, sitting down, lying down, turning over—wasn’t a great indication of the life I would lead in the future. I could get better, sure, but what if I didn’t? What if I got worse?

My doctors had told me that the Crohn’s was an indication that I had very severe inflammation response, and the thyroid cancer was just one more confirmation that my immune system was severely off kilter. When foreign agents entered my system, my body tried to kill them. Why would that not happen with a fetus? Why would my body spare those new cells when it won’t anything else?

Also, this disease (and my other autoimmune maladies) was genetic. My father suffered from several ailments, as did my grandmother. What right did I have to pass that on to an innocent child?

I kept overthinking, bringing myself into reality: What would I do if I had children, but I couldn’t care for them? What if the cancer comes barreling back? What if I was too tired to help take care of them? What if my husband, Nick resented how much work of a burden he had to shoulder?

My mouth felt coated in cotton and tasted like play dough. Some of my prescriptions came with a side effect of dry mouth, and the aftertaste of the pills was always salty and surprising. I grabbed the water bottle by my side of the bed and took a long swig.

I knew Nick was sleeping, but I started talking to him anyway.

“What if it doesn’t happen, or maybe worse? What if it does happen but then I kill it?” I said.

“You are not going to kill it,” Nick said sleepily, as if he anticipated me waking him up with that thought. He sighed, turning over to face me.

Our bedroom had one big window right next to the bed. I stared out of it in my insomniac nights, watching the trees. The phone lines and their birds turned from black silhouettes to 3-D as the morning arrived. Pinks and oranges painted the sky. Clouds swirled above the buildings and the trees. It was so big, that sky, it made me feel like I could believe in some sort of God.

“What if I can’t take care of one?” I asked again.

“Well, I think you can, but I know what you’re saying,” he said.

The sunrise was blocked by the building across the street, but I got up and climbed onto the windowsill to peer around it, trying to find the sun.

“We could just try,” Nick said from the bed.

“Yeah, we could.”

I searched the sky for the answer to the real question: could I live with not being a mother? Could I live without giving birth? Could I? Could I really be like my mom on that day on the beach, ready for anything, giving it my all? Or would I be like her in different ways, ones less strong?

We are not supposed to remember things before we are four, but I do, down to the feel of the wallpaper.

I remember my mother, deep in her bed with her socks on, sticking out. She never wore socks, so I remember it surprised me. Her heels were always cracked, like mine are now, and though she perpetually tried to soften them, with creams and gels and special razors, in the summer they immediately toughened up, calloused and yellow and split as soon as she set foot on them. There was nothing wrong with her skin; it was just the way she was put together.

When I was about twenty years old, my mother told me that the best thing she learned in therapy during that period was that at a certain point you get to choose if you want to stay miserable. I’m not sure when that choice happens. After all, we can live inside of sadness for a long time before we see the choice as real.

I remember my father looking for me, I could hear him call, and I realized after a moment that my mother didn’t see me. She was sleeping, maybe. She had been in bed for days, maybe weeks, though at age two I should not have been able to remember anything like this, especially not the feel of time.

It was summer. The big fan in the attic was whirling. The air was heavy and hot. I sat on the coarse bright red and white rug on the floor of my parents’ room and looked at my mother’s face. It looked creased and old, though she was just over thirty. Her long dark brown hair spilled over the side of the bed but a thin piece stuck to her cheek with what I realize now was a glue of dried tears.

Something was different about my mother then. She was skinnier than I remembered, weaker. Her fingers were bare, her plain thick gold wedding ring sat on the mirrored tray on her dresser next to the perfume she didn’t wear anymore.

I heard my father again, this time closer.

“Fran?”

He came into the room and scooped me up. My bare legs burned on the rug from the quick movement.

“I lost you, for a second,” he said with a laugh because he didn’t mean it, or didn’t want to scare me, or something.

“Daddy,” I said, reaching up.

He had me on his hip, which was not really a hip for holding children—bony and sharp. His dog tags, actual dog tags because he thought it was funny to wear them, bumped up against an old Talmud pendant in sterling silver in the jingle that always told me he was there.

He perched me again on the other side, and then went over to my mother’s side of the bed, the left side, or the right if you were in it. He looked down at her, and just for a moment, lost his perpetual smile. The jungle wallpaper behind him became 3-D and I reached out my hand over his shoulder to touch it. It was rough, like real leaves, which at the time I imagined it was.

He took the little piece of stuck hair and pulled it gently off my mother’s cheek, placing it back on her head and holding it there.

“You need anything?” he asked, which surprised me because I thought she was sleeping.

“No,” she answered quietly, not opening her eyes. Not sleeping.

He nodded and turned away from her, back towards me.

“Should we get a snack?” he asked me, nuzzling his face into my neck, feeling the underside of my chin with one finger, as he always did.

I don’t remember nodding, but we went to the kitchen anyway for our usual snack of three cookies on a plate washed down with some ice cold milk.

That night, staring out the sunrise, Nick tucked into bed, arguing with me about my chances at motherhood, I realized something. At different times in my life, both my mother and my father were sick in some way. This is true for every child, I suppose. My mother had some times of sadness, like I do, and my father suffered the kind of severe genetic inflammatory disease I have been dealt. He has thyroid disease, and severe arthritis, and stomach problems, at times. I cannot know if the way I see the world is natural or nurtured. I imagine some of both. But I know what love is. And it is bigger than illness, in all its forms. It busts through.

The kind of love my parents have for me and my sister is fiery and absolute. It’s as small as the circumference of our four-person nuclear family and as big as the blue September sky. I have never doubted it for a minute and I can only hope that someday, someone will trust my love like that; that I will be that love that shines through any of my illnesses; that I will be strong enough.

Years later, we are on the beach, the same beach that my family has been going to all my life, the same eighty steps down the bumpy dune from the cottage at the top. I am with my family, my children, and Nick. Theo and Brieza and I are walking towards the surf. It is colder than usual in July, and the waves are rougher than they usually are on Cape Cod.

Nick is perched in a chair out of the way of the water, dressed in a bathing suit and a sweatshirt, holding the rainbow umbrella he just put up with one hand, but having a tough time keeping it still.

My son and my daughter play ahead of me, both only in bathing suits, neither of them cold. I pull a Little Mermaid towel tight around my shoulders, but follow them to the foamy break.

The wind kicks up. Sand whips around us and I throw my towel out against it.

My daughter laughs, but my son cries. He kneels, holding his face in his hands.

Immediately, I know what happened, and I know what to do. I run to him, lift his five-year-old head in my hands, tilt his chin up and peel his balled up fists from his eyes. I lean down and lick the outsides of each of his eyelids, one by one. He is surprised, but doesn’t squirm away.

“Better?” I ask. “Are you OK?”

“Yeah, Mama. I’m OK.”

There is a thin line between having it all and losing it all. It is on that line I balance. I used to think the beat of my life was uneven, stopping and starting with the poison of sickness. But the more I think about it, the more it seems like the beating has been pretty steady all along. I can’t do this, I must do this, I can’t do this, I must do this. And on and on.

Nick and I have landed in our life. It’s not settled, it never will be. We have two healthy children I thought we could never have. We have jobs, we have a home. We are well more often than we are not. We have an old cat that likes to find the square of sun on the edge of the bed. We battle chronic disease.

I used to wonder what would make me whole: what pill, or man, or relationship, or therapist. Now I think it isn’t about adding things to your life to become whole, but instead it’s about taking them away. Like my fear. Like my vanity. Like my need to be healed. Maybe, if I unfurl myself so that the palm of me is naked to the world, and I am here, in my body and in my life, in my remission, then I can finally be complete. Right there is freedom. Right there is absolution. Right there is grace. Right there is me.

Francesca Grossman’s work includes contributions to The New York Times Motherlode, Drunken Boat, Brain, Child Magazine, Ed Week/Teacher, Glasscases.com, S3 Magazine, and Interview Magazine. She graduated from Stanford with a BA and MA in Education and from Harvard with a Doctorate in Educational Leadership, with a focus on writing education and improvement. Francesca lives in Newton, MA with her husband Nick and two children, Theo and Brieza.

 

 

 

 

 

 

 

 

 

 

In the ER

In the ER

FatherComfortsSon_PreviewImage

By James M. Chesbro

Over my four year-old son’s shoulders the wounded adults gazed across the room in our direction.  Between their absent stares, maybe they replayed their accident and the ways they could have avoided it. What replayed in my mind was coming home from work and seeing a gash in my boy’s head. He was mimicking the downhill skier on TV, lost his balance and banged his head on a table. As I zipped his jacket over his pajamas he choked back sobs, accepting the news that instead of going to bed, we were going to the hospital. The receptionist said “Anna” into the microphone, another name that was not ours. My son’s eyes followed the movement of white fish in the large tank by the receptionist’s desk.

“Dad, look,” James said. “The fish have blood on them.” As I considered my response I saw the two drops of crimson stain on the collar of his sleeper. He kept his eyes on the fish.
“No, James.” I said. “That’s not blood. It’s just the color of the tips of their fins.”

“Oh,” he said, relief spreading across his face. We stared at each other for a long moment. I spent the day teaching high-school students, the early evening teaching college freshmen, and I hadn’t seen James since I waved to him in the driveway as his mother drove him to school. The big automatic doors to the main entrance opened as two people approached the receptionist over his head.

When James needs a haircut, his stubborn cowlick gives him a perpetual case of bed-head. When the hairs on the top of his head sprout into the shape of two ears of corn, the husks half peeled, it’s an indication of how busy I’ve been, since taking him to the barbershop is exclusively dad duty. In the morning, he runs away from me when I try to wet and comb his hair before nursery school and the husks shake.

“Can we leave now?” James asked as he twisted his white ID bracelet on his wrist. Until I told James we had to see the doctor, he was feeling pretty good about himself. We had left the triage room where the nurse fingered his way through his husks of brown hair to the wound. Neither of us knew we had three and half more hours of waiting.

“Probably two staples,” he said, as the rubber gloves snapped off his hands.

To pass the time we made up games together. We played follow the leader, which didn’t last long. We played a game of stepping on tiles and not the gray grout. If you stepped on the grout we called cracks, you were frozen and could only move if the other person tagged you.

We checked in with the receptionist to see how many people were in front of us. James sat himself in the chair, placed his elbow on her desk, rested his head in his hand and told the woman about his sisters, classmates, and teachers as if this woman knew who they were. A man wheeled an intoxicated woman to the desk. She demanded pain medication for her ankle. She waved her pointed finger at the receptionist and shouted.

James and I retreated back to the pediatric section where we sat at a small table. The TV blared over the woman’s proficient use of the f-word.

In the emergency room, I wasn’t cutting off his pleas to evade going to bed. I wasn’t standing on the landing, pointing to the second floor, exclaiming, “Up!” I wasn’t thinking about the work I still had to do after James and his sisters finally settled in their beds. I wasn’t thinking about how our three month-old might fuss throughout the wee hours of the morning. My objective that evening in the ER was as singular and apparent to me as the fear in the brown eyes of the boy in the green-fleece sleeper and sneakers. At home his younger sisters require more of my attention, but in the ER I could devote myself entirely to him. I didn’t know it then, and I hope I don’t have to repeat the experience soon, but my four hours with my son in the emergency room were a gift, because it gave me the opportunity to be the kind of father I wish I could be all the time.

Eventually, around 1:00 am, James slumped over my shoulder. I saw his body covering most of mine as I stood before the wall of windows, his legs dangling, his sneaker-covered feet tapping my kneecaps.

With two staples in his head, James slumped over me again, his sobs eventually steadying into more rhythmic breaths as drizzle fell on the slick blacktop, shining in the glare of parking lot lights. In the rearview mirror I watched my boy bring his knees toward his chest, and place his hands between them. The motor started. The interior car lights glowed orange. With his eyes closed, the cornhusks on his head rustled as he turned his head to the side. As I drove I thought about carrying him to bed, and wondered when we’d be able to go get him a haircut.

Author’s Note: I had a conference with parents of one of my high-school students the same day I ended up taking James to the ER. As they were leaving my classroom they asked me how my kids were. They told me it goes by fast, to enjoy spending time with them while they’re young, that before I knew it they would be in high school.

James M. Chesbro’s essays have appeared or are forthcoming in The Washington Post, The Writer’s Chronicle, Under the Gum Tree, The Huffington Post, Connecticut Review, and The Good Men Project, among others. He lives in Connecticut with his wife and children. Find him on Twitter or on his blog

 

Letters From My Father

Letters From My Father

Weathered Rusted Old Mailbox

By Amy Monticello

We like to have a destination when we walk. A place to arrive. Life with a baby is easier with small goals, the day divided into manageable hours. An hour of tummy time. An hour of napping. An hour at the thrift store, hunting for cheap treasures.

Boomerangs, with its orange block-lettered sign and kitschy window displays (a chess game set up mid-play on a wicker table with matching chairs, a mannequin wearing a vintage fur-trimmed dress looking into heavy mirror rimmed with embossed gold), sits just a few doors down from the Goodwill and its junkier junk. In the gentrified neighborhood of Jamaica Plain, three miles west of downtown Boston, Boomerangs serves the young white professionals like us who drive the rent up and pay more for their plastic art deco chair, their distressed leather jacket.

Our 8-month-old daughter, Benna, quickly became bored in the racks of women’s dresses. She began to fuss, drawing stares, so my husband and I wheeled the jogging stroller down the ramp into the back of the store, where unsteady bookshelves line the walls, hoping to distract her with the children’s section. We picked out a hardcover copy of Make Way for Ducklings, an adorable story set in Beacon Hill, and a copy of Charlie and the Chocolate Factory for when Benna is a bit older and can sustain attention for chapter books.

I don’t remember either of my parents reading to me, though I’m certain my mother did, must have. She had custody of me from the time I was two, and I had started memorizing my books by then. But she didn’t remember Where The Wild Things Are. When the Spike Jonze film based on the book came out, it was James Gandolfini’s voice, pure northeast Italian-American, that made a memory of my father’s voice percolate up from somewhere deep inside, an almost tactile memory of the book and how the wild things made me feel: frightened at first, and then smothered in comfort, like the furry pile of themselves they make in the film.

While my husband distracted Benna with her rattles, I pulled a new-looking kid’s book from the shelf. It was called Not So Rotten Ralph. The story features a lanky red cat with green, globular eyes that plays practical jokes on people and gets sent to feline finishing school in an attempt to make Ralph good. It’s not exactly highbrow stuff, nothing comparable to the subtlety of Maurice Sendak or Margaret Wise Brown, but the title reminded me of an old boyfriend by the same name, Ralph, who was also mischievous. I court nostalgia where I can.

When I cracked the still-stiff spine, an unopened card fluttered down to the dirty tile floor of the store. Its envelope was still crisply sealed and folded, preserved like a clover by the covers of the book. It’s true that have no respect for other people’s memories—I once combed through every one of my husband’s photos from college, trying to determine if his ex-girlfriend was prettier than me. I tore the envelope open immediately.

“I have a perfectly good reason why this card is late,” said a smiling cartoon beaver on the front. Inside, the card’s punch line: “I wanted to make your birthday last longer!” The card was signed, “Love Grandaddy and Pam.” Included was an uncashed check for twenty-five dollars dated December 1994. I was twelve years old in 1994. I remember braces. Frizzy, curly hair bluntly cut and hanging triangular around my face. My first love, John Lacy, moving away in the seventh grade. My first experience with unshakeable sadness.

I couldn’t stop wondering about the card, and why it had gone unopened. Did the mail arrive at a bad time—the middle of dinner, or the climax of a toddler’s tantrum? Did its recipient, the grandchild, feel slighted by its lateness, or simply uninterested in the banality of the accompanying book? Or was it the child’s parent who felt slighted, maybe carried inside them a legacy of disappointment? Missed school plays. Unacknowledged report cards. Did they grumble at the card’s sheepish joke, and then stash it in a place where it couldn’t hurt the heart of someone too young to understand that people sometimes forget, or are self-absorbed, or simply too busy, or unable to send a birthday card on time? Or was it simpler than I was making it, the card and check simply misplaced and forgotten in the chaos of a home with young children?

And what about the sender? Grandaddy. A man in a relationship with someone who was not Grandma. A man who later found Pam, and cared for her enough to sign her name to his grandchild’s birthday card. A man who wrote out, in careful cursive, a twenty-five dollar check and placed it inside a card that makes a subtle nod to shortcomings.

My own father, dead two years now, often gave money as a present. Sometimes for no reason at all, he would slip me a twenty, a fifty, even a hundred dollar bill. It used to upset my mother, the way he spoiled me without cause, the way he used money to show love, dropping me off at her house on Thursday evenings loaded with shopping bags from the mall. Buying love, she said, though we both came to understand it differently. He once sent me home with a check for five thousand dollars. Give this to your mother, he told me. I didn’t know then that he’d heard we needed a new roof put on our house, but that my mother couldn’t afford it. And yes, sure, he still loved her. He was sorry. But the money came without strings—it always came without strings, or at least, the strings were no more than a hope that she’d call him occasionally, let him tell her a joke over the phone.

My father’s grief was simply part of how I knew him. It made him vulnerable, easily pierced, even preemptive in his need to know I loved him. He lived in the apartment above my aunt, his footsteps muffled by brown shag carpet and the sound of the television, the History Channel or a Yankees game. Occasionally, his need would grow so loud that it required immediate relief. Here, hon, he’d say, handing me the fresh-from-the-bank bills from his wallet. Then he waited to hear the words. Thank you, Daddy. I love you so much.

A friend once told me that having children shifts the center of the narrative, our own past usurped by our child’s future. Still, it’s impossible for me not to project. Not to install myself in others’ stories—even, and maybe especially, my daughter’s. In The Empathy Exams, Leslie Jamison writes, “When bad things happened to other people, I imagined them happening to me. I don’t know if this is empathy or theft.” I’ve been thinking about this. I’ve been thinking about what it means to feel sorrow on someone else’s behalf, if it’s ever possible to feel their sorrow, or just supplant it with our own. Desperate for rest, we sleep-trained Benna when she was six months old. Making the decision to let her cry was agonizing, so I made a secret stipulation in order to agree to it; I would inhabit what I perceived as my daughter’s confusion and fear. My mother has abandoned me, I imagined her cortisol-flooded body telling her. Perception is reality for a baby—I couldn’t show her I was right outside her door unless I opened the door, and the point was not to open it. I didn’t do what experienced parents recommended—take a shower, go for a walk, stick earplugs in to cancel the sound of her crying. I couldn’t allow myself to be spared and reduce my family’s overall suffering.

And can it go the other way? Will Benna someday be wounded by the absence of the grandfather she never knew? Will I desire her to feel wounded? To mourn because I mourn? When I tell her about her grandfather, what will I emphasize so she will feel his absence particularly? He would not have changed a diaper. He would not have babysat by himself. He would have come to visit, but only if my mother drove him. He would have paid for dinner. He would have been amused by fine motor skills, fascinated by language acquisition. He would have told jokes about her seriousness. He would have liked that she doesn’t go readily to other people. He would have been proud, and said so.

He would have doted on her, spoiled her. I think he would have loved her; I think he would have allowed himself that. When I say all of these things, will I be doing so to satisfy a curiosity, or to make Benna feel more loved? Or will I say it to see my grief reflected back to me?

Last week, as my father’s birthday loomed full moon on the calendar, I attempted to wear the locket where I keep a tiny bag of his ashes. Because of my daughter’s exploring hands, I rarely wear jewelry anymore. She was immediately drawn to the locket, an anomaly on my person, which is otherwise so familiar to her, my body just an extension of hers. She gripped the delicate braided chain and pulled with determined hands. Afraid of it breaking, I took the locket off and tucked it back into my jewelry box.

But I wanted to put something of my father into her hands. So I took his Yankees baseball hat off the bookshelf where I keep it. The inside of the hat once smelled of his scalp, but not anymore; it smells like nothing now, or of our house, which I can no longer smell. Benna wasn’t interested in the hat. Again and again, I placed the hat in her lap, on her head, on my head, and again and again, she flung it aside, looking for something more exciting to play with. I tried to snap a picture in the few seconds when the hat was still in her possession. I heard my father tell me not to do this. Not to manufacture a moment between them. He didn’t like when the seams of an emotional performance were showing. In the pictures I took, it was clear what I was trying to do. The seams showed. I deleted them.

I became a writer in part because I want to make the things I’ve lost come back to me. John Lacy, who moved away in the seventh grade. My ex-boyfriend, Ralph, who was not so rotten. I create mirages of them. I imprint them onto the world as I live in it now by writing essays where they walk across the pages, back into my hands, my life. My daughter and my father missed each other. There isn’t anything I can do to change the end of his life and the beginning of hers. She will not recognize the smoke-and-dander smell of his scalp faded from the inside of the baseball hat. She will not beam him like a hologram into her books, her family holidays, the time we spent together in her infancy, nursing away the days already forgotten. She may never understand the happiness my father would have felt to know the sale of his business left a small nest egg for us.

The money came a year after my father’s death, when we settled his estate. And just like that, with a check, he was part of things again. The money bought clothes and a convertible car seat for Benna, and an extended maternity leave for me that kept me home with Benna for a full eight months. His money bought us 14-hour days of nursing. Every thirty minutes or so, Benna rooted and latched, and I settled us into the couch so I could watch her ears—perfect replicas of mine—twitch as she swallowed. As my milk let down, suppressing dopamine for prolactin, a surge of sadness crested from my belly to my throat, and sometimes, I would cry. The narrative collapsed then, my story and my daughter’s folded into waves of milk. I nursed my daughter because I could, and I could because my father was dead.

Money, I want to tell Benna, is time.

Of course, it’s only my imagination that can project my father into a life lived long enough to know his grandchild, or, perhaps even more astonishing, to meet another woman. Pam. In line at the bank, maybe. A companion after so many years in that apartment above my aunt,. An embarrassment of riches—a partner and a grandchild—in the twilight of his life. I imagine a happiness so unexpected, so total, it makes the days on the calendar fly, his beloved grandchild’s birthday temporarily lost in the blur of new joy.

But then, he remembers. “I’m gonna run to the drug store,” I picture him telling Pam. He yanks on his brown winter jacket and the Yankees hat. He drives the ten blocks. He peruses the sparse selection of cards, knowing he has to acknowledge his lateness somehow. The imperfection of his love. He wants to give more than the mea culpa of the cartoon beaver, so he writes the check out at the post office. Twenty-five dollars is a lot of money to a toddler.

He signs the name his granddaughter gave him. Grandaddy. Traces the “G” in darker ink so it will be clear.

Drops it in the mail and trusts it will arrive.

Author’s Note: Benna can now recognize my father in photographs, and even calls him Grandpa. Perhaps just as importantly, she can also recognize Mickey Mantle.

Amy Monticello is the author of the memoir-in-essays Close Quarters, and a regular contributor at Role/Reboot. She is an assistant professor of English at Suffolk University in Boston, MA, where she lives with her husband and almost two-year-old daughter.

 

 

 

 

All In: A Book Review

All In: A Book Review

By Hilary Levey Friedman

All In Cover ArtBy now you’ve almost certainly heard of Lean In. Josh Levs is hoping you will see similarities between his recently released All In and Sheryl Sandberg’s bestseller.

The similarities go beyond the titles. Both books deal with changing the challenging culture for working parents. While All In and Lean In emphasize that work/family balance is an issue for both sexes, the former concentrates on men and the latter on women.

Levs writes from experience as a devoted father of three who also covers family and fatherhood for CNN. In 2013, around the birth of his third child, he asked CNN’s parent company, Time Warner, about his benefits. Specifically Levs wanted to take the ten paid weeks new parents have as an option. But he discovered that those ten weeks apply to biological mothers, adoptive mothers, and adoptive fathers—but apparently not to biological fathers. After speaking with Human Resources, and even the CEO, Benefits ultimately denied his appeal of this policy. Levs consulted lawyers and took his fight public, using his own personal media bully pulpit to get the word out. While in the end he went back to work without the ten paid weeks, Levs came to be seen, and see himself, as a leader in the active fathers’ movement of the 21st century.

All In: How Our Work-First Culture Fails Dads, Families, and Businesses—And How We Can Fix It Together is the culmination of his research, reporting, and ruminations on this issue. Levs brings together and discusses the most up-to-date research on fatherhood while also proposing practical and policy solutions. In the Introduction he makes it clear that this isn’t “just” a problem for fathers or mothers: “Overall parents in the United States are working hard and doing their best. It’s the era of all-in parenting. And, by and large, neither gender is letting the other down.” Levs believes that poor family leave policies discriminate against both men and women by taking choices away.

All In isn’t only about paid family leave, but it is a big part of the book, and its strongest. In Part I he discusses the legal components of the Family and Medical Leave Act, business implications, and tax policy. For instance, from this I learned that many employers use disability insurance to pay birth moms. While Levs started this project seeking support for paternity leave he didn’t have strong feelings about paid family leave, but after everything he has learned he now believes that paid family-leave law would make a significant difference.

Another strength of All In is its focus on popular culture. Unlike others who write on this issue Levs devotes a whole section of his book to “Fixing Pop Culture,” explaining, “Any time I’ve interviewed fathers over the years, frustration about portrayals of dads in pop culture has gotten them fired up above all else.” The discussion here focuses on advertising snafus by companies like Huggies, the TV show Friday Night Lights, and mom’s-only groups.

Levs also tries to move beyond the upper-middle and middle class parenting experience (incidentally one of the criticisms of Sandberg’s Lean In is the focus on affluent families) to include a variety of families and family structures. He writes about fathers in prison, military dads, widowers, and he strives to include stories of poor fathers and black fathers as well. While his aim is admirable, at times these sections of the book strike a false note, especially in contrast to other portions where Levs is writing more from personal experience so his voice is stronger and more authoritative.

All In is definitely a book with a specific message and every page is meant to remind us of that message—that millions of (working) dads want to spend more time with their kids but in some way society is boxing them in. Levs sometimes present alternative viewpoints or explanations but it’s clear by the length of those sections that they are not the main focus. All In will most definitely appeal to those sympathetic to its argument, but I’m unfortunately not convinced it will change others’ minds (and I say unfortunately because my own husband is an involved father and I know how much that means to our household).

Levs’ goal is to start a movement much like Sheryl Sandberg. While the impact of All In may not be as deep, the book will give you something to think about and some facts to share with others whether you are all in or just leaning in to working parenthood.

Hilary Levey Friedman, PhD is the Book Review Editor at Brain, Child and the author of Playing to Win: Raising Children in a Competitive Culture. She teaches in the Department of American Studies at Brown University.

Buy All In: How Our Work-First Culture Fails Dads, Families, and Businesses–And How We Can Fix It Together

Gifts From My Father

Gifts From My Father

By Vivian Maguire

gifts from my father

I didn’t grow up poor, but my father did. When he told us stories about his childhood, I almost felt as though they had happened to me.

There was the time his father had found a magnetic screen at the city junkyard. He brought it home, and pressed it against the family television. The television flashed over from white, black, and grey images to glaring red, yellow, green, and blue vertical stripes across the glass. For the first time on their living room TV, they saw a rainbow.

Cambie el canal! Change the channel!” my father and his siblings yelled, believing that he had turned their black and white television into a color TV with his magic screen.

“No, no, no!” my grandfather said, laughing, “No puedo! This is all it does!”

One afternoon, at the park, his mother had forgotten their lunches. They were so far from home, she had had to buy hamburgers at a nearby stand. “The best thing we had ever eaten,” said my father, as he recalled how he, his three brothers, and his three sisters had chewed through the sandwiches of fried beef, mustard, pickles, tomatoes, and greasy lettuce on grilled bread. “When my mother got the bill,” he always paused, “it was for five dollars. She sat down and cried.” I would listen to this story and try to picture my grandmother, sobbing in the playground, with her seven thin children trying to console her, the taste of peppered meat still on their tongues.

My father did not tell these stories as fond recollections; the memories were integral to who he was, and why he worked as hard as he did.

Growing up, I would not know poverty and hunger as my father did, but he still wanted me to understand it. When we were out running errands or stopping somewhere to eat, my father would always hand me a few dollar bills to hand to a homeless person.

“Why don’t you do it,” I would whine. “I’m afraid,” I would say when he pressed me.

“So you’re not going to give them anything, because you’re afraid?” he would reply. I thought he was forcing me to give money to the poor because it made him uneasy. It took years for me to realize, that he was teaching me to see them. He wanted me to be uncomfortable, because he didn’t ever want me to ever be okay with just walking by people on the street, not if I had something to give.

My father found other ways to teach us too. When he bought us presents, he never gave us quite what we had asked for. My father always bought us toys that were close to what we wanted. For my sixth birthday, I had asked my father for a battery-powered car. I pictured myself in my pink, plastic convertible, with all of my friends watching me cruise down the block with matching pink sunglasses on my head, like Barbie. When my birthday came, I didn’t see a pink convertible. Instead, there was a brand new white scooter. “It’s not a pink car,” I told my father.

“Those things are too slow mi reyna,” replied my father. “You’ll be able to keep up with your brothers on this. Get on, try it,” he urged.

I set my foot on the flat base and pushed; it was fast. I thrilled and then laughed at the speed, the convertible forgotten.

Another time, I asked my dad for the Pogo Ball I had seen on television. My father bought me a pogo stick—an almost even trade, except that I almost broke my neck several times trying to balance on it long enough to even attempt a jump. Still, I enjoyed playing with it, until like my other toys, it was forgotten.

But one time my child-desire was nearly unshakable when I saw the Julie doll on television. In the eighties, she was a doll unlike any other that could sense when it was cold outside, her mouth moved when she spoke, she could respond to questions, and knew when she was being moved to another room.

“Are we going to get the Julie doll?” I asked my dad as we walked down the aisle at Toys R’Us.

“I found something even better,” said my father, and my stomach fell. I recognized those words. My father had other plans for me, and I would not get the doll I had been pining after. I had been thinking all morning of questions I would ask her, and now I knew that Julie and I would never speak to each other.

When we walked out of the store, I clung to the doll my father had bought me. She wasn’t Julie. She was Pamela. Her mouth didn’t move, she didn’t know that it was warm and balmy outside, she had no clue that we had left the store, and she only spoke when you pushed on certain parts of her body. “I see you!” Pamela said accusingly when I pressed on her blue, plastic eye.

When we returned home, I hugged my new doll to my chest. I took her to my room and laid her on my pillow. “I see you!” she said, as I pressed on her face, abdomen, and any other parts of her body that would elicit a response. “Muah!” her lips smacked as I pushed my palm onto her mouth. “Hee hee hee!” she giggled as my small fingers explored her belly. “I love you,” Pamela sighed when I pushed my hand onto her chest. I love you too, Pamela, I thought as I pulled her into a loving embrace. Being a child, I couldn’t help but believe that I would be hurting my doll’s feelings if I didn’t return her affection. I squeezed her to my body and whispered, “I love you, I love you,” until I began to believe it.

Over the years, I would receive many gifts from my father that would fall short of my expectations, but like the scooter, the pogo stick, and the doll, I would learn to love my father’s gifts more because of who they came from. Of course, I did not realize at the time that my father was teaching me a lesson that would extend into my adult life. Though I would be disappointed when events in my life did not turn out the way I planned, I would learn how to enjoy myself anyway, and to be thankful for the gifts I received, regardless of the form they came in. Like the gifts my father gave me, my life would not look anything like what I had wanted for myself, not even close. But, when I thought about it, I would see that what I had was even better.

Vivian Maguire is an English teacher, a writer, and a parent. She lives with her husband Randy, and their two daughters, Amelie and Penelope, in El Paso, TX. She writes about parenting and teaching on her blog, storymother.wordpress.com. 

What a Father Is, and Isn’t

What a Father Is, and Isn’t

By Jennifer Berney

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My children have two mothers, two dogs, fifteen chickens, and zero fathers. That is the accurate headcount in our household.

 

When acquaintances are feeling bold, they sometimes ask about the father of my sons. “Do they have the same father?” they might ask in a whisper, or, “Is the father someone you know?”

My children have two mothers, two dogs, fifteen chickens, and zero fathers. That is the accurate headcount in our household. There is no father living out of state, or just out of sight, no one whom they will one day call “Dad.” Instead, they have a donor, which is a different thing entirely.

Fathers, as we all know, take countless forms. Your father might be the person who bore witness on the day you were born. He might have stayed through a long hard labor with one hand on your mother. He might have cut the cord when you came out. Or perhaps your father was banished to the waiting room, where he tapped his foot and checked his watch. Or he might not have been there at all. He might have been overseas waiting for a letter, a phone call, an email. He might have been off at the bar or away on business.

If it matters where he was, whether he was there or he wasn’t, whether he was hopeful or anxious or indifferent, he’s a father.

Your father might be the person who taught you how to ride a bike, who trailed behind you steadying the seat, who let go without saying a word and let you glide down a gentle slope. He might be the one who wiped the gravel from your skinned knee and spread a layer of bacitracin over the wound. Or he might have been the one who yelled out in annoyance every time you fell and cried. “Toughen up,” he might have said. “It’s easy.”

Maybe your father was the one who came home from the store with a box of cookies and didn’t care if they disappeared before he ate one. Or maybe he was the one who had a stash of licorice that no one was allowed to touch.

Maybe your father was a greeting card father, a #1 Dad who liked fishing and golf, who’d happily unwrap a box of cigars or a tie every year on his birthday. Or maybe your father hated sports and was hard to shop for because he only liked the things he liked, and these were not the things you gave him.

Maybe your father took over when your mother needed a break, or when she left. Maybe he was up to the task of making breakfast, wrapping presents, walking you to the park in a wagon, or maybe you just carried on as if you were alone.

Maybe your father was the only one you had. Maybe you had two. Maybe you’ve got gay dads, or step-dads or granddads who took over the role.

Our fathers leave us with internal landscapes. Even the best fathers may leave us with little ruts and gullies that mark the places we’ve been hurt. A father who leaves and never returns or a tyrannical father might leave a chasm. And then there are smooth swimmable lakes created by consistent paternal love.

We measure our fathers by how often they show up, and what they offer when they do. But an absent father and a sperm donor have little in common. We measure a donor mostly by what he offers before a child is conceived. Do the sperm swim towards the egg? Do they reach it?

And in the aftermath of conception, once a baby is born, we measure a donor by how well he honors his agreement. Perhaps he is nameless and will always be so, or perhaps he agrees to release his name and number once the child turns eighteen.  Or perhaps he participates from a meaningful distance in the role of family friend or uncle. In a donor’s case this distance, this absence, is love.

If you ask my older son about his father, he will quickly correct you. “I have two moms,” he clarifies, and I note that so far he frames his family in positives; he accounts for what he has not what he’s missing.

And so I worry that it’s confusing to him when people ask me about his donor, but use the word father instead. I know what they mean of course, but if I answer without correcting them what will my son think? That he has a father after all—a potential parent who has left him? That is not the case, I want to whisper in his ear; no one has abandoned you. You have one mother who bore you, and another who welcomed you, and a donor who was generous enough to help bring you into the world, and who honored our agreement that he would be a friend and not a father.

This is why when people ask in hushed tones about my children’s father, I try to be consistent. “Oh, you mean his donor?” I answer brightly, trying to chase the shadows into light.

Jennifer Berney is a Brain, Child contributing blogger. Her essays have also appeared in The New York Times Motherlode, the Brevity blog, and Mutha. She is currently working on a memoir that chronicles her years-long quest to conceive a child. You can connect with her on Twitter, or on her personal blog, Goodnight Already.

The Accidental Lactivists

The Accidental Lactivists

By Mira Saxena Mother Breastfeeding her newborn baby

The Breast Whisperer was at our door. It was day two home from the hospital after the birth of my first child, and no amount of reading or lactation class preparation could have readied me for the elusiveness of “the latch.” I had a small coterie around me: my parents, my husband, and squirming in my arms, my baby daughter. My father let her in, the city’s number one Lactation Consultant; she brought a “hospital grade” breast pump with her into our daughter’s room.

Having recently abandoned any sense of nursing bashfulness in front of my father, I struggled to hold my baby while balanced on an inflatable donut pillow on the seat of the glider chair. I hoped, in my sleep deprived haze that someone in the room would take notes on how to use this new machine.

After a natural birthing class, my husband and I had decided to go “all in” with exclusive breastfeeding for as long as I was able. But the “alwaysness” of breastfeeding on demand had been staggeringly exhausting. My own mother was sympathetic to my plight, but she had never used a breast pump herself, and didn’t have tips to share.

The first night at the hospital after our daughter’s birth, my husband sat alone on a glider, in the hospital nursery, chatting with the nurses and letting our baby suck on his thumb (a technique suggested by our birthing instructor). She fussed in his helpless arms but he held firm, telling the nurses we didn’t want to introduce formula, or a pacifier, for that matter, while I caught up on a few hours sleep ready to try again to nurse as dawn arrived.

Learning to breastfeed was difficult. Repeated tries with an improper latch had left me so sore it was painful to continue trying, but I tried with my Medela pump to extract enough milk to keep my supply from dwindling. For those few days prior to our Lactation Expert visit, my husband learned to feed my milk to our tiny one with a hooked syringe and, again, his thumb in between my attempts to let her nurse. She was like a small baby bird drinking from a beak.

That afternoon, the Breast Whisperer explained how to use the new, mint green contraption, which we then rented for a few months—it looked harmless, in all its pastel glory. Soon I was in the groove, producing an ample supply of milk.

Fear of the painful latch, however, threatened to thwart even my best attempts to breastfeed. I tried to tolerate my daughter’s nursing, even as I was nursing my own raw anatomy, with my husband crouched at my side. He tried to distract me by reading poems of Wallace Stevens. Those tender moments are some of my most cherished parenting memories.

My own dad was a different story. With my husband at work, my sister living overseas and my mother traveling, my retired father volunteered to come over every few days and spend time with me and the new baby—he’d hold the baby so I could pump, sit with her while I ate or keep her company while I got some much needed sleep.

When our daughter was five months old, a hurricane blew through town, knocking the power out in our suburb. We had decamped to the city for a few days, where luckily, there was still power. But most of my hard won milk was in our freezer at home. Fretting over the spoiled milk, my husband drove back in the horrible weather—with a cooler—and he brought back the milk stash, on ice. My knight in rain-soaked boots.

It’s easy to look back on these mammary memories now, sometimes in amusement. I didn’t know about thrush, how a nursing mother’s diet could affect the baby, about hand expressing or clogged ducts. So much is thrown at women at the critical juncture of birth and feeding, and there aren’t always supportive people around who advocate not to give up.

Lucky for me, the two most important men in my life kept me going until my daughter and I hit our stride and became a super breastfeeding duo. These amazing Dads taught me that sometimes men are the silent force behind the woman, stepping in when needed. I nursed our daughter until she was two and a half because of their early encouragement. Even though she was no longer the tiny infant, the glider was our favorite spot during those final years of nursing. It was also the place where I could reflect on the love that came from an early bond we all carefully nurtured, and created together.

Mira Saxena has read many an issue of Brain, Child with a sleeping baby in her arms. She writes often on parenting and motherhood and lives with her husband and two daughters in Washington, DC.

The Whole Truth

The Whole Truth

dad:cerise

“How often do you see your dad?” she asks casually.

The question is one of many questions we’ve volleyed back and forth this particular afternoon as we sit in the sun and let our children play on the playground.

How should I answer this question I’m sure she perceives as benign?

I could simply say, “My dad visits a couple times a year.”

That’s true. Or, at least, true enough.

Or, I could say, “I see my father’s shadow every day.” That’s also true but it takes some explaining.

I could tell her I see his shadow every time I pass a big rig on the highway and glance at the forearms of the trucker to see if they are connected to my father’s hub-cap sized hands.

I could tell her I see his shadow in the uneven gait of anyone in cowboy boots. And in every pair of Wranglers with extra slack where a butt should be.

I could tell her I see his shadow in the hand firmly gripping the upper arm of the whining child in front of me in the grocery checkout line. And in the neck swiftly turning to administer a fierce gaze and the promise of action to an off-task child at the park.

I could tell her I see his shadow in the red nose of the man in the bar who asks for another with eyes at once hopeful that the next round will bring relief and simultaneously sorrowful because he knows the amber elixir lost its magic years ago and the bottom of the glass is not where second chances hide. And in the father sitting across from his child at a nearby table holding up his end of a patchwork conversation, pieced together as good as it can be given the uneven stitches of court ordered visitations and shared holidays.

I could tell her I see his shadow in the Vietnam vet on the corner and hold my breath while I check to make sure that the stranger is indeed a stranger and that the remarkable resemblance is only just that.

I could tell her all this and reveal myself to be a not-so-well-adjusted, not-so-resilient child of divorce. I could reveal myself to be the dented can somehow placed on the shelf alongside all the unblemished cylinders that made it through similar journeys without permanent damage.

There are plenty of other moms on the playground that appear normal and self-actualized. Friendship with me will cost the same as friendship with one of them. Surely she would prefer to invest her time in building a friendship with someone else. Someone not standing in the long shadow of what could have been but wasn’t. Someone who won’t tense when she hears kids whine. Someone who won’t weep when she sees the easy affection of a father for his child. Someone who won’t speed up to overtake a semi on the off chance she knows the driver. Someone who won’t lose her train of thought when she sees a bearded man at the off ramp with a Sharpie plea written on a cardboard remnant.

I could pose as an undented can. I could turn my best side forward and hide the imperfections. I could pretend to be unaffected by the bumps and sharp corners of my journey.

I could say, “My dad visits a couple times a year.”

Or, I could reveal the scars of improperly healed wounds and say, “I see my father’s shadow every day.”

I look at her and realize that I’ve taken too long to answer what she thinks is a simple question.

The Humility of Fatherhood

The Humility of Fatherhood

HumilityofFatherhoodI wasn’t nervous because I was worried he might show up to contest the adoption proceedings. I knew he wouldn’t. He had his own thing and his own reasons and I don’t pretend to understand him or judge him. We have made peace. Nonetheless I was still nervous—for reasons that circled around identity and fate and a few other big things that matter in the grand scheme of big things that matter. This was one of those days in your life, few and far between, when who you are is about to change in every imaginable way. Sure, we change a little bit every single day as each moment chisels away at who we will become, but on this day I woke up a particular man and would go to bed a completely someone else. The bailiff, as the law requires, called his name once, and then twice, and finally—much louder—a third time. Silence. Silence. Silence. And it was done. I was a father and I had a 3-year-old son. But I didn’t feel very different. And neither did my son. He asked for some juice.

Was that Father’s Day? Or had Father’s Day already come and gone? Maybe I became a father the first time he called me Dada, a year earlier, or the first time I changed a diaper. I had been around since the day he was born, doing stuff that looked suspiciously father-like and yet I still identified as a guy who merely lived with his girlfriend and her son. This is very much like walking in the rain and not being wet, but this is often the way stories unfold in my life. I am usually the last one to know the truth about me. The day is done. It’s time for bed. But I never check my watch and jabber with the moon.

I suppose I always thought that I would one day feel like a father, which implied to me that I would one day have it all figured out and, having accomplished the noble end of all that industrious figuring, I would be ready to pass the torch and transmit the substance of all my hard won it. How could I have possibly known that, just behind the thin screen of my own parents seeming to have it all together, the center faced the constant threat of not holding and everything always lingered on the verge of coming apart—indeed, even coming apart a little and often in ways I was too young to notice and coming back together just before I did. How little we all know about just about everything. I thought it would get better. I believed the prerequisite for fatherhood was feeling and being more confident about my place in the world.

However, I discovered the truth about where fathering begins—180 degrees away from confidence—at the birth of my daughter. Birth is one of those events where the concept is in no way equipped to remotely represent what actually happens. What I mean is, yeah, you can understand that, of course, women give birth to children but knowing this is actually a barrier against what really happens when you witness a woman giving birth to your child. What I mean is that what you think you know about what’s going to happen gets completely exploded by what happens. Scratch that. What I mean is that everything you think you know about everything gets completely exploded when you see your child being born. Like, imagine that everything you think you know is a warehouse full of hand grenades and dynamite and the birth of your child is a lit match tossed in…

What am I talking about? Well, there’s before—and that includes all things before, including the whole delivery process—and then there’s after—and “after” means after that point when you actually see a baby—your baby—who is, like, 2 or 3 seconds old.

So I was this person, right? It’s super hard to explain. There’s this kind of naïve consciousness that has, like, the basics of how the world works down and takes it for granted, you know? Lots of times, people like this call themselves “Realists,” because they consider themselves down to earth, in the know, and/or real. So I’m kind of like that, this person in the world who’s doing okay or whatever—okay, that is, until I saw my daughter just after she was nothing.

So she wasn’t here and then she was and, for me, the world kind of quivered, got wavy, and went voop voop voop, which is the sound the world makes when there’s a rip in its fabric and all the necessary assumptions for a world to be a world turn into hand grenades and dynamite and explode. Because, really, what the hell? If a baby—your baby—can just, for forever, not be here, and then, KABOOM, be here, isn’t that essentially an expression of the quirky little fact that ANYTHING might HAPPEN maybe ALL THE TIME?!? And how you can be the same after that? How can you take anything for granted after that? How can you be sure of anything after that? And now you’re supposed to raise a baby?

My genuine emergence into fatherhood occurred when a baby gave birth to my ignorance. This ignorance is the mirror of a more genuine humble confidence. It had always been raining.

Showing Lola Brain, Child

Showing Lola Brain, Child

showinglola“Come upstairs, Lola Blue. I have something for you.”

“WHAT?!?”

“Well no don’t um—get all excited about it. I mean, it’s for you and all, but it’s the kind of something that you just sort of keep and put away and maybe look at from time to time like your purple volcano stones from Maui.”

“Cool! Let’s see!”

Upstairs, Lola sat on my bed and I handed her a copy of Brain, Child, Volume 16, Issue 2, a literary magazine for thinking mothers. On the cover was an animated image of two young people from behind, holding hands, and they both have cell phones in their pockets. (If, by chance, you wanted to ORDER this magazine, you could click here and we could definitely make that happen.) Lola did her best to feign interest in the magazine but it was a far cry from purple volcano stones from Maui.

“Just—uh—you know, flip through the pages a little bit,” I instructed. “Figured there might be something in there you might find interesting.”

She leafed through the pages, humming, skimming titles and checking out the art work (was that what she was supposed to find interesting? who knows? dad’s not being especially direct with this particular “something special”) until page 54 stopped her cold in stunned recognition. What the hell? It was her.

“It’s me!” she exclaimed on the border of a question, looking at me, amazed, and then back again at the full page black and white image of herself in a magazine. “The Poetry of Math?” she read the title, wondering what it meant, “And it’s by you! You, Daddy, in a magazine! And me!”

“Yeah,” I said and sat next to her. “I write about you and your brother on the Internet all the time, but this is different, hey? Here we are, out in the world, in print. Is that pretty cool or is that pretty cool?”

“It’s way pretty cool!” She smiled, turned the page, and read “{OUR KIDS} + (the FUTURE) = Anything. You write so crazy, Daddy. What’s that even supposed to mean?”

“I don’t know, little girl. I just scribble things down about you kids and hope that maybe one day you’ll check them out—like when you’re 20 or something—and maybe they’ll mean something to you. And then, maybe when you’re 30 or 40, they might mean something else. Hell, I’m not even sure half the time if I know what they mean and I’m the guy who writes it. But I do know this much for sure. Sometimes, you kids mean more to me than anything I could ever tell you. I could never explain. So I just try to write it down and see what happens.”

“Like how?”

“Like how what?”

“Like how do me and Jay-Jay mean things you can’t explain?”

“Sweetheart. I just explained to you that I can’t explain and that’s why I write—”

“But, Daddy, this IS writing. It’s not like we’re having a real conversation. This is an essay on the Internet.”

I felt weird. Dizzy. Like drugs, or colors. “Whoa,” I said, “this conversation just went all meta-essay. Do you know what that means?”

“That the writing no longer seeks to deceive the reader by representing a transparent reality but, rather, becomes conscious of itself as writing while exploring and articulating its limitations.”

“Yeah. You’re pretty bright for a 10-year-old girl.”

“I have a really strange dad. So, anyway, how? How do me and Jay-Jay mean things you can’t explain?”

“Okay, it’s like this. Sometimes you and your brother will just… DO something. Like, anything. And I can’t just say ‘Wow, Lola, that was really awesome the way you brushed your hair,’ because, even though that’s what you did, that’s not what it meant. See? What it meant is what I can’t explain.”

“Well, what did it mean?”

“Are you even listening to me? I don’t know. Nothing, maybe? It’s like there’s this world, you know, and it’s spinning in a circle and whirling around the sun, in circles, going nowhere, and there’s all this war and sex and reality television and people—it’s the people, I think—the way we’re trapped inside the narratives of our own stories as if they’re, like, realer than they really are and I’m the same way, just living my life, oblivious, consumed, selfish, and then all of a sudden­—WHAM—you’re brushing your hair or Jaydn opens a window and I can’t believe there’s such a thing as any of this or you and I get—like—stunned without a tongue so I write things like ‘Lola brushed her hair free of tangles and rubies as Jaydn opened the window to get some fresh dreams. My children are made of tulips and stardust. Nothing in the world is what anything seems.’ Do you see? I can’t explain. I can’t—”

“Shhhh,” she spared my lips. “Hey, Daddy? Can I keep this? The magazine?”

“Of course you can—yes. I wrote it for you.”

“You will always be the candles on my eyes’ windowsills.”

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A Flair for the Dramatic

A Flair for the Dramatic

By Aaron WhiteWO Beating Outside my heart Art

Self-Injury

I’ve always had a flair for the dramatic. I’m not proud to admit this. A large part of me wishes I’d outgrown it by the time I reached adulthood. The ideal portrait I’ve always painted of myself is stoic, collected, but I know otherwise. When I was a kid, I often babysat my three younger brothers. I was too young to be left in charge of children, and after hours of angrily trying to corral them, stifle them, all in the hopes of preventing spilt milk on the linoleum or broken glass in the bathroom, I’d had enough. In seething, utter frustration I grabbed my whitest shirt and soaked the front in stage blood from the previous Halloween. Corn syrup crimson, I let it permeate the fabric and rest on my stomach. I then pulled a steak knife from the kitchen drawer and screamed for all the neighbors to hear. Collapsing to the floor, shutting my eyes extra tight, I felt the clustered patter of bare feet. They approached me, timid and cautious. I tried my hardest not to breathe. Soon, a blanket was thrown over my dead frame, and their bellows of laughter were chased by the intense melodrama of my searing rage, pursuing them to the other end of the house, steak knife in hand and bogus blood caked to my torso.

Tantrums

 I’ve always had a flair for the dramatic. I’d gotten better about hiding it by the time my daughter was two. I remained stoic and collected in the cold exam room, antiseptic white. My wife, Tiffany, nervously rapped her heel against the slick linoleum. What was concern for an earache soon turned into questions about Harper’s severely regressed speech. The doctor showed unnerving angst for the early stages of autism. That evening, I locked myself in my office. I shut the door tight and wept in secret. I wept and cursed and spat without shame. I slammed my fist on my desk. I knocked pens and paper to the floor. I stomped my feet and hit my head in unison. I despaired the loss of my normal child. What little experience I’d had in the public school system taught me that autistic children are awkward. They’re good with computers, sure, but they walk on their toes and struggle to end a sentence. These kids are corralled into special education classrooms and taught how to shut up, sit straight, act appropriately, and smile accordingly. I collapsed to the floor and wished for a blanket.

Speech Delay

I’ve always had a flair for the dramatic. I try not to let it get the best of me. Just a few weeks before the final diagnosis, before hours spent pouring over pamphlets and web pages and online seminars, before working with a slew of speech and developmental therapists, I got out my phone and snapped a photo of my daughter. Tiffany was away and in my absentmindedness Harper got a hold of an apple. Before I could catch her she’d already started in, her teeth dug tight into its green flesh. The juice bled down her chin and permeated the collar of her shirt. She babbled happily, plump cheeks resting atop a wide smile, and ran from the kitchen to the living room to devour her well-deserved spoils. As she finished up, I wet a napkin and tried to wipe her down. Before I could reach for the core she handed it to me, mouthing in a little voice I so little heard, “Apple, Dada.” I smiled and welled up inside. I inflated and I danced. I stomped my feet and hit my head in unison, in laughter. I hugged and kissed Harper, welcoming her confused, timid expression. I eagerly called my wife and tried to speak but found my mouth useless. The photo was sent to her instantaneously. We rejoiced over the scattering and reassembling of digitized pixels, an accomplishment and reminder that our daughter was going to be okay.

Aggression

I’ve always had a flair for the dramatic. Sometimes it can’t be suppressed. In the pediatrician’s office three hours from home, they diagnosed Harper as autistic, but it sounded wrong. Tiffany’s eyes welled up big and wet and I tried to remain stoic for her and my little girl. I tried so incredibly hard to keep myself from shouting “bullshit” and throwing my chair. Two well-dressed, tight lipped, closed-minded strangers evaluated Harper for a mere hour and a half. They bled color from the word “autism.” They dismissed two years of laughter and growth and love to throw it over her like a wet blanket, to stifle her with a condemnation, a disease, a sickened, blackened word. This was not the same portrait of autism I’d come to know. It was not a new way of thinking, but a wrong way of thinking, of seeing the world. “Take advantage of the Social Security benefits,” they told me. “ABA therapy,” they told me. I wanted to stomp my feet and hit my head. I wanted to shove that picture in their faces, show them my little girl, my Harper, standing on a kitchen chair with that bright, green ball of fruit in her hand. I wanted to tell them, “Apple, Dada!” She said two consecutive words! Unprovoked! She associated the abstract with the tangible, god damn it, can’t you see? I wanted to hold a steak knife to my gut and shout, “Look at me! Look at me!” I wanted them, for just one second longer, to avert their eyes from my daughter, to cast that blanket over me.

Repetitive Behaviors

Harper has a flair for the dramatic. She can melt in a mere moment, kicking and screaming, flailing her arms and legs like something wild. Harper will bite and pinch. She will shake her fists and flap her hands. She will also laugh. And kiss. And wrap her arms around my neck so tight I’ll forget to breathe. Late at night, when I kneel over her bed and the blinds allow only a modest amount of white moonlight to enter the room, I’ll feel her plump arm reach out to me from the void and pull my head toward her chest. Harper’s heart thumps rapid and rhythmic and I know she’s narrowly escaping some nightmarish landscape of phantasm. I pull her fleece blanket close to her chin and static pops in small bursts of blue light, like Fourth of July sparklers, enticing and delusive. I’ll close my eyes and listen to her breathe. When she swaddles my face in milky gusts, the tension finally loosens its grip.

Aaron White recently earned a graduate degree in creative writing from Eastern Illinois University. His work has been published in The Tonic and Heart. His fiction and poetry has won awards from The Academy of American Poets, The Mary-Reid MacBeth Foundation, and The James Jones Literary Society. In grad school. This essay is his first venture into creative nonfiction.

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Swinging Lola

Swinging Lola

Lola SwingingWhen you were pushing your daughter on the swing, you forgot about the rent. You forgot about your taxes and your credit cards and the broken towel rack in the bathroom and the hangnail on your right index finger. You forgot about work and working out and the bad dreams you’ve been having about a wicked pack of oil slicked witches chasing you through an endless concrete maze lacking both entrance and exit. From a pop psychological perspective, you were not a symptom of your issues. You were not abandoned. You were not the victim of a God fashioned after the constraints imposed by your drunk and raving stepdad. Your inner child was not wounded. You were not hounded by the sense that you’re not okay or good enough or worthy of love. Nor did you smother yourself with positive self-talk about all your admirable qualities and the good things you deserve. You did not obsess about, or feel compelled, to have a drink—just one drink, to take the edge off. Indeed, you forgot you had an edge. From a less conventional perspective of our psychopathologies, you were not possessed by demons or haunted by ghosts and you weren’t the numinous vessel through which bloodthirsty gods of war erupted, blindly seeking power and vengeance. You forgot to worry about the future’s uncertainty. You forgot to dwell in the muck of the past. You even forgot to remember that your car was low on gas.

Come to think of it, when you were pushing your daughter on the swing, you forgot about yourself entirely and, in the ecstatic release of this blessing, you forgot you were even a you at all, that such an odd little thing called you existed. Where did you go? Pay attention. Because here’s where it gets interesting and twisted. When you were pushing your daughter on the swing, some vaster You, the great big You that, indeed, contains you and everything else, but frequently—too frequently—gets imprisoned by your persistent identification with It, freed Itself from your unusually imperial dominance to inhabit the perspective of your daughter and, as a result, you forgot yourself in the service of this You that loves only to wander through the exotic forests of otherness.

And you were swinging! As the chains binding you to the swing set moaned with their predictable creaking like the bones of the very old, you were swinging, wildly to and fro, screaming Higher, Daddy, higher, screaming WHOO, and laughing. You were swinging and your long yellow hair sailed behind you like a superhero’s cape and the big yellow sun hung in the perfectly blue sky like a painting that sought only to explore the magic of juxtaposing a vivid yellow circle on a vast blue canvas. You forgot that math was hard and that school was a drag and that it’s becoming more and more difficult to navigate school’s social demands. Some girls are mean. Some girls are nice. Who are you? You forgot that your parents are divorced and how confusing it is to somehow be a member of the same family while blurring into the scenes of two new families. You forgot about your big brother, how much you admire and despise him. You forgot that your dad always goes to those meetings and you don’t really understand why but you’re glad he does. You forgot you spilled mustard on your blue dress and that you can’t find your hairbrush under your bed or anywhere and you even forgot that your braces make your whole mouth sore.

Come to think of it, when you were swinging, you forgot about yourself entirely and, in the ecstatic release of this blessing, you forgot you were even a you at all, that such an odd little thing called you existed. Where did you go? To the mountains! As you reached the highest point of your backward arc, you swooped forward and, freed from yourself into some vaster You, you were a bird launching into the air and flapping your wings, trafficking with airplanes and clouds, thinking big thoughts as big as the sky. Look at you! You can fly anywhere, anywhere at all, but the city and all its cold angled concrete and people bore you to death so you fly to the mountains where the rock is red and yellow and as constant as hope. You belong in the mountains. The mountains are home. For only in the mountains do you fit like a carefully built nest in the branches of a humble tree. You feel free in the mountains. There, you can finally relax and sing and, unafraid of men with guns and other predators, forget yourself. Come to think of it, as the idea of yourself as a bird gives way and blurs into your surroundings, you yourself are the entire range of red mountains covered in blue sky and we, too, are all of this.

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How Our Kids Become Who They Are

How Our Kids Become Who They Are

jonMy 15-year-old son, up until very recently, dreamt of pursuing a career developing video games, a dream no doubt created in part by the delusion that his job would consist mostly of playing video games and eating potato chips as opposed to laboring day in and day out over frustratingly buggy code. But far be it from me to trample on what appears to be a silly dream. I am, after all, a writer and, when I’m alone, an indy rock god with an acoustic guitar performing for small crowds of 300 or so because only a select few really, really understand me.

But the other day, in the same Italian restaurant where we always eat penne with pesto at a very stable table, me the father, he the son, relaxed and comfortable in all this steady self-sameness, he did that thing the world will often do when—in a blink—everything is revealed for what it always really is: constantly maybe not what it is on the way to being something else that it, too, might not be.

From nowhere (indeed, from where else?), he just up and says, “I’m pretty sure I’m going to UCLA to become a chemist.” And just like that, in a blink, the video game developer gave way to a chemist.

Anything could happen all the time. Like, right now! Or… now! Or… Right now too! You never know, do you? Blink. Someone stole your car. Blink. You lost your leg in a carnival accident. Blink. You’re dead. It’s really not conducive to the ongoing production of anxiety-free ordinary days to dwell overmuch on what might happen when you blink. I mean, any number of horrible things could go down. Blink. Check your wallet.

Oh sure, of course, it’s in the realm of possibility, too, that good things might happen in the blink of an eye, but such sudden—blink—change tends to evoke a sense of dread in this worry wart because it seems to me that stability itself is the good thing I’m crossing my fingers for from blink to blink to blink. Blink—still here. Blink—still here. Blink—is my car gone? My leg? What about my wallet? Still in my pocket? Nice! And so on.

How interesting it is to think that—in spite of this craving for stability and fear of sudden death—a big long history of silver tongued mystics and goofy quantum physicists generally agree that the world possesses absolutely no substance, no abiding this-this-this that remains that-that-that. As Brahma creates the world—blink—Shiva destroys it—blink—and on and on and on, and Hakuun Yasutani once preached that our bodies undergo a sophisticated process of creative emergence and destruction 6,400,099,980 times a day! And what’s the deal with quantum physics and the notion of substance as a kind of dense energy that tends to repeatedly explode in patterns that vibrate on the same frequency for awhile until they don’t? It’s like a thing—or you and me—are puddles of water that constantly freeze and melt in all kinds of ways until everything evaporates. Or maybe not. It’s no easy task to articulate adequate metaphors that serve to illuminate the weirdness of all this unstable thingliness.

Now, with the backing of such esoteric authority, the basic terrifying fact of our (not) lives takes on a whole new aura of magic, wonder, and possibility. We are not the reified entities we tend to represent to ourselves as the solidified what of who we think we are and, at the end of the day, or on the other side of this moment, we could maybe possibly might be anything. Sometimes I’ll just stare at something—a pitcher of water, a tree, a bus, whatever—and wonder how in the world it can possibly just sit there, remaining what it is as opposed to just vanishing into nothing or morphing into a bowl of fruit or a green mamba or whatever thing an anything might be.

“I’m pretty sure I’m going to UCLA to become a chemist,” he said and—blinking again—I saw the future erupt around him as if it was merely the words themselves that made things so: glass beakers, Bunsen burners, a white lab coat. And me in reverie about mystics, physics, and the enduring substance of tables and pasta from blink to blink and the mysterious who of who we are and are and are some more.

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Straightening Things Out, With the People You Love

Straightening Things Out, With the People You Love

bracesWhen all the happy teeth of your mischievous smile were covered the other day by your shiny new braces, I remembered brushing your hair. But that doesn’t make any sense at all, I imagine you saying without hesitation. No? Well maybe it doesn’t. But that’s the way I think, all over the place, all the time. Don’t you? Doesn’t everybody? Well I do and, for all we know, it does make sense. Let’s see if we can straighten this out.

When you were a little girl, I used to give you baths, which I loved when I wasn’t consumed by myself and my own ambitions, which was often but, nonetheless, there was always a part of me that stayed aware of loving to watch you play with cups and water and I loved the way it felt on my big hands when I washed and conditioned your pretty hair. It was after the bath when things got ugly. I went downstairs as you dried off and put on your pajamas. Solemnly, you descended the stairs with your detangling spray, a comb, and a brush. Your mouth was a straight line and your eyes were half-lidded. You walked straight to me and turned around, rigid, like a soldier. I doused your hair with the spray and so it began. First, the comb to rake through the bigger tangles and then the brush. You tried to stifle your outbursts but sometimes you squealed as big raindrops formed in the clouds of your eyes and rolled down your cheeks and God it killed me to hurt you.

One of the many beautiful things about primal cultures and children is their convincing ability to inhabit a world of amazingly creative theories of causation. I don’t look upon this ability in a disparaging way at all. I admire it, respect it, yearn for it, and fundamentally believe that it’s a truer way to dwell in the shelter of the world than the diminished world merely understood through the lens of science and its useful discoveries. People used to have gods that oversaw almost every form of activity and nearly everything they did was a prayer. They made sacrifices to influence the harvest. Mimicked myth through ritual. Created idols to protect their homes and sleep. Attributed good fortune to the goodwill of deceased ancestors. Danced for rain.

It’s been almost 4 years and you don’t talk about the divorce much; you never have. But I imagine you might shoulder the burden of your own ideas about what went wrong in your secret and magical way of making sense. What did you do wrong? Were you perhaps mean to the cat? Did you steal cookies? Did you think a horrible thing in anger that you quickly wished you never thought and couldn’t think away? Or maybe you stepped on a crack or forgot to water the plants and your parents got divorced. And though I wrote above that I admired this ability to live in a world where what happens occurs in the realm of art, one of my deepest desires is for you to know and understand in the deeps of your bones that nothing you did caused your parents’ divorce. That blame lies solely with me. Your dad made sacrifices to all the wrong gods and incurred the wrath of their vengeance. And, even though I’ve told you so many times that we’re both sick of hearing it, I remain always on the ready (when you are) to discuss my mistakes with you, to make amends, and set things straight. God, it killed me to hurt you.

But eventually the brush would slide through your long yellow hair like a hot knife through butter and I could see your body slacken with relief. And I would keep brushing for a good long while because I knew it felt so nice to have a brush running through your shiny clean hair without a single snag or snarl. Loosened up, you would climb on my lap and start telling me your funny stories about the way things appear and happen for little girls. The cat likes to sing when she thinks no one is listening but you have heard her, on more than one occasion, sing I Shall Be Released by the big glass slider. When you fell off your bike and skinned your knee, you yelled at your bike and now she doesn’t feel much like riding no more. If you ever get scared at night, you just talk to the moon, which makes you not scared, because the moon is maybe your best friend in the whole world next to Maddie. And I would just listen and love you, brushing and brushing your long yellow hair until it was perfectly straight.

Now it has come to my attention that a smart little girl has taken to sneaking a peek at what her daddy writes on the Internet, so I will break one of my rules—a magician should never ever never reveal his tricks—and explain to you exactly why your shiny new braces reminded me of brushing your hair. You start with the braces. They straighten your teeth. I brushed your hair to make it straight. But these are just metaphors for the constantly ongoing need to straighten things out with the people you love. I am ready when you are. Now turn that thing off and go to bed. I love you. —Daddy

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The Power of Speech and Texts

The Power of Speech and Texts

lola iphoneBefore you could talk I used to stare at you a lot and wonder where you lived. In what kind of world? I confess to being somewhat addicted to the Linguistic Turn in Western philosophy—the counterintuitive notion that it is language itself that constitutes the things around us as opposed to words merely being labels we stick on pre-existing things.

Huh?

Okay. Either a chair is just, um, there—as the thing people sit on—and then, eventually, we learn the word for it: “chair.” Simple enough. OR… it’s the word itself—chair—that gives rise to the thing upon which people sit. Calls it into being, so to speak, so the world we live in is only as large as our vocabulary.

I like modern art and poetry and destructive philosophy that teases the logic of common sense so it’s probably no surprise to you that the latter relationship between language and thinghood appeals to my taste.

Which brings me back to the curiosity that got this essay rolling. In what kind of world were you before you could speak? A sloppy swirly soup of color and form, I imagined, like a trippy Jackson Pollock movie. No wonder you cried all the time, swimming around in such chaotic flux. But sometimes you stared right back into my eyes, seemingly unafraid and perhaps even defiant, which was weird. And then you’d smile all gums as if mocking my world among reified things.

I waited and waited for your first word—that first thing upon which your world would stand and against which everything else would contrast, not being that, being something else until the whole wide world would snap into place. Chairs. Owls. Snowmobiles.

It was cracker. Out of chaos you called forth a cracker, which was actually a Cheerio, but I think you really just meant food, an expansive word that of course embraces crackers, cheerios, and Peking duck. By what monstrous act of mentation do we cull our first signifier in isolation from all others? It’s impossible. It resists explanation. But after your first great leap, you soon distinguished kitty from cracker and, from there, you never shut your flapping yappus. You were one of us. It was amazing.

And as you spoke and continued to speak, naming and constituting a world of things, something equally—perhaps even more—mysterious evolved in conjunction with this eruption of external reality. An inner life. The thing we call you. It grew and grew and grew in rooms of thought and memory and I have never stopped wondering who you are. Did your acquisition of language bring us closer together or cleave us apart? Hard to say. And isn’t that—what is hard to say being hard to say—precisely the problem?

Who are you? Where did you go? What’s on your mind as you gaze out the window?

*   *   *

You turned 10 a few days ago and got an iPhone. I wasn’t thrilled by the plan but, more important than the fact all your friends have them, your activities and travels around town are beginning to expand and you’re finding yourself in more and more situations where a phone is just practical.

It’s easy to get swept away by the negative critique of “you damn kids today,” your mobile devices, social media, the end of grammar, the death of spelling, and the corrosion of the ability to form deep and meaningful relationships. Narcissists! Sociopaths! Brain Cancer!

But I have to confess that, in spite of the end of the world as we know it, I have been delightfully surprised and charmed by the way you’ve so intuitively embraced and used the text message.

“BOO! I love you daddy :)”

You will probably never know how often I think about you, imagine you, wonder about you, and hope for you. And this device, this supposed blemish on our crumbling civilization, has granted us access into each other’s lives whenever we want from wherever we are.

Tell me something good,” I type and hit send.

“I made 2 new friends :)”

And then, late, I’m reading in bed and drifting in and out of sleep when my phone beep beeps.

“Im supposed to be asleep, daddy hee hee. I love you goodnight :)”

*   *   *

Tonight, you’re flying to Washington, DC, and we’ve promised to stay in touch. I’ve assigned you the mission of finding a statue of Abraham Lincoln and sending me a picture. I will sneak attack you with declarations of love and flowers and butterflies and cupcakes. And in this minimal amount of time, exploring these new ways that a father and daughter can appear to one another in language, I can’t help but wonder about the power of the text message. In what way—how—can it utilize and possibly extend those original magic powers of the word to call forth crackers and kitties? The text message spans the distance and closes the gap. Speaks love and so it is. In new ways? In ways that alter the reach and shape of love? Perhaps. Hard to say.

“Fly home soon, Lola Blue. I miss you. You are the cool breeze blowing through the window. xo”

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The Valentine Paradox: Advice For My Son

The Valentine Paradox: Advice For My Son

photo 1-1Valentine’s Day is right around the corner, son, and the trick to nabbing a valentine is to seriously up your game, player. However, the trick to upping your game is tricky because it’s all about not having a game or any tricks. I’m sorry, but all the best things are paradoxes.

To construe romantic love as a game is to lose before it begins and you’ll inevitably lose afterwards too because there’s no escaping that part where you’re clutching your heart like Reverend Dimmesdale with snot all over your face and hair and your friends will have no choice but to shake their heads at your incoherent babble between all the cataclysmic sobs. It will end badly. Like everything. But no worries, young man. There’s a deep optimism beneath the surface of pessimism. I told you, man, paradoxes.

This is the part where I tell you to just be yourself. But does such a thing exist when you’re 15? To thine own self be true, Laertes. But what’s that even mean? And what in the world does it have to do with valentines?

What it has to with valentines is another paradox. Seek a valentine and she is nowhere to be found. A valentine never appears until you don’t need her. Being yourself, being true to your complicated self, and just doing what you love, however, is a valentine magnet. But, to contradict myself (only seemingly), playing video games all the time is not very attractive. That’s because—I’m sorry—playing video games is not what you really love. Not at all. It’s a distraction from what you love, like looking for valentines. What you love will call you like a vocation, which is actually, of course, a goddess singing to you with her arms wide open in a gale of black chaos. Embrace her. Hear her song. I’d sing it for you but I don’t know the words and neither do you. That’s why I told you to hear her song. Are you even listening? Get over there and embrace the goddess!

It could be anything. You might love to write or paint or play the drums or fix cars or build log cabins or compete in triathlons or read big fat books about Being or wars or wizards and dwarves. But you’ll know it when you find it because it’ll be love and you’ll lose yourself and you won’t need anything else to make you feel whole because you’ll already be empty, gone, lost in what you love, which—paradoxically—is the substance of fullness.

And then—when you are completely satisfied—that’s when you’ll be swarmed by valentines. Be wary, though, of people attracted to the power of your love who seek to be its object. These are vampires whose thirsts your blood will never quench and soon you’ll be arguing about money, the color of towels, and other incomprehensible matters. Rather, your valentine, also attracted by the force with which you love, will love and protect your love, and you too will love and protect what she loves for only those in the throes of the goddess’ song can recognize and love one another.

The desire to play video games will vanish. You’ll look upon your valentine with no small amount of discomfort because your whole body will vibrate with a million things to say but you, in a dazed and blinky stupor, will be dumfounded, speechless, conked by lust. It is at precisely this moment, when what resolutely resists articulation insists on being said, that you will be called to pull up your chair to the table of poetry. Here, don’t waste your metaphors on her physical appearance, on the pearls of her teeth or the crashing ocean wave from her waist to hip. Stay true to love. Make no sense. She is a book in a thunderstorm, a map of fire, a key to the house of ashes and forgotten songs. Like that. Confuse her. Real lovers will find comfort in confusion, joy in ambiguity, and home in the rotation of seasons.

Seriously, write her poems. I’m giving you all my heat.

And this above all: Be kind. Figure out what kindness means to her and be exactly that. Imagine all your conflicts from her perspective, see yourself with her eyes, and be for her everything she desires. Forget yourself. Unflinchingly, unceasingly, with complete abandon. Chase away every thought about getting or not getting the love you want. Just be the love you want and you will find in so doing a paradox about which the very wise do not dare to speak unless it’s the gentle rain on the silent mountain.

 

 

Raising Feminist Kids

Raising Feminist Kids

photo-5Feminism is a word that represents such a vast (and often conflicting) array of meanings, that, no matter how much you’ve read, it’s hard to know what you’re thinking and talking about when you’re thinking and talking about Feminism. And I should say it straight up in the first paragraph that I’m certainly no expert in terms of the many and varied nuances of feminist theory. I mean, hey, I like to think of myself as open-minded (who doesn’t?) but it’s often made clear to me that, as a result of my lifelong vision of the world from the perspective of white male privilege, I suffer from blind spots that make it either impossible or extremely difficult for me to imagine or understand the phenomenology of being a woman and/or any other victim of systematic social oppression. Now that insight doesn’t always occur to me as easily as I just typed it. When confronted by new insights, I get defensive, I resist, I stew, and I grimace until I’m finally able to see that I can’t see, that dwelling in privilege necessarily occurs on a foundation of blindness that is never magically cured by good intentions.

With that said, I have good intentions. I have a son and a daughter and a responsibility to wonder: How can I raise these kids with an eye toward a world that is kinder to women? Some of my kneejerk responses are that I should instill within my son a conscious respect for women, based in the awareness that being a woman entails experiences and struggles to which boys and men are never subjected and scarcely aware, and to teach my daughter that she’s beautiful no matter what, that how she looks need not be measured against unrealistic cultural constructs of beauty. Good starts, maybe, but there is further to go.

Being a man with a son, certainly, I’d like to raise him in such a way that he is sensitive to women’s issues and willing to play a part in the creation of a world in which women are confronted by less and less hostility. However, I’d also like to see the inverse of his kindness toward women manifest itself as outright activism when it comes to other men and our attitudes toward women. Above and beyond a revolution in our own sensibilities regarding women, men must up the ante by demanding the same in other men and by raising sons who are willing to make the same demands. This might mean something as simple as informing a friend that it’s totally not cool to call a woman a bitch. It could also mean the willingness to risk the use of force to put a stop to a sexual assault in progress. What I’m talking about is the exact opposite of the longstanding male tradition of looking away from misogyny and getting right up in its face. The logical extension of our “enlightened” views and good intentions is to risk our good standing among our fellows and demand some changes.

But what could possibly be wrong with celebrating my daughter’s beauty with no regard for its proximity to our culture’s twisted ideal of beauty? Well, what’s wrong with emphasizing our daughters as beautiful (no matter what) is that it overlooks and blocks us off from a pressing question about how we’re inclined to see women in the first place. Why is it that, as we nobly hope to revise what beautiful means, beauty remains, entrenched and unquestioned, the lens through which we apprehend women? Imagine the freedom we could reveal for our daughters if, instead of building more expansive prisons of beauty (“Everyone’s beautiful!”; “We’re beautiful in our own way!”; “We’re pretty on the inside!”), we knocked down the walls and granted them escape entirely from the shackles of this torturous adjective.

Our daughters deserve better adjectives. This is to say that we need nothing short of a revolution in consciousness in terms of the way we see and understand women. Think not? Observe for yourself for a single day what constitutes the first, the highest, and most frequent form of compliment doled out to women (indeed, from men and women alike) on television, in print, social media, and your day to day life. You’re beautiful. So pretty. Radiant. Gorgeous. Hottie. Love that dress. OMG your hair! Etc. Our damn near singular relationship to women as such is via their appearance and how their appearance shores up with beauty.

Our daughters deserve better adjectives. New modes from which to appear. Feminism as that which frees the female from a primarily seen and assessed object. But then what would she be? Sure, intelligent, funny, yeah, okay. But, further, adjectives personal to her, individual, that articulate her singular coming forth to girl in the world, not measured with scales of beauty, but apprehended as an expression of the unique explosion of forces that she was called to announce.

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The Butterfly Effect

The Butterfly Effect

By Elizabeth Maria Naranjo
NaranjoI like to imagine I can trace my son’s birth through the lineage of his father’s past—mapping out every choice, every move, every step my husband thought was a mistake, that made my son’s life possible. It’s like visualizing the butterfly effect, resonating and sounding within one man’s heart. Of course, creating life takes two hearts. But I already know my story.

This is his story:

A black-haired boy stares at the doors of a restaurant, then pushes his way inside. He’s holding hands with a beautiful blonde, his dark brown wrist crossing boldly over her white one. The migrant workers behind the counter eye him warily, envious. It is summer in Tucson, Arizona. The year is 1970.

This boy, who is not really a boy but not quite a man, stills the tremor in his voice as he asks to see the owner. He sweeps his gaze over the adobe walls, the bare, wooden rafters, and the unique cement sculptures twisted with wire that adorn the archway. He has heard of these sculptures, inspired by the ancient Mayan artwork of Mexico. He has come to meet the artist. He grips the woman’s hand, and she squeezes back. They’ve planned the wedding for August.

The owner appears, a sturdy-looking man with a gray-swept beard and serious eyes. He sees the couple, stops and raises a hand to his chest. The hand falls away, and he closes the distance, embracing the son he has not seen in thirteen years.

Father and son waste no time filling the chasm; they simply jump it and move forward. The boy is the youngest of five; he has the shortest memory, and sees nothing to forgive. It was only out of loyalty to his mother that he adopted his brothers’ vows to refrain from seeking out the man who deserted them. Barely six at the time, his sharpest memory remains the one where he watched the tail lights fade, and ran after them, crying out, “Hey, Dad! Hey, Dad!” But no corners of this boy’s heart are dark enough to house bitterness. He’s always known the moment the calendar marked him free, at eighteen, he would find his father, and know him.

The father, Jesus, gives his son a job at Tia Elena, washing dishes. The son, Alex, is a fast learner; he is spirited and ambitious. Within a year, he is managing the kitchen. Within two, he speaks fluent Spanish, a language silenced and purged from him long ago by his school teachers. Like a chameleon he absorbs his father’s world, but reflects it with his own shape and colors. Though he won’t judge, he knows when his own son arrives, he will never leave him.

Alex and his bride work hard for this son. They make love with all the hope and abandon of newlyweds dreaming of babies. Maybe a girl will come first; it doesn’t matter. They choose the names. The faces they see in endless combinations: her eyes, his hair, his eyes, her hair, skin a shade of caramel that falls between them. They have time. When Jesus retires, they take over the restaurant. Alex continues to learn from his father: masonry, adobe-making; he becomes an artist in his own right, fashioning jewelry from silver and turquoise, and creating beautiful stained-glass windows.

But years pass, and there are no children. Alex and his wife see doctors, and learn there will probably never be children. He loses himself in the restaurant; he drinks too much. His wife begins making frequent trips to her hometown. The dull ache of infertility settles between them, and the marriage fails.

Alex shoves aside his losses and holds on to the restaurant. He builds a lounge, where soon he’ll dance nights away with a new wife, and new hopes. She is stunning, big-breasted and doe-eyed, tall and blonde, with passions that match his. Together, their passions fuel a sense of fearlessness and indestructibility. They will have a child, of course they will, and until then they will drink and dance and pour money into the restaurant, because they cannot fail.

Ten years later, there are still no children, and now there is no money. The restaurant folds. The divorce papers are drawn up. Alex loses his father. He loses everything.

Just north of the slow quiet skies of Tucson, a valley cradled among mountains blazes with sprawling growth. It is here, in Phoenix, that a man can lose himself in the bright noise and blurred speed of the city. His brothers have built a business in commercial painting, and Alex joins them, spending his days taping and brushing, trimming and spraying, and listening to the smooth familiar drone of his older brothers’ teasing. They contract with a preschool, and paint the walls in glossy reds and greens and yellows and blues. Alex, now in his forties, accepts that this brightly colored world is probably beyond his reach. He meets a woman with children of her own, teenagers, and they cautiously begin to know each other. She is done having children, and he is fine with that. Not every man is meant to be a father.

Another decade passes, and he begins to think not every man is meant to be a husband. He jokes about his marriages and his bad luck with blondes, but he never disparages the women, or himself. Well into his fifties now, the silver threads through his black hair, and his weathered skin bears the marks of the desert, though his heart remains unchanged. The narrow focus of his optimism and the strength of his vitality push him forward, always forward. He puts his skills to use at a hospital, repairing walls, broken beds, faulty electrical wires, damaged pipes. At home, he tears down walls and builds new ones. Sometimes he thinks about his father, and the cries of “Hey, Dad! Hey, Dad!” and watching the tail lights fade. Sometimes, he thinks he hears the voice calling to him, as if he were the one leaving. But when he imagines this, he is always walking toward the sound, not away from it.

Maybe it was the moment his first wife left him. Maybe it was the moment he walked away from Tucson. Maybe it was the moment he chose a job closer to home. Probably it was all of these moments that fell in a slow cascade that leads him through the path of a nurse on the second floor. Inexplicably, she tells him she’s been waiting for him, that she believes they belong together. But she’s too young, he thinks. She has brown hair. She carries a thermos plastered with pictures of her little girl. He tells her he can’t have children; she tells him she’s fine with the one she has. He tells her it would be unfair, that he may only have twenty years; she tells him she’ll take what she can get.

He thinks about the time he first walked into Tia Elena, every muscle in his body taut with a thrilling anxiety of the unknown, every nerve charged with dazzling, confident hope. He knows his future will never feel like that again. But he remembers something else; he remembers tracing the arc of his father’s sculptures: crushed rock and water, aggregate and wire, formed and bound into works of art. He remembers thinking how sometimes the unlikeliest ideas can produce something strangely beautiful.

Four months later she hands him a plastic stick with two pink lines. In another two months they learn it’s a boy. And when Alex holds his son for the first time, when the first cries echo through his heart like a distant flutter of wings, I imagine he feels like his life is just beginning.

Elizabeth lives in Tempe, Arizona with her husband Alex, son Gabriel (6) and daughter Abigail (11). Links to Elizabeth’s fictions and creative nonfiction can be found on her website http://www.elizabethmarianaranjo.com/

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Checkmate

Checkmate

By Craig Cox

Archive_CheckmateThe boy got up uncharacteristically early last Saturday, but he’ll do that when he’s excited about something. And he was pretty excited about the competition looming over at Minnehaha Academy’s north campus, where he was about to join three hundred other kids from around the Twin Cities in the Student Chess Association’s fall tournament. He even combed his hair.

The parking lot was full, so I eased the Oldsmobile up against the curb on the south side of the school, and we followed the other bleary-eyed parents with kids in tow. The entrance was marked by a piece of paper taped to the window. Inside, there were more parents—and even more kids—wandering the hallways and talking on cell phones. The parents looked remarkably unconcerned about the prospect of spending an entire afternoon watching their brood hunch over a checkered board and move sculptured plastic pieces from square to square in a game designed for ninth-century noblemen with time on their hands.

We clambered down the red and black bleachers onto the gym floor, which was covered with a brownish plastic tarp. I felt the familiar slight buzz of adrenaline; at one time it had coursed through my body whenever I set foot on a basketball court. If the tarp had been removed, the long lunch tables pushed into a corner, the baskets lowered from their perch near the ceiling, and a basketball placed there on the sidelines, I would have buried a couple of fifteen-foot jump shots—just like the old days. Instead, The Boy spied the registration tables over in the corner under the big Redhawks sign, I ponied up fourteen dollars, and we set off to find his team.

The West Chess crew, which represented several school chess clubs along with my son’s homeschool one, Checkmate, was holed up in a second-floor classroom, getting ready for the contest ahead. Three coaches, each resplendent in a red t-shirt bearing the team’s logo with his first name on the back, counseled the kids on various moves. The head coach, a young man whose jersey identified him as Matt, was working through scenarios with a boy of about eight who carried his right arm in a sling. For a fleeting moment it occurred to me that maybe this game is a little rougher than advertised.

Later that day, I found myself planted on the hard plastic bleachers alongside another Checkmate parent. Her son, Zeke, was having a tough go of it in the early rounds. Zeke was out there, about at the free throw line, doing his best to checkmate a sixth-grade opponent, who appeared from our vantage point to be yanking large chunks of hair from his head.

The Boy was farther up court, almost across the center line, the place where a good defense might bring a second guard over to trap the guy with the ball and try to force a turnover and an easy fast-break bucket. He was facing the bleachers, his fourteen-year-old face implacable as usual, as his opponent, a baseball-capped teen in Jordans and saggy basketball shorts, leaned back in his chair as if he had a double-digit lead deep into the fourth quarter.

Because I have been known to occasionally recognize irony when it slaps me in the face, I realized then that any middle-age delusions I had about reclaiming my jock-spent youth through the exploits of my son were probably not going to be nurtured in this particular high school gymnasium on this particular Saturday afternoon. And as I swam for a moment in one side of this curious epiphany and out the other, I noticed that, across the court, The Boy’s opponent had risen from his chair and shuffled nonchalantly down the long table to converse with some other players.

“Can he do that?” I asked The Girl, who had come to cheer her brother on in a rare demonstration of sibling sports solidarity.

She didn’t know, of course. And there seemed little to be gained by tromping out onto the court to argue with the officials, since I spotted no striped shirts and whistles in the building. I could’ve made like Bobby Knight and flung a chair, I suppose, but at whom?

Besides, The Boy didn’t seem to be bothered. And every time the baseball-capped kid returned to his seat, he seemed a bit stumped. Maybe The Boy had trotted out some exotic gambit or castled his knights in a brilliant display of Grand Mastership for which Mr. Nonchalant had no answer.

Then, suddenly, it was over. The Boy extended his small hand across the table in a show of sportsmanship that made me smile, and the two foes gathered up the board and pieces and ambled over to the scorer’s table to report the outcome.

I caught his eye as he skipped up the bleacher steps toward the West Chess locker room. “Did you win?”

“No.”

I followed him upstairs, where Coach Matt was blaring out pieces of an old Doors song (“People are strange, when you’re a stranger…”) and reciting lines from Monty Python and the Holy Grail. The Boy’s friend Zeke fired back with some Weird Al Yankovic (“Why did you have to go and get me so con-sti-pay-ted . . .”). The Boy reported the results and sat across the board as Matt, still smiling, went through the moves. Baseball-cap Guy had thrown the Queen’s Gambit at The Boy—the first time he’d seen it—and the coach patiently explained how to counter it.

My son took it all in and happily retired to a corner of the room, where he would throw it all at Zeke—who, despite a disappointing day (he’s one of the best players in the club), kept the Weird Al schtick running full blast. Nobody appeared the least bit annoyed, though Matt complained that he was beginning to lose his voice and was worried about his audition tomorrow.

Somebody asked him what he’s auditioning for.

Jesus Christ Superstar,” he said.

*   *   *

It’s after four when we finally shuffle out of the gym. The Boy finishes the day with two wins (one by forfeit), three losses, and no trophies. He’s pretty beat by the time we get home.

But later that night, we’re sitting across a chess board from one another and he’s doing the Weird Al thing as he gleefully destroys his old man in three straight matches.

I can feel the old adrenaline surging, the competitive juices flowing, but he just laughs and wipes out another bishop, a wayward knight on his way to a quick and humbling checkmate.

We shake hands. “You know, you shouldn’t be so smug,” I say, utterly demolished.

He looks at me, momentarily stymied, this guileless teen who never took to Little League or soccer but loves to climb trees and roller blade and tumble on trampolines. “But, Dad,” he says. “This is supposed to be fun.”

Author’s Note: I’d never been to a chess tournament before the one I describe above, and the fact that the games took place on a basketball court really sparked for me the disconnect between my own dream of athletic excellence and my son’s lack of interest in organized sports. Whether we admit it or not, most dads want to cheer their sons on through the kinds of sporting challenges we all faced as kids. In the end, though, Martin has a much more mature outlook on the sporting world than I did at his age. He doesn’t dream of playing shortstop for the Minnesota Twins or corner- back for the Vikings. He is perfectly happy doing what he’s doing in the moment, and for that I am very grateful. (My daughter, by the way, is a pretty good soccer player!)

Craig Cox is the editor and publisher of The Minneapolis Observer, a monthly journal of local news, opinion, and populist culture. This essay originally appeared in the December 2004 issue of The Minneapolis Observer.

Art by Oliver Weiss

Brain, Child (Summer 2005)

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Tell Me Something Good

Tell Me Something Good

BHJThe first cup of coffee. A good joke. The quiet certainty that you’re not alone and that you are loved. Sunrises from behind mountains. Long runs. Chocolate.

My daughter’s teacher called to discuss a classroom display of frustration that didn’t seem to shore up with merely struggling with long division. Something else was bothering her. Something she conceals that builds and builds until she unloads her sublimated wrath on that God awful math. She snapped her pencil and cried and cried and cried some more. Couldn’t be consoled. The teacher took her to a different room until she calmed down.

Movie theaters. Sharp pencils. Finding money in an old jacket. Forgiving. Forgetting. Popcorn.

Autumn explodes in a mad dazzle of fireworks but make no mistake: it’s the finale. It’s already over. And I suppose I keep returning to the metaphor of autumn with the hope of unveiling a graceful end. How, I wonder, can we situate death in a good story that’s beautiful? I have snapped my own share of pencils. It’s inherited. This frustration. These tears. And never knowing for certain what’s really wrong. Math’s giving her a hard time, yes, the teacher said, but she also let it slip that she misses her daddy.

Holding hands. Cherries. Looking up at a blue sky and feeling somehow boundless. Reading. Writing. Old wives’ tales.

To our delighted surprise, we realize that there’s no ultimate distinction between self and other. The painful experience of being-apart is merely a trick of the ego, itself the result of an illusion—some Great Reality mistaking itself for a smaller reality that often takes itself way too seriously. For an I is a you and the rest of it too. Unfortunately, however, our insights into ultimacy are ultimately fleeting. Being so stubbornly subjected to our own subjectivity, we find ourselves frequently lonely, afraid, and frustrated by math. We miss our dads. Will, we ask, these wounds ever mend?

The moon. Bridges. The ecstasy of losing one’s self in reverie. Solitude. Silence. Unagi.

The alcoholism recovery people suggest that we make amends to the people we harmed, which is easy if you stole $500 from your old boss because all you do is pay him back. But how do you make amends to your kids for wrecking their family? How do you put that right? I’m of the mind that it can’t be done, that the most I can do is maintain a vigilant attempt to mend the wound, to heal the separation. And this call from her teacher, this report that my daughter is frustrated and misses her daddy, stirred up—again—the issue of amends.

Smiling monks. Forest paths. The way light and shadow converse in a little girl’s hair. Belly laughs. Cold water. Naps.

An old friend, long dead, once, after vomiting blood for the better part of 45 minutes and collapsing on the bathroom floor, asked me to lay down next to him because he was scared. He shook with delirium tremens and cried and we just laid there, knowing he would die. And then from nowhere he said, “Tell me something good.” I peered into the brown sludge of his hopeless eyes and flashed him a counterfeit smile. “Please,” his voice quivered, “tell me something good.” We’re going to win, I told him. We didn’t.

Old photographs of your grandparents. Ice cream. The windows down in August. Devotion. Prayer. Potato chips.

And so, in addition to seeing her three times a week, to make amends, to keep busy with the work of mending, I commit to calling her on the days I don’t see her, to either see her or talk to her every single day. It’s awkward at first. We are often at a loss for words or she responds to my inquiries with single word answers and I flounder, stutter, stop. Until, as if haunted, I demand without thinking, “Tell me something good.” Silence. “Yes, that’s what we’ll do,” I make it up as I go. “It’s my job to call you, but you need a job too, so your job is to, every single day, tell me something good.” Silence. More silence. And then: I have five Jolly Ranchers.

Five Jolly Ranchers. Friendship bracelets. Indian food. A repaired microscope. Substitute teachers.

Autumn explodes in a mad dazzle of fireworks and—yes—it’s all over (nobody wins), but look at that bloody mess of red, orange, and yellow—gasp! Good things. Not a solution or a cure or an attempt at justification, but there nonetheless, always in all ways. And maybe in spite of the despair and the woe and all our lonely missing being-apart—maybe a way toward the real work of the never-ending mending is in the shared discipline of seeking out good things.

Juxtapositions: The Blended Family

Juxtapositions: The Blended Family

Next in our What is Family? blog series. Your favorite bloggers write about what family means to them. Come back tomorrow for the next post in the series.

0-10I wrote an unpublished novel in which one of the central events is a group of people jumping in a freezing lake in February. That’s my philosophy.

I love that weird jolt I get when I don’t get it. Calls me to attention. Slows me down. When things don’t make sense, they force me to make sense. So wait. People jump in a lake and what’s his philosophy? Exactly. It doesn’t matter what’s on your mind when you trip and fall. Money? Unrequited love? Fundamental ontology? Nope. Just stick out your hands stick out your hands stick out your hands. Brace yourself and protect your face.

As a young man, I was overjoyed when my studies collided with the likes of Dada and Surrealism. These art movements spoke my language; I felt as if they validated the operations of my mind. I’ll never forget where I was when I read Pierre Reverdy on the poetic image: “The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be—the greater its emotional power and poetic reality…” Just 24-years-old, I was sitting on a mushroom in a black dream forest and I wept and wept and wept.

I live in Las Vegas, Nevada. I’m in love with a woman in Chicago, Illinois. Two more or less distant realities. She has two kids. I have two kids. The plot thickens. Say it with me: juxtapositions.

Shall we insert here right near the middle that I make no claims for prudence or being a good parent? I have no idea if I can be what the people call a “positive influence” on my kids. Right now, my 15-year-old son, grounded from all technology for failing Computer Science, is reading the 1981 Pulitzer Prize winning novel, Confederacy of Dunces and my 9-year-daughter is flapping her arms and screaming that she’s a bird. They’re interesting little creatures. They are, by most standards, very good people but I’m uncertain as to what that has to do with me. My best guess is that they will go through an early adult phase of resenting me for being cool and distant and, as people do, will eventually learn to love me for my flaws through the lenses of their own. Or perhaps they will go to prison because, you see, I don’t understand how these things work because I shunned all the parenting books. However, for now, my daughter is a damn good bird.

Because I’m an English teacher and Gwen, my girlfriend, is a high school librarian, we both have the summers off. Do you see where this is going? Are you sure? Gwen is made of sugar, shattered glass, and David Mitchell novels. And my philosophy is jump in cold lakes. Stick out your hands. Protect your face.

So, yeah, we’re mulling over the potential image—the strength and emotional power—created by the juxtaposition of our more or less distant realities. In other words, living together, mixing our kids into a foursome of pseudo-siblings, and exploring that poetic reality for a summer. How would that be, we wonder, for the kids? Undoubtedly terrible. Inescapably so. And yet still, before August expires, perhaps beautiful, as “beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella.”

“It doesn’t terrify you?” she asked.

“Yes,” I replied. “But in the best possible way. Do your daughters like birds?”

When I was a very young boy, my mom married a man who had two adolescent sons. They were not nice boys. My dad remarried and I eventually had two half-sisters. They confused me, but I intuitively knew that I loved them. Later, I developed a taste for bourbon and dangerous philosophy. These sentences aren’t linked by causation; they are pure creations of the mind, knocking together to make some sparks.

Gwen grew up in the jungles of Borneo. The water was not cold. There were alligators in the river and cobras on the path. When I imagine her mind, I see a giant chess board and all the pieces’ potential moves in a flash of neurotransmission. We’re an evocative juxtaposition. Distant and true. A car crash. The bliss of collision. What we decide to do next summer will not be found in a book written by experts but rather discovered in a blind leap informed by intuitive vision. Build a fire and look up. Look for shooting stars.

Our two young girls have yellow hair and are separated in age by less than a year. The most curious thing to me? When their eyes meet. Who will they see? And then juxtaposed, distant and true, who? Who will they be?

Art: René Magritte, The Lovers, 1928

A Real Fantasy With My Daughter About Imagination

A Real Fantasy With My Daughter About Imagination

0-25“I’m bored. So bored. I’m going to die of boredation,” she said in her bed. All the birds, perturbed and concerned, stopped singing.

A door’s slow creak gained in momentum and slammed.

Not a door in the house nor a door in my head, but rather a door between worlds. The kind of door that, when open, confuses things with the clarity of some largeness that confounds. Do you follow? Please do. Come along and don’t worry. We’ll leave a trail of breadcrumbs or popcorn or pearls.

A big orange flower, not yet wilted, is drooping. The dream animals, lost in the desert, are dying of thirst. My little girl is bored. She dangles precariously on the precipice of a reified world of inanimate, impersonal matter.

“Want some candy?” I ask her and hand her a red and white lollipop. There isn’t much time. I check my watch but it’s not on my wrist. No matter. To hell with chronology.

“There’s always time. No rush. No rush,” the turtle mumbles in a slow deep voice as he lumbers lumberingly through the door. “Climb aboard.” We hop on the turtle’s shell, a maze of yellow and brown wherein it’s easy to get lost. We don’t know where we’re going. Nobody does.

I remember you, Lola Blue, on your stomach, straining the just barely able muscles in your neck to lift your wobbly head. I marveled at how you were able, already, to focus and direct all your baby energies into one concentrated act. And why? Why did you so tenaciously will your head off the pillow?

To see. Driven only by the wonder and thrill of the ability to see and all that might be seen.

“Look! It’s raining lemon drops and gummy bears from pink and blue clouds of cotton candy!” she screams, and the turtle sighs. Taking cover, slowly, he heads toward a cave on the side of a mountain as Lola catches candy on her tongue.

The mountain, to put things in perspective, is actually an irritated blemish on the back of a Cosmic Yellow Dog who is said to devour each moment in his voracious maw. It is not known if the Cosmic Yellow Dog is God’s tame pet or if he is wild and incorrigible.

Inside the mountain, the turtle, whose name was Martin, was soon gone. We found ourselves on a playground upon which a gentle snow fell. Lola listened as I stood atop the tall red slide and recited Dylan Thomas. “The force that through the green fuse drives the flower / Drives my green age.” The poetry made us feel weird, like we were dreaming, enchanted by the spell of some rhythmic witch.

“Daddy,” she said, “This isn’t real, is it?” The snow turned to tiny pink and yellow flowers that fell in slow motion, twirling humbly to the earth. I felt empty with longing. I wanted to argue about truth and beauty and justice with ancient Greek philosophers. I wanted to keep the door open and stoke the fire.

“Of course it’s real, little girl,” I replied and did a cartwheel.

“But none of this is happening. Not really. Not even this conversation. It’s make believe.”

“But, baby, here we are, you and me—talking.”

“No, Daddy. Not really.” She shook her head but her eyes were wide with hoping.

“Then why do you keep answering me?”

The question caught her off guard and she thought about it. She shook tiny flowers from her yellow hair and thought some more before saying the magic words: “I don’t know.” A choir began to sing. All the prisoners escaped from jail. Reunited lovers embraced and kissed, celebrating ignorance.

“We are strange and mysterious creatures, little girl,” I lectured. “Thrown into the world against our wills—here—there is so much to see and eat and dream. There’s no time. No time for boredom. Boredom begins where your imagination ends. There are too many books to read to possibly be bored. Too much music. Too many poems. Too many worlds waiting to be born, waiting to happen, waiting for you.”

As she became interested in her boredom, the door creaked open. Inside her clenched fist she found a magic silver key. “It’s the secret,” she said, “the secret to everything.” And, without hesitation, she gave it to you.

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Even Tween Boys Need Hugs

Even Tween Boys Need Hugs

By Jack Cheng

0-14My 10-year-old son can be a train wreck.

I know it’s not his fault. His limbs are growing faster than he knows, and his brain is all over the place, from the world of Minecraft to the Marvel Comics Superhero Universe to the Greek gods of the Percy Jackson-verse. Still, excuses aside, he’s simply not that cognizant of his own body.

When he walks down the hall, I cringe, worried that he’ll knock over framed photos hanging on the walls.

When he wobbled his bike down a path through the park, I winced as he passed pedestrians, afraid that he would ride into them.

And he hardly ever seems to walk by his little sister without bumping into her, sometimes jostling her playfully, sometimes just knocking her over.

“What’s wrong with him?” my wife and I would ask each other, after sending him to his room for a body checking infraction.

It took a while, but I think I figured out what was wrong, why he had an incessant need to bump into things, consciously or not. My wife always suggests exercise: “A tired kid is a good kid” is one of her mottos (which, I’ll note, she adapted from something she heard in a dog obedience course). Another dad at soccer practice was telling me his son needed tackle football—that boys this age just needed to run into each other and get some of that energy out. I think my wife and this dad were on to something, but I think there’s something beyond just physical activity.

I thought back to wrestling with my son as a toddler. It seemed both recent and long ago that I would lift him above my bed, throw him onto the mattress and shout “Body slam!” while smothering his body with my own. It’s been a few years since we’d played like that. And that’s when I realized:

He needed a hug.

Part of the reason it took me so long to understand is my experience of my own family. I never doubted that my parents or my sisters loved me, but I also remember how bizarre it seemed the first time I saw my parents holding hands. This is a clear memory since I was probably about 16 at the time. They are fairly traditional Chinese people who are not into public displays of affection.

I wasn’t sure my son would admit he wanted to be hugged, but I tested my theory. The next time he bumped his sister, I got reflexively mad again, but I kept my temper in check and took a deep breath. Come over here, I commanded, and then, to his surprise, I gave him a big squeeze. He returned the gesture and, after a minute, it seemed to make him feel better. He may have just been relieved that he wasn’t getting punished.

Just like anyone, I know my son needs physical affection. The trouble is, he’s a ten-year-old boy and doesn’t know where to get it. His sister hugs all her friends, even hugs her teachers goodbye, but he and his buddies don’t embrace. They race side by side, they climb trees, they sit next to each other playing video games but they get embarrassed when they touch. Once after a brief falling out with a friend, I told my son and his pal to shake hands and I could sense that the physical act was as awkward as the apology.

He’s getting big, and heavy, and frankly, has a bony butt, so sitting on his parents’ laps has long been a rare occasion. He doesn’t hug his sister, but left to their own devices, their games often involve piggyback rides or feats of dual gymnastics that require grappling of some sort.

So now I hug him. I told my wife, when he’s acting up, I’m going give him a hug—the fact that he’s misbehaving is my signal that he needs it.

Then, at dinner last week, I asked, a bit teasingly, “Hey how come I hug you, but you never hug me?”

He asked me a question in response, “How come we only hug when you’re mad at me?”

I was taken aback. I had figured out a transaction—he acts up, give him a hug—but I’m still not a particularly huggy person myself. My social engineering was totally transparent to him. In fact, it was backfiring—he took a hug to mean that I was mad at him. The worst part was, he was right. My heart was in my throat.

“I’m not mad at you now,” I said.

He came over and we held each other tight. When I let go of him, he wiped his eyes, but he assured me that that was just his allergies.

I suffer from the same allergens.

Jack Cheng directs the Clemente Course in Boston, works on archaeological digs in the Middle East, plays music with the Newton Family Singers, and runs the “Daddy Bank” for his kids. Follow him on Twitter: @jakcheng

Illustration by Christine Juneau

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When Pictures Ache To Be Songs

When Pictures Ache To Be Songs

photo-1 copy 4

My daughter, just the other day, gave me her 4th Grade school picture and I got that feeling. You know how when you want to say something about rivers, the intangibility of memory, and a fork slicing through a piece of blueberry pie? It’s like that. But only for a second and then it’s not.

It’s frustrating, isn’t it? Because that feeling? It’s made of images but those images themselves are only symbols for water that slips right through your fingers when you try to grab it. Sometimes the content of the feeling veers away from imagery and seeks to announce itself in sound. I mean, it erupts into words but it yearns rather to be heard as opposed to dwelling in what the words mean. Like, for me, it seems to most often be about the conversation between long e’s. I want to stand on a chair or atop a tall building and yell something like She’s calm seas and bumble bees and the breeze through trees on a Japanese puzzle box. But I never do. And so that feeling stays lodged in my chest, caught in my throat, restless, urgent, waiting to explode.

In the end, there’s something strangely and tantalizingly lacking in the reach of what words are able to say. Often, in relation to that feeling and its expression, I discover that it pushes and kicks at its boundaries in an effort to be a song. I hear the fast rippling notes of an acoustic guitar that come and go like a waterfall and the lyrics drip like syrup in a foreign language that belongs not to another country, but dreams. None of it makes any sense and, it seems to me, that it’s this inability to decipher that feeling in a way that secures meaning that ultimately secures its mysterious and unfathomable beauty.

It’s just a 5X7 and—yes—it’s the rectangular limit of the picture, the boundary it erects between the image and everything else that initially stirs that feeling into being because it evokes an immediate contradiction. She is in the picture. But she’s more than the picture. This contradiction creates sparks that flicker into imagery, poetry, and music. And there she is, frozen in a blink of time, well lit, smiling, wearing a purple leopard-skinned top and a light blue sweater peppered with the silhouettes of dachshunds. And I get that feeling. That jagged inhalation. The ancient aesthetic gasp. Because—yes—she’s beautiful and—yes—pictures are great and wonderful things to preserve bits of stasis in an otherwise relentless world of fluid and flowing flux, but it’s this stasis that refuses, even in imagery, to stay put.

There she is, a 9-year-old 4th Grade girl, trapped in a rectangle but, like a song, she pushes and kicks at the boundaries, dripping like syrup into the past and the future. She was my baby, a speck of pink flesh in tiny pajamas (with zebras), and I rocked her to sleep night after night to the tune of Lou Reed crooning Pale Blue Eyes. And, still dripping from the picture, she will one day be an old woman with wise eyes that seem to float in a calm sea of memory and wisdom. Pictures accrue meaning from their befores and afters and it’s all the time that erupts from the blink of the moment—flash—that gets lodged in my chest and caught in my throat, that feeling urging itself into being more, into strangely juxtaposed images, the assonance of poetry, and the opaque familiarity of the songs that haunt our dreams.

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Why She Turns

Why She Turns

0So she slams the car door, says “Bye, daddy,” and starts running to the house. Halfway there and suddenly, she stops.

Sure, I write to remember, of course, but I also write to wonder, to poke certain memories with a stick in order to see, in and through language, what they reveal. And also to create a documented memorial to memory, for the minutia, for those fleeting things, so sly, that frequently slip by into the unspeakable realm of forgotten things.  So maybe she can one day read them too, a woman, perusing tombstones of her childhood, things her daddy thought.

And it’s all in the stopping. When she stopped. Stop.

What, spinning on dimes, changes our minds? For instance, you’ve decided with certainty that you want the carrot cake, you close the menu, sip your coffee, wait. But when the waitress comes and solicits your decision, you hear yourself order the crème brulee. It’s like that, no? Someone else emerges through you and you, from some quirky 3rd person perspective, hear them trump your carrot cake with crème brulee and you’re like ‘What?’ But then you quickly adjust to the thought that it was your idea because the spooky alternative lacks coherence and, besides, the crème brulee? It was delicious.

And she turns.

One of the first paintings I ever loved was Vermeer’s Girl with a Pearl Earring. Because, though ambiguously, she—a static image—wants to move and she does in your firing imagination. She’s turning. But away from you? Or toward you? And what’s the deal with the expression on her face? Is she longing for her lover? Mourning? Startled? It was the first painting that ever filled me with confused wonder that, far from irritating, lit me on fire with awe and questions. I wanted to know her but I knew I never would, that her story would always both beckon and elude me. I remember the last day I saw my best friend. He walked away as I wondered if he would stop and turn around. I remember my rum soaked step-dad walking down the hall as I wondered if he would stop and turn around.

The sky is so blue that it could make you cry if you thought about it too hard and the sun smashes through like a baseball shattering a window. And there she is, wearing a purple dress. Stopped, turned, and now standing on the white sidewalk. So present, she owns the space she occupies and the palms lean in. She has such a keen draw on my attention that she often forces me to imagine that the vast interconnection of all the things of this world are all thus locked in an effort to continue producing her, permitting her to erupt into the world with her mischievous smile and long yellow hair. What does she want? Why is she standing there?

When you closely observe, in the midst of a conversation, how fast we talk, how quickly the words come up our throats and off our tongues, it becomes easy to doubt that there’s a process by which we first think of words and then say them. Rather, language sometimes, especially when we “say things we don’t mean,” seems to have a mind of its own, as if perhaps Language itself is speaking and merely using people in the way we tend to believe that we use art supplies. Can you imagine? We use paint and brushes to paint landscapes. What if Language uses us to speak its mind? It’s just a thought. But whose?

“I LOVE YOU, DADDY!”

It startles us both. Because it’s more than the declaration of a 9-year-old girl. It was as if something grabbed her, stopped her, and spun her around. And then, wild and blue-eyed, she yelled it. A man walking his dog stops to make sense of the scene. There is a yellow fire hydrant and yellow flowers waving in the wind. And I, so often perplexed by issues of meaning and worth, feel as if the world just opened its front door and invited me in.

How separate are we? Is there such a thing as alone? What, besides ideas, stands between me and you and the infinite riches of the treasure house? She runs back to the car, leans in the window, and gives me a kiss. “I love you too, little girl,” I reply and she turns once again to run to the house without looking back. And I drive away, cruising the city’s streets as everything—cars, park benches, litter and debris—come alive and smile at me.

Art: Girl with a Pearl Earring, Johannes Vermeer, 1665

Moving, And The Thing That Doesn’t

Moving, And The Thing That Doesn’t

0-16My apartment looks like some thieves broke in and took half my stuff. And then put it in boxes, which is where this simile no longer conveys meaning because thieves never put half your stuff in boxes—they steal it. See, I’m the one who put the stuff in boxes because I’m moving. Again. There are root bound people and there are nomads and I’ve always gravitated toward getting down the road. Running away? Running to? Not sure, but the bottom line is that I like running and I like moving because it feels akin to the way things are. Indeed, what isn’t constantly moving, exploding into newness, and changing? Even the most statuesque monk is riding a planet that’s spinning more than a 1000 MPH as it hurls, 67,000 MPH, around the sun.

What’s the deal when half your stuff is in your old place and the other half’s at your new one? Where do you live?

Though actually lugging them can be a bother, I love to pack and unpack my books because it forces me to touch them, to hold each one in my hands and rocket through what I remember about them, where I was when I read them, how old I was, who I was. I would venture to say that all books change you in some way, even if only minutely, but then there are some books that really mess with who you are. Like, before you read the book, you were this person, right? But afterwards, now you’re someone else. And in the boxes they go, now between places, those books between who you used to be and who you became.

The sight of a half furnished residence is unsettling. Whether someone’s moving in or moving out, the lack of balance says There is no place to rest. A symbol? Perhaps. Or maybe the actual place where everyone always lives.

Emptying the contents of my desk drawers into a box. Stopped. By a picture. My little girl, littler, in a pink corduroy coat standing on a green football field. Smacks of a watermelon. Her thin blonde hair held in sway by the wind and the stasis of photography. She grins mostly toothless. Saliva on her chin. Michigan, so she must be two. Then. But here, now, two again. She waits at the finish line for me to finish a 5K. She runs the last part with me. The tiny barrette barely necessary—her hair just beginning to trickle into her big blue eyes. She runs. Or hobbles with haste on her short little legs. But she tries. She runs and runs and things run together. I’m in my apartment. I’m running a race. I’m holding a picture. My daughter is nine. Not the girl in the picture. A little sister? An acorn? A seed? My god how the wind just blows and blows.

Where are we always going? Backwards. Forwards. The wind keeps blowing.

Someday she’ll be twenty-two, between times, and I’ll help her pack boxes. She’ll be tall and thoughtful and her face will harbor only ghostly flickers of the nine-year-old girl I run with today. So changed. Never the same. And I’ll wonder about the substance of the thread that runs through the two-year-old girl in pink corduroy to this twenty-two-year-old woman on the move and what will there be? Nothing. Just various erupting forms of nothing held together by only a sloppy lack of distinctions, a name, and a social security number. “Dad?” she’ll say, snapping her fingers. “Over here.” Clap Clap. “Dad? That’s the face you make when you’re wondering if I’m real. I am. Real. I promise. And so is this couch that needs to go on the truck. I’ll show you.” Straining to lift the couch, I’ll remember the way she strained her little legs to finish a 5K with me and her later efforts to read, make friends, find her own way, and grow up. And even if I philosophically conclude that there is no place to rest, that no self abides, and that we are always only somewhere in between, I will ultimately concede to the substantial fact of my daughter. In spite of the constancy of flux, she is held together, no matter which way the wind cares to blow, by the ceaseless love of her daddy.

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Something To Think About: In Adoption, Fathers Have Few Rights

040456be40b65c65439284ca4ab4f3f4Mother places child for adoption. Parents try to adopt child. But where’s the father?

Here is how it works in Ohio, the state where I live. Hopeful adoptive parents take the baby home once mother has signed surrenders. Most agencies will not let you take the baby home sooner but the surrenders can be signed at 72-hours post-partum so it’s not that long a wait. This is not adoption, not yet. In Ohio, the baby is not actually adopted until at least six months have gone by. Theoretically the mother has 30 days after surrender to contest the adoption. This is very nearly impossible to win since there must be indisputable coercion present (say, for example, the mother signed the surrenders at gun point). It is very hard to prove anything as nebulous as emotional coercion (such as a woman who will lose her housing if she brings the baby home).

Theoretically the father also has 30 days to contest the adoption.

A man who believes he may be the father of the child of an unmarried mother may preserve his right to contest to the child’s adoption by registering with the Ohio Putative Father Registry. Even fathers under the age of 18 may register with the Ohio Putative Father Registry.

A putative father is a man who may be the father of a child, but is not married to the child’s mother when she becomes pregnant or when the child is born, AND he has not adopted the child, AND a court or child support enforcement agency has not decided he is the child’s legal father. Registration can occur at any time during pregnancy, but no later than 30 days after the birth of the child. Registration with the Ohio Putative Father Registry does not make a man the legal father of a child and does not establish paternity, but it preserves the right to be notified if the child’s mother places the child for adoption. For more information, call the Ohio Putative Father Registry at 1-888-313-3100. (www.cornwell-law.com/answers/fathers-rights-learn-about-fathers-rights-to-visitation-in-ohio)

Putative father registries exist in 33 states although each state may handle their registry differently. Some states demand putative fathers register within five days after birth; some allow them to register anytime after. This affects birth father rights but also the rights of hopeful adoptive parents and, of course, the babies who are living in limbo.

To contest an adoption (or to be told that an adoption is imminent), putative fathers must register in the state where they live, in the state where the mother lives (if different) and any state where she might visit. For example, some adoption agencies will fly an expectant mother from the state where she lives to the state where the agency operates and if the putative father is not registered in that state, he will forfeit his rights. Some states are less committed to protecting birth father rights (Utah is notorious for railroading fathers into adoption) and unscrupulous agencies will send expectant mothers there with the intention of keeping fathers from learning about the adoption. (See the story: www.sltrib.com/sltrib/politics/56483617-90/utah-adoption-birth-registry.html.csp)

I’ve been thinking about this because of the very convoluted, very complicated case of Baby Veronica. Baby Veronica is a preschooler whose mother placed her for adoption without clear consent of her father, Dusten Brown. A South Carolina couple assumed physical custody of Veronica with the assumption that they were free to adopt her. The couple was present when Veronica was born and took her home from the hospital after her birth mother relinquished her parental rights. When Veronica was four months old, Dusten Brown was served with notification from the couple stating their intention to adopt her. Brown immediately initiated court proceedings to stop the adoption and gain custody of his daughter. At age two, Brown was given custody but the couple went back to court to fight the decision.

The case is further complicated by the differences in state adoption laws (Brown lives in Oklahoma and the couple live in South Carolina) and, notably, that Brown is a member of the Cherokee nation. If Brown were not Cherokee, it’s unlikely this case would have gone as far as it has. The Indian Child Welfare Act of 1978 (ICWA) states that Native American children may not be adopted into the homes of non-native people without the consent of tribe, regardless of the biological parents intentions. In this case, the ICWA became involved because they did not give consent.

In other words, it’s Brown’s rights as a Native American man and not as a father that have given him a fighting chance to parent his daughter.

We need to talk to our sons about this. We talk to daughters about pregnancy and choices and options but we need to talk to our sons specifically about their rights and lack thereof. I had no idea that putative father registries existed until we began the process to adopt our daughter. Most men I’ve talked to also have no idea that they exist.

Personally, as a pro-choice feminist, I unequivocally support a woman’s right to choose when it comes to abortion. However, when it comes to decisions about adoption, fathers should be able to participate in the decision-making. Putative father registries only work when men know about them, are able to access them easily and without confusion, and when the fathers who try to stay involved are given the space and support to do so.

Author’s Note: Readers interested in the court decisions around the Baby Veronica case can look to the American Academy of Adoption Attorneys site, which includes a pdf of the US Supreme Court Decision in Adoptive Couple v Baby Girl (www.adoptionattorneys.org/aaaa-page/home).

Art by Michael Lombardo

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Baby Watch the Suicide

Baby Watch the Suicide

 By Jordan Langley

Baby Watch Suicide PhotoI kick the headstone. Then I’m dizzy. The leaves sway with me, the forest outlines the pocked, trim grounds of the cemetery. I’m anemic, my urine a dark brown tested at the obstetrician’s office. The water I drink is never enough. The vitamin D from the sun can only help me, says the doctor when she measures my belly. Dry and bulbous.

These woods are a protected nature reserve. A black bear could charge me. A two-for-one. Deer graze here at night, I’m told. Dinner on top of a grave.

The baby had a grandfather and then lost him. He shot himself in a parking lot and the world was surprised. And then the world forgot. Bus routes continued, salon appointments kept. This doesn’t happen to everyone. Such a thing, this poor baby. To have a past before birth. But me, I’m still in a cycle. Round and round my thoughts travel. Every day and every night. He knew he was due to be a grandfather. I’m on bed rest.

The first day, I experience zero morning sickness, which I had in abundance before. If I cared about my well-being when I learned of my father’s passing, I’d be curious about the effect shock has on my body. The surge lasts only a day.

My father and I had many days together. I was the first-born and I believe he’d wanted a boy from the way we watched football on the sofa and how he coached me to shake off a softball hit to the mouth. I’d be whatever he wanted me to be, so beholden was I to his white-toothed smile.

He was most captivating at dinner, when he told stories about growing up on the streets, darting around train tracks, and living across the street from his Catholic school where even on days off the paddle-wielding nuns barked orders from the chapel door. My father sparked for me, a love of the spoken story and a voracious reading and writing habit.

I strangle the urge to cry. It’ll make the baby sad, they said. And don’t put your hands above your head, you’ll miscarry, they said.

Not medical professionals. People.

Still, my belly heaves up several inches when I sob, breathing in, and then jiggles and lowers when I breathe out. Tears release brain-calming chemicals, says my therapist. I see her for over a year and cry about the same thing every time.

The funeral is Catholic and we ask the priest if they “do” suicides. He says yes. They didn’t use to. They wouldn’t have, in my father’s neighborhood in South Side Chicago. Old school. It’s open casket, oh God, who decided that? The songs and speeches are quick and numbing. When my brother’s friend, whom I haven’t seen in years, pays his respects, I retch.

My father’s family leaves too early after the salted ham sandwiches and macaroni salad. I haven’t seen them in person since. My father, a bridge, and now the track broken. Everyone does tequila shots that night, the best agave, and my mouth waters for it.

My mother is a victim, she says. She never saw it coming. I say you can’t live in the same house as someone and not notice they’re struggling.

My husband holds me because there is nothing else logical to do. He’s defensive someone put his child in jeopardy.

My brother found him. The youngest. Another baby. My father hadn’t counted on family, let alone his child, finding his body.  The best laid plans.

I head back to work and hear questions like, why did he do it? How? Hunger for the grisly details. Everyone’s a crime scene investigator. I say I just want to move forward. That’s what I say.

I visit the grave every weekend and lie sideways on the fledgling grass, or sit on a bench with a different dead person’s name engraved on it. I cuss out my father and cry. I tell him I love him. I scream the stupid question everyone asks me, as if I fucking know. Why? My baby watches me from the inside. A man visits the cemetery the same time as me and he stands above his particular grave. I’m careful when he’s there because I don’t want him to hear me talk to the ground, the bones or a spirit. Once, when he leaves, I walk to where he stands and it’s a woman’s headstone. There’s an empty plot beside her.

My father escaped. The note said I’m tired. I’m tired too. The months pass, but I can’t get past my first true love leaving me. We’ve found out it’s a boy and he leans so low on my cervix that I’m dilated three centimeters for months. He’s a bowling ball ready to drop.

I’m asked if we’ll name our son after my father. No.

Is he a sad baby? My son is pulled from my body seven months after the loss and laid on my chest. The lights bright. He lifts his head up and his blue eyes, which will never change color, look at me. Like a friend, a contemporary. I see our years together, the putrid smells, late-night nursing, finger games in my lap, the deathtrap tricycle he loves, grade school, the soccer games, endless distractions.

In the hospital bed, I see his newborn hand shaking on mine, the white down on his head. The eau de parfum his skin naturally gives off. And he knew me. He knew about everything and he cried.

Jordan Langley is a writer who’s essays have appeared in Richmond Family Magazine and on the website Hello Grief. She lives in North Chesterfield, Virginia with her husband and two sons.

Because I Will Always Do It Again

Because I Will Always Do It Again

0-4For me it’s never been about here or there; it’s all in the movement from and to, the freezing and, my oldest love, the melting.

Though I can’t, in a general way, believe much of anything, I especially couldn’t believe that you were IN your mom’s tummy, floating around in that complicated liquid. I would squint at her belly and imagine—because you were not yet steeped in discursive thought and unable to distinguish yourself from otherness—that you were somehow the liquid or the liquid was somehow you or that you and the liquid dwelled seamlessly together in a place ontologically prior to your distinction, and I loved you with an abandon that bordered on madness.

The first time I drank I blacked out and remembered oblivion. Swallowed, lost myself, in the passage of time.

Chan master Furong said “The blue mountains are constantly walking.” David Foster Wallace said it was within our power to experience things “as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.” And Adam Duritz, when referring to a black-haired flamenco dancer, sang “She’s suddenly beautiful / Well, we all want something beautiful / Man, I wish I was beautiful.” You may not understand why I juxtaposed those three quotes in the same paragraph and that’s okay. Not knowing is part of it. Not knowing is how I know I will do it again. Because I always do it again.

Ever since you could not be distinguished from liquid—and probably before—you mattered. It’s more than I can fathom to imagine you melting. Now if you’re reading this closely enough, you’ll say “But Dad, a contradiction—” and, yes, that’s right, because you are sacred and beautiful and it’s illogical, yet possible, to love someone with the same force that made the stars and to simultaneously be so, so sorry. I am never not sorry.

I have watched you meet people and matter to them. They see you, smile, say hello, and—from there—from not knowing each other and crossing the bridge to mattering, you begin to mean something to one another. You change each other. Melt a little. Become mountains that walk. It’s during these times that I remember the idea of you inside your mom’s belly and yet, here you are, mattering in the world, and a tension twists my skin and my heart is a piece of ice that pines for the sea. I love you. I love to melt. Man, I wish I was beautiful.

There is something about you, little girl, that commands my attention and paying attention is a giving of one’s self and, in this giving, an inquisitive mind might find the bones for a definition of love. I become absorbed in your laughter. I lose myself in the rambling narrative of your animated storytelling. Where does the time go? You make me wonder about the blurry place between (or prior to?) my eyes and you, where one of us ends and the other begins. It’s bedtime. You are reading me a story and I marvel at the strange reality of your eyes as they skim just ahead of the sound of your chirpy voice, fluently. The story happens. But we’re in your bed, two ice cubes floating in your room. The world outside throbs with innumerable manifestations of the same old stories. People coagulate into the matter of love. Others melt away in the confusion of tears. Mountains crowd the sidewalks. Between places, in taxis that blow rude horns, people reflect on themselves and wish they were beautiful. Somewhere, a drunk looks up, beside himself, and speaks to the moon. Candles burn in mysterious windows. Wax melts. And so do we, you and me, melting into the story you read. There’s a castle, a princess, and something difficult and urgent that must at all costs be done. In spite of a great big world that relentlessly happens and happens on fire with the same force that made the stars, we’re lost in our story, swallowed in the mystical oneness of all things deep down.

And then you, gone, lost at sea, are sleeping. I sneak out the front door, sorry, to do it again. I always do it again.

 

 

 

 

 

 

Ear Buds At The Opera: On My Daughter Turning 13

Ear Buds At The Opera: On My Daughter Turning 13

By Vincent O’Keefe
Earphones at the Opera Art“How’s it feel to be a teenager?” I asked my firstborn from the front seat. It was the morning of her 13th birthday.

Silence from the back seat. When I glanced in the rearview mirror, I saw the reason: ear buds. That’s how it feels for both of us! We are now one degree further separated from each other, I thought to myself. I made a mental note to pierce the fog a bit later with a text message reading “Look up n answer ur father plz.” That usually works (and annoys her in the process).

As for most parents, my oldest child turning 13 has been bittersweet for me. We seem thrust into the middle of so many endings and beginnings. Especially as a stay-at-home father, I lament that our ears are not the buddies they used to be. There is less talk of card games and bike rides, more talk of make-up and what not to wear.

I know our bond remains strong, however, even if it may need to hibernate for a while. I also acknowledge that after many years of at-home parenting, the exhausted part of me has longed for this day. Speaking of exhaustion, one of my daughter’s friends perfectly captured the contradictory nature of thirteenhood when she commented on the girls’ odd trend of wearing mismatched socks (or not wearing matching socks, I guess): “Wow, I must have been really tired this morning. My socks actually match.”

Turning 13 has also brought my daughter closer to her mom, as all those body questions have inevitably arisen. Recently at the dinner table, I listened politely for a while to their talk of various feminine products but eventually tried to change the subject. At that point, my ten-year-old daughter cackled, “Dad, you’d make a horrible mom!” Given how many times I’ve been dubbed “Mr. Mom” or its emasculating equivalent, I welcomed such mockery of my maternal skills.

One of the most gratifying moments I’ve experienced since my daughter turned 13 was when she learned how to play a song on the piano from her parents’ wedding years ago. I do not read music, so it was already a thrill to watch my daughter surpass my knowledge in this area. But when she learned “All I Ask of You” from The Phantom of the Opera, my wife and I had to hold it together.  Life had come full circle; what more could we ask of her? That earned her a few sleepovers.

The most dramatic line from the song reads: “Anywhere you go, let me go too.” Hearing that line decades since a date with my future wife in Toronto, I couldn’t help seeing the paradox. When my daughter followed me around the house as a toddler, that could have been her anthem. When my teen now leaves the house, a small voice inside me echoes the line. Well, not every minute–I’m no helicopter–but more times than I thought I would.

Another of my daughter’s friends recently quoted Dr. Seuss in her 8th grade graduation speech: “Don’t cry because it’s over. Smile because it happened.” I think every parent in the audience fought a lump in their throats for a moment.

Before going to bed on my daughter’s 13th birthday, I noticed my first grey eyebrow hair. What the pluck? Coincidence? I think not. My mustache has started with the grey outliers, but I was hoping the rest would take more time. Alas, there is no magic formula to stop the turning of the world, our kids’ ages, or the color of our hair. Well, there is that formula for grey hair, but I’d look ridiculous (and further embarrass my teenager).

Vincent O’Keefe is a writer and stay-at-home father with a Ph. D. in American literature. His writing has appeared in The Huffington Post and The New York Times’ “Motherlode” blog, among other venues. He is finishing a humorous memoir about a decade of at-home parenting. A chapter on colic is currently titled “Take This Onesie and Shove It.” Read more of his work at www.vincentokeefe.com or follow him on Twitter @VincentAOKeefe.

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What’s A Girl For?

What’s A Girl For?

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“Dad. Dad. Dad. Dad. Dad. Dad. Dad. Dad. Dad.” This is how my daughter gathers up my scattered attention into one focused lump. “Watch!” She runs toward the pool, jumps, transforms from a 9-year-old girl into a cannonball, and makes a huge SPLASH! Wet old people grimace. The sun continues to hurl 100+ temps at the valley. The earth spins on its axis, devoted. Anxious traffic crawls and honks. My daughter emerges from beneath the water, smiles at me, and swims away, a happy little fish with yellow hair. My God how I love her.

In order to avoid thinking, a lot of fathers immediately inhabit an outworn stereotype when someone mentions the prospect of boys eventually dating their daughters. They become caricatures of anger and make wisecracks about running boys off with guns or keeping their daughters locked up until some ridiculous age. But I’m curiously warm to the idea of my daughter going on dates someday. Mostly because I think she’s really cool and falling in love is a wonderful thing to do between broken hearts.

“Are you looking for Gate B-8, sir?”

“Indeed,” I reply.

“Nonstop flight to Chicago?”

“How did you know?”

“Because that’s exactly where I’m headed,” she beams, “Climb aboard!” She’s too small to climb aboard—I would crush her—so I latch my hands on her shoulders and follow her around the room. Her arms are outstretched. She’s a little airplane in a yellow dress. The clouds are fat and happy ghosts that haunt, lazily, as if from big celestial hammocks, the fearless blue sky. I listen to the drone of propellers and Bob Dylan. My daughter offers me honey roasted peanuts and a diet Coke. My eyes hone in on a suburb of 100s of tiny houses below and I dream about the various dramas occurring simultaneously and ignorant of one another. A man is yelling something about a wet dog and an open door. Another one hopelessly pays the bills. A woman paints her toenails blue and remembers what the boy said on the playground years ago. A door slams. Somewhere, two people have sex as if the fate of the world depended on that frantic brutal deed.

As she grows up, as the boys and men inevitably gaze at her more and more from that perspective of apprehending her only as an object with which to have sex, it will become increasingly important for her to not permit those gazes to construct the woman she sees in the mirror, to refuse becoming a prisoner of that perspective. In this regard, I consider it an essential responsibility of my fatherhood to provide my daughter with an endless supply of avenues to otherness, keys out of the jail of certainty and the stasis of identity. Which means taking her to modern art museums, constantly using the words or and maybe, and celebrating the myriad ways she girls in the world. There are as many ways to be as there are stars in the sky and more. Of course a sexual being will be one way for her to understand herself, indeed a wonderful way, but in the end only one facet of numberless ways to shine.

“Tick… tick… tick,” my daughter is hiding beneath my desk and tapping my ankle and ticking. I’m trying to write this essay. People are dying in the war. People are dying in the street. My neighbor is in jail for selling methamphetamine. There is more than just our story. We are more than who we are. “Tick… tick… tick… Guess what I am, daddy. Guess what I am.”

“A clock,” I guess, thinking about deadlines.

“Nope,” she grins, “I’m a bomb—KABOOOOOOOOM!”

One of my biggest hopes for my daughter is that she never sells herself short in terms of what a girl’s for. What’s a girl for? A girl’s not for anything. Nothing. Not a single thing. A girl is for holding the space between, for or. And only from this space between, from nothing, can she ever and continually participate in the groundless potential of anything. She’s everything. My daughter is a cannonball, a fish, an airplane, and more—may she never stop exploding.

 

 

 

 

 

 

 

 

 

 

Auspicious Signs

Auspicious Signs

By Jesse Cheng

0My afternoon visit with Mom was approaching that inevitable moment when she’d ask how soon before I’d provide her a grandchild. Since marrying two years before, I had learned, like many men before me, that the best counterstrategy couples the Preemptive Dodge with its natural companion, the Convenient Exit. I edged toward the doorway emitting a stream of chatter about the sick guava tree my wife and I were nursing, then the cute jujube sapling we’d just bought, before somehow letting loose a remark about the pair of doves nesting in the back of our house.

My mother clutched the sleeve by my elbow. “Doves? Where? Where did they build that nest?”

I kicked myself, wondering how the frontal lobe let that one slip through. The top of a patio light fixture was where the birds had constructed their home, a patchwork affair of twigs, dried grass, and evergreen branches tucked into the wooden frame encasing the bulb.

“Ohh, the patio outside your bedroom.” She leaned back, nodding. “That’s good. That’s very good.” And she uttered nary another word about it for the next several weeks.

I suppose it was reasonable to read a felicitous birth omen into the appearance of mating birds. Still, Mom’s silence seemed a touch too content—smug, even. I suspected some time-honored belief supported by the weight of venerable cultural authority; and so, like any good American-born, culturally challenged child of Asian immigrants, I started to look online.

There, I discovered that to our native Taiwanese, the nearby presence of birds is indeed an auspicious sign. Good luck, though, seemed to me something of a stretch from the promise of procreation. I also learned that in some Asian cultures, mandarin ducks are traditional representations of lifelong marital accord. It happens that my wife’s Vietnamese name derives from the Chinese word for that very type of bird. Nevertheless, any etymologist will confirm that fidelity is not synonymous with fertility—and our new tenants were landlubbing doves, not waterfowl.

What did my mother know that I didn’t? For several days I observed the birds perched on their roost. They certainly appeared worthy of immortalization in cultural folklore. While one of the doves tended to the egg, the other kept tender watch from the rafters a few feet away. I imagined a legend about forbidden lovers reincarnated in aviary form, weaving the nest for their child atop the silk-covered rim of an imperial lantern.

Back in real life, I read that the Chinese believe bird’s nest soup—a delicacy that involves an actual bird’s nest, boiled—to aid the reproductive function. Progress! But further study revealed the magic ingredient to be the saliva of another species, the swiftlet … and my mother never did say our guests’ home was intended for consumption. This was fortunate, since my wife and I were becoming quite protective of the critters.

It was with some feeling of loss, then, that after returning home from a long vacation, I’d poked my head out the back porch door to find the nest empty. The birds were a full-fledged family now, all three taken to the skies. As I drove to visit my mother, I wondered how she’d handle the news. But then, the bombshell: three new nests at her house—doves on the eaves under the side porch, thrush cuckoos in the backyard bush, and a to-be-identified species in the tree on the front lawn!

“This is good,” Mom said. “This is very, very good.”

By now, I accepted her prognosis must be justified in some culture’s historical lore somewhere in the world. And, as it turned out, modern Western medical technology would follow up with its own bombshell not long after: positive! My mother was pleased, albeit none too surprised.

But the issue remained of what to do with that abandoned nest back home—I just didn’t have the heart to take it down. Happily, one last bit of online research was in order. According to multiple sources, the same pair of birds (doves, like mandarin ducks, tend toward monogamy) may come looking for their nest the next year, and possibly many more seasons after that. And so it remains.

“You haven’t taken down that nest, have you?” Mom asked the other day.

I transferred baby Amie to my wife’s arms, shaking my head. “No, Mom. The nest is still there.”

“Oh, good.” My mother crossed her arms, smiling. “Oh, that’s very good.”

If some cultural authority out there has its say, our little girl may one day point up and tell a sibling all about it.

Jesse Cheng is from Southern California. His website is jesse-cheng.com.

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Reconciling The Past By Looking Into The Future

Reconciling The Past By Looking Into The Future

 

Guitar

LIVING WITH MY PAST: WRITING AN IMAGINARY FATHER’S DAY LETTER TO MYSELF IN THE FUTURE FROM MY DAUGHTER, LOLA, AGE 35

You were either oxygen or Saturn and, like you, I have developed a taste for the jarring juxtaposition of opaque metaphors. “Make them wonder,” you used to tell me back when I was 9, writing incomplete story after story in green and yellow notebooks, motivated by a blurry mess of loving language and loving the way you loved me when I dared to imagine. “If you get bored, don’t finish and just start a new one,” you instructed, “All the wildest culture and coolest philosophy is unearthed in fragments, pieces, ambiguity. Leave a trail of incomplete pieces. It’s a way of showing respect for your reader. Make them wonder.” I stared at you like poets get drunk on the moon, wondering what you meant, trying to be bigger. “How do you spell tomorrow,” I asked.

Your black guitar.

Oxygen because you were so often there, in my face, and Saturn because you so often weren’t. There were times, Dad, when I felt utterly submerged in your attention, an extension of your presence, with no doubts, unquestionably there and granted like grass and clouds and the illusion of safety. And other times, sitting in your lap with my arms draped around your neck, it was as if you were no less than 746 million miles away, gone, lost in some thought or desire or world in which I didn’t exist. It wasn’t easy being your daughter, but I don’t hold that against you. It’s not easy being anything.

The broken coffee pot.

You were a piece of trash in the wind, a mad scientist, a ghost—you had no time for toast, a blue ribbon, a bomb, and you exploded with the belief that everything was a metaphor for everything. “Two unlike things,” you’d say, pacing, arms flailing, crazy-eyed, “with nothing at all in common but then you think and wonder and bang your head against them until a bridge spans the space between, informs them, and makes meaning. Everything is everything and bridges—bridges are metaphors for metaphors.” You were a fire. You got out of hand.

Reading books aloud. Stopping to wonder.

I want to wish you a happy Father’s Day, Dad, and I want to wish you a terrible Father’s Day, Dad, and the only way I can contain and express the way I feel about you is to imagine that I am two—maybe more—people and we, all my mes, have these simultaneous and conflicting perspectives of you. And maybe, when all these angles collide, you are a Picasso or a Braque, a beautiful calamity of cubes and a mad riot of color or, maybe, all these conflicting perspectives of you embrace and, like something whispered in Sanskrit, they cancel each other out and you are a library. A dead end road. Zero, infinity, or both.

The pink hat from Kate. Was it worth what we paid?

I don’t know. But, because I am your daughter and because bridges span the spaces, no matter how the pieces of me cohere or don’t or what they signify, I want, on Father’s Day, to love all of you. The empty bottles. The home you broke. The way your enthusiasm and attention created me line by line like a little poem that revealed the worlding of a world with the girling of a girl. All of you. All of us. Because you’re my dad, yes, and it’s Father’s Day, too, but also for me, your daughter, a metaphor for you, weeping blue flowers, big yellow stars that howl in the dark like coyotes, juggling clowns, everything.

I love you,

Lola Blue

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Saying Goodbye to a Father Figure

Saying Goodbye to a Father Figure

By Joseph Freitas

Art addie 2In 1955, when I was four years old, my Aunt Addie fell in love with Roger Haugen. I never knew my father—a migrant farm worker from Mexico—and so Roger immediately held an important place in my life. He became the role model for what I believe a man should be: patient, fair, and unselfish. Roger was all that.

Uncle Roger and Aunt Addie were the cornerstones of my childhood. They were young and in love and I felt lucky to be with them. Even after they got married, they continued to include me in their daily lives as much as possible. And I was never happier than when I was with the two of them.

Today as I think of Roger, I realize that though I have many memories of him, there are three I treasure most.

The first, is a blur of long car rides, driving home from Grandma and Grandpa’s in the late evening or the middle of the night. Aunts and cousins are tumbled together in the back seat—but I’m always sandwiched in the front seat between Roger and Addie for the two-hour ride home.  As soon as we get out of town, the radio goes on and we all sing. After a while, one by one, everyone drifts to sleep. And for the last hour Roger and I sing with and without the radio. Everything from Frank Sinatra and Bobby Rydell to the Shirelles.

Every once in a while Roger turns from the wheel and says, “You sure can sing, Joey. We’ve got to get you on TV!”

I sing away always keeping one eye on the clock, the other on the intermittent lights from the rural highway. Because I know that as soon as the bright city road signs begin to flood the car, we are nearly home, and I will be kissing everyone goodbye. Feeling sleepy and sad I give Uncle Roger a hug good night.

The second memory is just a brief image. A beautiful summer morning—very early—6 a.m. I’m 8 or 9. Roger picks me up to go golfing. We’re singing along to The Four Seasons’ “Candy Girl” as we pull into the parking lot of the golf course.

Roger meets up with his friends and introduces me, “Joey’s my caddy.” As we walk the course, he explains the difference between a four and a five iron, what the angle on a club means. He points to the shifting sun, the trees and the rough, and I feel like a regular kid out with his dad. Just golfing.

The third memory is November 29, 1980. The day I got married. Aunt Addie had died a month before. The wedding was at a friend’s house, and we were all running around making the last minute adjustments. There was still so much to do. But Roger came up to me in the backyard. He had gotten in late the night before and he looked tired.

“Let me buy you breakfast,” he said. “The groom has got to eat!”

I knew that he was still in deep mourning, but he wanted this day to be a happy one for me.

Over some eggs and coffee we talked about the wedding.

“I’m not sure what kind of advice to give you,” he said. “What do I know? I just wanted to make sure someone was taking you out for breakfast today. I’m glad it was me.”

“Me, too,” I said.

We tried to look to the future, but we were both missing Addie.

“You probably won’t see me much the rest of the day,” he said.

I started to object.

“No,” he said. “You’re going to get busy with everyone. That’s ok. I just want you to know I’m here. And I love you.”

He gave me a big hug and we walked back to the house.

He was right. We didn’t get a chance to talk again that day. And after the wedding, I moved to New York and we didn’t see much of each other again. But I often thought of my Uncle Roger with great affection.

Before he died last month, I was able to speak with him one last time. He lay dying, his family by his side, his breath labored. And though weakened by his illness, his voice still held the same tone of kindness, a gentle inflection up at the end of each sentence that I had always known.

“Are you OK?” I asked.

“Yes,” he said. “Everyone’s here. I’m a lucky man.”

I knew we would not be able to speak long. But I had something to tell him. I couldn’t believe I had never said it. And I didn’t understand why—even at this moment—it seemed so difficult for me. But I knew this would be my last chance. And so I spoke.

“I love you, Roger,” I said. “You were the father I never had. Thank you.”

He took a deep breath before speaking. I could hear the wheezing in his throat. “You were a great kid, Joey,” he said. “You were easy to love.”

We said our final goodbye and after I hung up I turned to my partner, Chris, and just sobbed.

As I sit here on Cape Cod—a million moments away from the time I shared with Aunt Addie and Uncle Roger, a longing for their presence overwhelms me. Knowing that they are here—but not here—there—but not there—provides little comfort. Selfishly, I want more. Missing the ones you love is an honor.

Joseph Freitas is the father of two children, and former memoir writing instructor at the Westport Writers’ Workshop in Westport, Connecticut. Joe is currently completing work on his memoir, An American Dad.