The Art of Being Silly

The Art of Being Silly

art-silliness

By Sarah Bousquet

“Be happy, mama!” My toddler holds my face in her clammy palms and smushes my cheeks skyward. She caught me somewhere else, far away in the land of deadlines, to-do lists, and future plans. It’s not that I’m unhappy, I’m just not here. It isn’t lost on me that she perceives these states of discontent and distraction as equivalent. Nothing yanks me back into the present like my busy, talkative toddler, those little hands forcing the corners of my mouth up in the right direction.

Trying to be present in our distracted culture often feels unattainable amidst the ping of text messages and emails. We must always be multi-tasking and yet we are told to be in the moment, especially when it comes to our kids.

Before I became a mom I thought, what’s sadder than a parent at a playground, eyes fixed on a screen while a child shouts for attention? Now I give that parent the benefit of the doubt. Sometimes I am that parent. Maybe she just survived a 20-minute car tantrum. Maybe he’s finally catching up on a few emails. Maybe she’s paying a bill. Or maybe he just needs a break, the mind-numbing scroll of social media or a quick skim of the article he’s been meaning to read for a week. It’s okay to look away. The trick is not getting stuck.

I reconnect by spending time in nature, digging in the sand at the beach, walking through the woods, collecting autumn leaves. I’m present in the simple act of noticing what’s around me, a game of I-Spy. Sometimes I reconnect through a craft project, not just one I set up for my toddler, but one I actually participate in with her. It works best if the phone is left in another room and we sit at a table with paintbrushes or lumps of play-dough and I play along too. I feel time slow as we sweep colors across a sheet of paper or roll out squishy balls of dough. She usually has a lot to tell me, and I’m available to listen and respond. I consider these activities forms of meditation.

But nature walks and craft projects are not always options. They’re situational mindfulness. What about the stressful moments? The toddler meltdowns while traveling or grocery shopping or just trying to survive the day? We are told to breathe through these moments, count to ten, wait it out. I propose something else. I suggest silliness.

I am not a silly person. I’m not one to cross my eyes and stick out my tongue. I’m not inclined to hang a spoon off the end of my nose or blow spit bubbles. I definitely don’t make fart noises. But I do like to talk in funny voices and make up ridiculous nicknames. I may suddenly break into song. Actually, I lied; I totally make fart noises and any number of wacky sounds to get my daughter to laugh.

Silliness, like any skill, can be cultivated. You may have been a silly kid who grew into a serious adult, or maybe you’ve been serious from the start. The good news is you can begin any time, and you get better with practice. Silliness becomes second-nature. You remember the goofy stuff you and your siblings did as kids, like gallop through the living room or wear underpants on your head.

When you’re being silly, you are present, immersed in the moment without even trying. It’s more fun than deep-breathing and twice as successful at mitigating meltdowns. Build your repertoire. Make fart noises. Cross your eyes. Do a crazy dance. Pretend to be a bear, a horse, Cookie Monster. Go for ridiculous. It gets easier to believe that hummus finger paint is hysterical, that the cat barf you slipped on was impromptu comedy.

This is not to say I never lose it. We all do sometimes. It’s easier to keep my cool when I’m not being pulled in different directions. Mindfulness helps me refocus on just one thing. It helps me through the difficult times and deepens the ones I wish would last. It’s reclaiming the present moment that can be so challenging. Meditation and deep-breathing aren’t always conducive to parenting small children–not the way silliness is. Perhaps, too, because silliness creates connection, it is the antidote to distraction.

Now I look for opportunities to be silly everywhere. This year for Halloween my daughter chose to be a kangaroo. A week later, I discovered a kangaroo costume in adult sizes and immediately ordered one for myself. It’s rust-colored and fuzzy, a giant onesie pajama with a long tail and a pouch with a baby kangaroo. I look ridiculous, and it makes us laugh. We’re excited to hop from house to house, the silliest family in the neighborhood.

 

Headshot Sarah BousquetSarah Bousquet is Brain Child’s 2016 New Voice of the Year. She lives in coastal Connecticut with her husband, daughter and two cats. She is currently at work on a memoir. She blogs daily truths at https://onebluesail.com. Follow her on Twitter @sarah_bousquet.

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Why We Wake Early

Why We Wake Early

art-why-we-wake-earlyBy Sarah Bousquet

I’m mid-dream, drifting through an unresolved story, when I feel my daughter bumping against the length of my body like a burrowing ground animal, nudging me into consciousness. Grumpy, I want to hit the snooze button. But the alarm clock is my toddler, and there is no going back to sleep. She is more persistent than any electronic buzzing and just as consistent, almost always 4:45 a.m. on the dot. I open one eye. Darkness, no pink light peeking through the blinds yet.

Still, I can’t complain. After two years of sleep deprivation with slow, incremental improvement, we are finally people who sleep through the night. My early-riser is no longer a baby who cries, but a toddler who climbs up into our bed and snuggles her body close, whispering sweet words like “I love you” and “Remember we go to party yesterday?” Summer felt like a parade of parties, so many events, and to a small child, it must’ve felt like every day was a party.

As we quietly reminisce about cake and games and names of friends and family, I can’t help but wish for five more minutes of sleep. I’ve tried saying, “It’s still nighttime, let’s sleep a little longer,” but she can’t be convinced. Her chant begins. “Get up, mommy! Get up!”

Determined to trick myself out of grumpiness and start on a happy note, I decide on a new ritual. Every morning, we will read Mary Oliver’s poem “Why I Wake Early,” our secular prayer, our ode to the sun as we wait for it to rise. Then we’ll get up and do a few sun salutations. We will welcome the day with body and voice. Every day will be beautiful!

The poem is an instant hit. Voice groggy, eyes half-closed, I open the book and read by the beam of my iPhone’s flashlight. “Hello, sun in my face. Hello, you who make the morning…” When I reach the end, my daughter says, “again, again!”

I read the poem again. Here we are, inside a moment of perfection. I made this happen! I created a way to begin the day with beauty. I’m so pleased with this small victory, I spring from the bed and announce with genuine enthusiasm, “Let’s do sun salutations!”

We face each other with prayer hands. I say, “Namaste” and bow, and she does the same, my brilliant two-year-old. Then I stretch my arms wide and raise them up up up. She raises her arms with a pout. As I bend forward to touch my toes, she shrieks, “Noooo! No! I don’t wanna do salutations! No!”

Bringing my hands back to my heart center, I encourage her in the gentlest tone, “Let’s try one more time!” But her protests have devolved into crying. A hysterical sprint toward the stairs. “Okay, okay, no sun salutations,” I relent, walking toward her as she begins to slowly back down the staircase. I am just reaching the top when she suddenly loses her footing and tumbles like a ragdoll all the way to the bottom. I race after her helplessly.

Within seconds I have her in my arms. Immediately, I recognize her cry is not one of pain. I calmly rock her and ask if she’s alright. Somehow there isn’t a single scratch or bruise, and the crying ceases. Our zen morning is a failure, but we manage to elude disaster.

Later that day, we give yoga another try. “Stretch your arms, sunshine girl!” She reaches up. “Now fall forward and touch your toes.” I move into downward-facing dog pose, a triangle shape, and become the human jungle gym. When her attempt to scale my legs fails, she decides to straddle my neck. I practice ujjayi breathing and try to ignore the 28 pounds squatting on my head. Ujjayi, which translates to “victorious breath,” also known as “oceanic breath” for the the sound made deep in the back of the throat, the sound a conch shell makes when you hold it close to your ear. Here we are in the present moment, upside-down, toddler banging tiny fists on my back, eventually surrendering to a backwards hug. We collapse in a mama-child heap, a messy Shavasana.

We give up on yoga and head outside, my daughter leading the way. The backyard is littered with maple leaves, but the sun is warm and bright, t-shirt weather, the seasonal cusp. She takes me by the hand, “Look, mama, leaves!” Her bare feet dance and we listen to the crackle and crunch.

Here we are inside the present moment, and I see it clearly, my tiny teacher illustrating mindfulness in the crunching of leaves. Faster than a moment, mindfulness is in the millisecond. It’s in the noticing. It’s when she points to the deer darting out of the garden. The geese flying overhead. The noise of an airplane. The smell of geraniums on the front porch. I construct rituals while she cultivates presence. We exchange the roles of student and teacher, back and forth and back again.

We forgo the sun salutations, but keep the poem. One morning, while she’s eating her yogurt and blueberries, cheeks smeared and fingers stained purple, I copy the poem into my journal and begin to recite, “Hello.” Before I continue, my daughter finishes the line, “sun in my face,” bursting into a fit of giggles. And I laugh with her, astonished. I begin the next line and again, she finishes it. It’s not until we reach the middle, when she recites with perfect clarity “to hold us in the great hands of light” that the poem’s double meaning dawns on me. My early-riser, my sunshine girl. The poem is about my daughter, because of course, she is why I wake early.

 

Headshot Sarah BousquetSarah Bousquet is Brain Child’s 2016 New Voice of the Year. She lives in coastal Connecticut with her husband, daughter and two cats. She is currently at work on a memoir. She blogs daily truths at https://onebluesail.com. Follow her on Twitter @sarah_bousquet.

 

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Breathing Under Water

Breathing Under Water

ART Submerged

By Sarah Bousquet

It happens in a flash, my two-year-old releases my hand and dashes off into a crowd. I chase after her, glancing only once over my shoulder to make sure my mother-in-law has the stroller, which contains, among other things, my wallet and phone. My daughter is heading toward the stairs that descend in front of the sea lion tank. I grasp her hand just before reaches them.

It’s hot, sticky August and we’re not the only people who had the idea to spend the day indoors. The aquarium is teeming with families with small children and summer campers dressed in matching T-shirts. Older kids play inside a giant whale-shaped bounce house, somersaulting onto a mat. A large interactive screen flashes with images of fish.

I’m glad my mother-in-law is here with us, that we outnumber the fast and busy toddler. She scoops her up and together they watch a sea lion break the surface of the water. Droplets spray from his snout sounding like a dog’s sneeze, and my daughter says, “God bless you, sea lion!”

We leave the bustle of the main room and enter the corridor toward the first tank, where sea bass swim with giant loggerhead turtles. As we walk through the cool, dim space, watching the rhythmic movement of the sea creatures, there is a sense of calm and peace. A sense, too, of confinement. It reminds me of the primordial waters of new motherhood. The turtle makes his way toward us, glancing ruefully with one shiny black eye, which seems to say, let me out, before swimming away, the heft of him both cumbersome and graceful.

My daughter runs ahead to the next exhibit, a wide column of water cast in purple light. White moon jellies float up and down. Music is playing and she searches for its source, as if the jellies themselves are emitting sound. I think of the amorphous days of lullabies, day sinking into night rising into day while I watched in wonderment, holding her pollywog form, the newborn body curled into itself.

In the next room a wolf fish lies at the bottom of a tank, thick and grey with vacant eyes and glugging mouth, the ghost of sleep-deprivation and delirium. The accompanying anxiety and nervous feeling that my baby, so fragile and new, was not quite of this world. The nights I wished for sleep. The days I willed her to become a little bigger, a little stronger.

A friend once cooed sweetly to my baby, “Don’t grow! Stay small.” And in my exhausted state, I feared it was a hex. Mothers of older children would look at us with wistful smiles and sigh, “It goes by so fast.” But I did not believe them; life inside the murky sleeplessness seemed to last forever. Newborn care consumed me. The constant rocking, singing, holding, was a world unto itself, both beautiful and fraught, where time seemed suspended and autonomy ceased to exist.

I felt submerged, and sometimes longed to come up for air. Whole weeks would pass without having glanced in a mirror. It was as if I were disappearing. Until I began to learn to breathe underwater. My identity became fluid, our connection borderless. Every time I looked for me, I found us.

Then it seemed to happen overnight, a magical night when she slept all the way through, a slumber so deep that when we awoke she was two-and-a-half years old, and now I wonder how I could’ve wished for those slow days to pass a little more quickly. Now I am the wistful one. It’s easy to become nostalgic looking back through the dreamy water. Easy to forget the anxiety and exhaustion, the tedium, the long hours alone. I hadn’t been able to imagine how it floats irrevocably away, the infant blurring into baby blurring into toddler tumbling toward preschool, away and out of my arms.

We are inspecting an octopus when my daughter disappears. My eyes scan the groups of children and my mother-in-law runs ahead to the next room leaving me with the stroller. I hurry after her and call out my daughter’s name, startled to hear the fear in my voice. She can’t be far away, and yet she is gone. It is too many minutes before they finally reappear, before my daughter returns giggling with delight. I hug her tightly, my heart racing, and remember the security of having her strapped to my body in her baby carrier. So different from the slippery toddler hurling headlong toward independence.

We push through the aquarium doors into the thick summer air and bright sunshine, and follow the path to the butterfly exhibit. Flowering bushes fill the tent and myriad wings flutter all around us. Butterflies alight on our arms and shoulders and heads. Here we are in the frenzied world of busyness and light. My daughter, overwhelmed, leaps into my arms. Together we name the different colors we see. She rests her warm cheek against mine, and inside that moment, it is just us. I wish for the impossible: to keep her right here, to capture what’s fleeting. Instead I will hold her as long as she lets me, set her down when she’s ready to run.

Headshot Sarah BousquetSarah Bousquet is Brain Child’s 2016 New Voice of the Year. She lives in coastal Connecticut with her husband, daughter and two cats. She is currently at work on a memoir. She blogs daily truths at https://onebluesail.com. Follow her on Twitter @sarah_bousquet.

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Beach Days

Beach Days

Art Beach Days

By Sarah Bousquet

In July I take my daughter to her first swimming lesson. We walk from our house down to the beach, where a young instructor and a few other neighborhood 2-year-olds meet. Tiny feet trod the path of my youth, hedge-lined, the bricks sprouting crabgrass. It’s the same beach where I spent every summer of my childhood. The same beach where my dad grew up. A history stretching back seventy years. I never expected, after all this time, to return to my hometown, but here we are, in a house that wakes to salt air and birdsong, a stone’s throw from memory.

My daughter is a little fish, just like me. She runs into the waves unafraid, despite encounters with small crabs, barnacled rocks, slippery seaweed. She is at home in the water, splashing with delight. Plops down on the sand and lets the waves roll over her. I can feel that feeling, when she accidentally gulps a mouthful of seawater. Sting in her sinuses, briny taste on her tongue.

There in the waves, on the ripple-patterned sandbar, I find myself inside my own childhood, a feeling truer than an echo, more vivid than a dream. I am my small self standing under a strong sun, fair skin turning pink-brown, freckled nose peeling. The beach stretches itself out familiar and changing, low tide, high tide, choppy water, water smooth as glass. Blue sky bunched with cottony clouds, seagulls diving at spider crabs, the rock jetty harboring mussels, Charles Island in the distance.

Inside this memory, I see my sister and I running over the hot sand to meet our friends at the water’s edge for swimming lessons. We race each other on kickboards, cut freestyle through the waves. I practice limp-limbed back-floats, water lapping my head, filling my eardrums, soundless, staring into the sky. Lying buoyant, body held in the water’s embrace, I drift into daydream, never hearing the instructor’s call. Eventually, I kick myself upright, unable to touch bottom, surprised at how far the current has taken me.

Midday we flock to the cooler for sandwiches, egg salad escaping the bread with each bite. The juice of plums or nectarines dripping down our chins while we bury the pits in the sand.

At low tide we run Red Rover on the sandbars, build drip castles from the black mud, dig moats, construct tiny bridges from reeds. We inspect razor clams, collect sea glass, bury our legs and wait for the tide to wash us up like horseshoe crabs. Sometimes we find chunks of red brick, wet the surface, and use sticks to draw tattoos on each other’s skin. We stab purple jellyfish, but handle starfish with care. Venture up to the seawall and crouch beneath the sailboats, ready-made forts.

On high tide days we swim. We are dolphins, mermaids, sharks. We swim until our skin is pickled, fingers and toes translucent and puckered; the whites of our eyes pink from salt.

At the day’s end, we walk up the road barefoot, hurrying over the hot pavement, pausing to cool our feet in the shady spots until we reach my grandparents’ house. Then we take turns peeling off our sandy suits and washing up with Ivory soap and Prell shampoo in the outdoor shower, run naked through the grass until we’re captured with a towel. Occasionally, my grandmother puts a bowl of goldfish crackers on the table that we eat one after another while my mother brushes our wet, tangled hair.

Memories roll in like so many waves. Less nostalgia, more a conjuring, a visceral recall that resides deep in the body. Watching my daughter repeat these routines on the same sand grants me sudden secret access to these other versions of myself, the sensation of experiencing new textures and tastes, color and light, learning the rhythms, the ebb and flow. They say you can’t go back, but as my daughter repeats these patterns, I return.

When my daughter’s swimming lesson begins, she clings to me like a koala. The other kids take turns with a kickboard, but she resists. Refuses to dip even a toe in the water. The instructor is cheerful and encouraging, but my daughter is not charmed. In the end, it proves too much, performing in front of strangers, an expectation imposed on her fun. It occurs to me I didn’t begin swimming lessons until I was four. I recall that tentative feeling, the fear and hesitation before trying something for the first time.

That weekend, I show her how to scoop water with her small hands, the first step to doggy-paddle. I hold her in the waves, kick kick kick. We search the tide pools for hermit crabs. Dig in the sand. She sees my dad on the sandbar, shouts, “Papa!” and breaks into a run, that waddle-run particular to 2-year-olds, arms out, sun hat flapping. He catches her and swings her into the air before lowering her into the water. She splashes and paddles and kicks. Little fish. These are all the swimming lessons she needs right now. The wonder of the water, the body becoming buoyant, held by strong hands. In my dad’s smile, I see the same joy reflected, and I know, he feels it too. The repeating, the return.

Headshot Sarah BousquetSarah Bousquet is Brain Child’s 2016 New Voice of the Year. She lives in coastal Connecticut with her husband, daughter and two cats. She is currently at work on a memoir. She blogs daily truths at https://onebluesail.com. Follow her on Twitter @sarah_bousquet.

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A Mother’s Garden

A Mother’s Garden

Art My Mother's Garden

By Sarah Bousquet

My mother looks up from beneath the brim of her straw hat, her hands patting the dirt around a new tomato plant. “Remember, we come from pioneers,” she says. “It’s in our blood.”

I don’t feel much like a pioneer as I dig into the dirt with my 2-year-old’s plastic shovel. I can’t seem to find the trowel anywhere. I’ve been shoveling and hauling dirt in the wheelbarrow, smoothing the area around the garden so a fence can be staked.

“Imagine growing all your own food? Imagine if that was all your family had to live on for the year?” She’s splitting the basil and plotting it out between the marigolds.

I shake my head. “I think we’d be malnourished.”

For a minute I try and imagine it, growing all the food we’d need to survive, and the staggering amount of work it would require. I’ve barely managed to get one garden bed planted, and wouldn’t have, if not for my mother.

I’d planned ahead and thought I had it so together. Years ago, long before I became a mother, I’d successfully grown a garden, even pickling my own cucumbers and cabbage. Somehow I’d forgotten about all the work.

In the Spring my husband broke down the old garden beds, and together we cleared away the dirt. For a while the wood beams laid stacked under the crabapple tree and my daughter would balance her way across them, finding the spots that bounced. We bought packets of of seeds, from arugula to pumpkin to habaneros. I had good intentions to make starters. Then the rain came and didn’t let up for a month.

Eventually my husband built a new garden bed from cedar planks. We had three yards of soil dumped in the driveway, which took many wheelbarrow hauls to relocate. I bought a few tomato plants and my daughter plucked off all the leaves. A woodchuck made his appearance, and I declared we would need a fence around the garden. My husband sighed, his enthusiasm for the project waning. By then we were well into June and I wondered if it was too late to begin planting.

That weekend my mother surprised me with boxes of plants, tomatoes and fennel, peppers and herbs, straw mulch and bamboo stakes.

“I didn’t have a garden when you and your sister were small,” she said. “It was too much work.” This is how my mom dispenses wisdom, in warm rays of commiseration and perspective.

I am surprised I need all this help. After two and a half years of motherhood, I still need tending.

In the months before I gave birth, a friend shared that old wisdom: when a baby is born, a mother too is born. Though I’d imagined what that meant, I couldn’t know how it would feel. Until I pushed through to the other side like a new green shoot.

At the birth center, my midwife gave firm, direct orders. Someone would need to go to our home and change the bed linens, tidy up, prepare a meal. After 48 hours of labor, I couldn’t recall how we’d left things. Maybe there was still a bathtub full of water. My mother listened carefully to the midwife’s instructions and left to make preparations for our return home.

In the blur of days that followed, sleepless and fragile, lying in bed with my newborn, I was consumed by the tasks of holding, changing, and breastfeeding, staring rapt at her new pink form. My mother’s presence drifted in and out, like warm sun, like gentle rain, giving what was needed. She would bring one-pot meals, chicken and tomatoes or hamburger stews with potatoes and beans, nourishing and simple, meant to show me, soon you’ll be doing this again too.

While I rested, she would undress my jaundiced infant and stand by the window, holding her up to the pale winter light. When I breastfed, she would say, “You nurse her like she’s your second baby. You’re a natural.” I felt a new version of myself, my mother-self, taking root, growing sturdy and determined.

Out in the garden, I water the plants while my daughter runs through the spray sending a misty rainbow into the air. She wanders with her shovel, digging in the dirt, her wet dress becoming caked with mud. As I round the raised bed with the hose, I notice the first green pepper hiding in plain sight, ready for picking.

I hold the stalk while my daughter plucks the pepper, biting into it like an apple, then offering me a bite. It’s mild and crisp, warm from sunshine, an altogether different taste from a store-bought pepper. We even eat the small stem and soft, white seeds. A butterfly hovers over a marigold and flutters away. Eggplant leaves sway.

That evening I call my mother to report our first tiny harvest. The garden is thriving with the exception of one stunted tomato plant. The others have grown taller than me, yellow flowers transforming to fruit.

“Remember, it’s an experiment,” she says. “You can see what does well and then decide what to add next year.” My mother’s words seem to be about something larger, and always reminding, in our perpetual state of becoming, if conditions are favorable and the weather kind, good things are likely to grow.

Sarah Bousquet is Brain Child’s 2016 New Voice of the Year. She lives in coastal Connecticut with her husband, daughter and two cats. She is currently at work on a memoir. She blogs daily truths at https://onebluesail.com. Follow her on Twitter @sarah_bousquet.

 

 

 

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Milk and Cake

Milk and Cake

beauty child at the blackboard

By Sarah Bousquet

Last week it occurred to me, I’ve stopped counting my daughter’s age in months. It wasn’t a conscious decision. It just tapered off, which I suppose is typical after age two. This morning I measured her height on the pantry door frame. She’s grown an entire inch since we last measured her on her birthday in January. Then I started counting days on the calendar and discovered her half-birthday is exactly halfway between her dad’s birthday and mine. I told her we’ll bake a half-birthday cake.

Her legs suddenly look so long. “She’s stretching out,” my mom says. That’s what it feels like too, stretching, both of us. Drifting from our perfect dyad, stretching toward autonomy. The evolution of nursing newborn to nursing toddler-the dramatic growth and change, the intimacy and beauty-is almost impossible to capture. From balled fists to dexterous hands. From curled toes to toddler feet flung in my face. It feels like only months ago I sat glassy-eyed and thirsty, nursing my newborn, so voracious, it felt like she was sucking milk from the bones of my back.

There is the magic of that transition from cut umbilical cord to latched breast; nine months of nourishment invisible, now suddenly right before your eyes. And you see how perfect the design. For us, breastfeeding was that easy. Instant and harmonious. Nursing my baby evolved almost as unconsciously as my heart pumping blood.

The triumph of a body doing what a body does was packed with meaning. After nearly three years of struggling to conceive, I became pregnant naturally, much to my surprise and elation. For months and then years I had worried, wondered, researched—why wasn’t my body working? My pregnancy was an answered prayer, but one fraught with anxiety. The act of breastfeeding, just moments after giving birth, my daughter’s perfect latch, allowed me to see my body in action. It was the assurance I was providing everything she needed, the empowerment of a body at work.

When my daughter was six months old, a hyper clarity bloomed. I would listen to conversations, observe the behavior of others, and have sudden insights, new depths of understanding. I remember saying to my husband, “It’s the strangest thing, I feel like I can almost see right through people.” I called them popcorn epiphanies, these realizations that came in quick succession like kernels popping in the pot. I tried to write a few down, but they felt indescribable and came too quickly.  The lactating brain is plastic and creative; new neurochemical pathways are forged during the process of breastfeeding. I felt the changes in myself as surely as I saw the changes in my daughter. As she awakened to the world around her, taking in sights and sounds, babbling and laughing, intelligent eyes holding my gaze, I too became more alert and aware, both of us growing together.

I more often use the term nursing, which feels all-encompassing and true. Because breastfeeding is about much more than nourishment. It is medicine, comfort, bonding, security. You have only to nurse a toddler who has just finished a breakfast of banana pancakes to understand that nursing is pure contentment. Pure peace.

And sometimes pure hilarity. When she’s in her father’s arms calling out, “Goodnight, Mommy! Goodnight, milks!” When she charms and cajoles, “How about milks on the couch? Sound like a plan?” Or when I step out of the shower, and she’s there handing me a towel, her face so full of glee, calling out, “My milks! My milks!” Such celebration of my body. Such love.

I’ve been reflecting as it begins to taper. I’d never set any specific goals around nursing, no timelines or numbers. I have followed my baby’s cues and my body’s cues. And I will follow that wisdom into the next phase, as we grow together, celebrating the glittering increments, marking the door frame, baking half-birthday cakes.

Sarah Bousquet is Brain Child’s 2016 New Voice of the Year. She lives in coastal Connecticut with her husband, daughter and two cats. She is currently at work on a memoir. She blogs daily truths at https://onebluesail.com. Follow her on Twitter @sarah_bousquet.

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The Art Of Conception

The Art Of Conception

P1160166 (1)

By Sarah Bousquet

After almost three years of trying to get pregnant, my husband and I find ourselves standing in a church called St. Lucy’s in Newark, New Jersey two hours from our home. My mother’s colleague has recommended the church, specifically the shrine to St. Gerard, patron saint of motherhood, where a relic, a prayer card, and possibly even a miracle can be obtained. This colleague received her own miracle, became pregnant after years of infertility, shortly after visiting the shrine. I may have rolled my eyes at my mother, who tells me not to be so “pinched,” to “stay open to the universe.” But my mother doesn’t know the way my blood courses with longing and sadness, frustration and jealousy, things that make a body constrict.

The odds were not against us, but we were approaching our mid-thirties, biologically shy on time. I had just turned thirty-four, my husband thirty-three, when we married on a sunny September day and then flew to Aruba to honeymoon, so quintessential, so predictable–surely, now that we’d found each other, life would continue to unfold this way. Adrift in the clear water, my arms encircling his neck, smiling into dark brown eyes, droplets of water suspended from thick lashes, I imagine our baby with the same brown eyes, his easy temperament.

On the beach, we watch a burrowing owl dig a nest in the sand. A lazy tourist walks up from the water and sinks her foot into the hole. I rush over, kneel down and gently clear the sand away, reveal the tunnel to the nest. Together my husband and I build a sandcastle wall around it, adorn the wall with sticks and sea shells and seaweed. Everyday we find the nearest palapa and keep our watch. It feels like a promise. Already, I am looking for signs.

We return from our honeymoon to muted northeastern skies, cool air, falling leaves, and the first negative pregnancy test. We think nothing of it and continue to float on anticipation. But after a few months, I consider being less casual. A friend recommends the book Taking Charge of Your Fertility, and it becomes my Bible. I chart my cycle, take my temperature every morning and record it with a tiny dot, connect the dots and watch the hormonal flow rise and dip, just as it should. My cycle is like clockwork, ovulation predictable. Tick-tock, tick-tock. Every month that fall, that winter, that spring, I take a pregnancy test. Every month, it is negative. The seasons undulate on waves of hope and disappointment.

There is nothing in my history, personal or familial, that hints I will have trouble conceiving. My mother birthed four children, my grandmother seven, my great-grandmother thirteen. But even beyond that, there is the simple and singular fact, the unequivocal knowing, that written on my heart, etched in my bones is mother.

A year and a half passes amidst a flurry of pregnancy announcements, those of friends and sisters-in-law, and I find myself repeating the word “congratulations.” I want to touch their happiness, want my smiles to feel less forced. Other lives flow forward while my own becomes snagged, suspended. Surrounded by excitement and burgeoning bellies, I shrink against the swell.

A family member recommends an acupuncturist for my migraines, and although I do suffer from migraines, I understand that we’re speaking in code. Once a week I drive an hour from my office to the acupuncturist, who is also a chiropractor and clairvoyant. She begins with an adjustment, heaves my leg over her shoulder and twists until my spine cracks. Next she cradles my neck gently before snapping it to one side, then the other. After all the cracking, she presses at my shoulders, my legs, my ankles.

She stands at my feet and becomes still. Inhales dramatically and closes her eyes. I lie in the dim, expectant. There’s a shuffle of feet in the hallway. A patient coughs, waiting in another room to be seen. The acupuncturist’s eyes flicker open, bright with a message from the other side. As she sticks long needles into my toes and ankles, she says, “I see you with a little boy.”

She crouches to get more needles and begins sticking my thighs, my belly, my hips. “You’re holding a boy. And he’s definitely yours.”

I want to ask questions, the air has gone out of my lungs.

“I can’t tell you how soon,” she says, “But he is yours. You will have a son.”

It is imminent. He exists. I stretch myself across the space-time continuum to meet him. An image forms. I am holding a small boy. And he is mine. Needles in my fingertips, needles in my chest. Needles behind my ears and in my forehead. She dims the lights and leaves the room. I lie in the dark, a still and hopeful porcupine.

Two years and one new job later, we luck upon health insurance that includes fertility coverage. Once a week, in the early morning hours before work, we drive to the endocrinologist, where we sit in a dark exam room watching the soft shapes of my ovaries bobbing on the black and white ultrasound screen. I can never make out what the doctor sees, those orbs of negative space he measures and records.

There is weekly blood work and a battery of tests with names so long and complicated, I jot them down in my notebook phonetically before the doctor offers the acronyms. He will flatly recite grim statistics, that after two years of trying, our chances of conceiving on our own are now between 1-2% percent, and that IVF, our best option, gives us a 35% chance. My handwriting slants into a scribble as I copy down the numbers.

We never make it to that best option, IVF. Our insurance coverage is exhausted on months and months of ultrasounds and tests. Tests that ultimately provide very few answers beyond the diagnosis of “unexplained infertility.” The endocrinologist loses interest in us as our coverage bleeds out.

On my desk at work, I keep one framed picture, a snapshot of my husband and me taken one afternoon on a hike through the woods. We are young and rosy-cheeked in knit hats and scarves. I stare at the photo as if it’s not us and think, that nice couple is going to have a baby, of course they will. They look like they’ll have all the luck in the world.

I continue to research, change my diet to gluten-free, caffeine-free, alcohol-free, sugar-free. Mix maca root and water like a magic potion. Nail a wishbone above our bedroom door. Pray Catholic novenas, Lakota blessings. Meditate. Wish on eyelashes and dandelions. Build cairns on the rocky shore. Omens arrive as great blue herons, roadside signs, changing weather. On a walk through a field of tall grass, I swear I hear my future self whisper, Everything is about to be beautiful.

We take the last bit of insurance money to a new doctor, who is friendly and more hopeful. He begins by running blood work, the same blood work I’d had seven months before with normal results. It feels familiar, no anxious anticipation, no heart-in-my-throat while I wait.

I’m at work when the doctor calls. “We received some unexpected results,” he says.

I walk from my office into the hallway and down the stairs as if perhaps I can outpace his news.

“Some of the numbers have changed. Your AMH levels are very low, which indicates a low ovarian reserve.” His tone is calm and measured as he gives me the exact number.

I press my hand against the cool hallway tiles to steady myself. Suddenly, I have almost no eggs left. Even if we had additional fertility coverage, I would not be an ideal candidate for IVF.

Inside the church, the lights are dim. Nuns in habits fill the first three pews. The priest is reaching the end of his homily. We move quietly along the side aisle, find the shrine in a separate room to the left of the altar. I stand and stare at the ornate tiles, the looming statue, not quite knowing what to do, twelve years of Catholic school deeply engrained and yet very far away. I know I am supposed to ask for the relic and the cloth and the prayer card, so I walk over to the only door and knock. An altar boy answers and I make my request. He returns and quietly hands me a white package, then disappears. I assume the items have already been blessed, are already imbued with the magic and luck that I need.

I lower myself to the kneeler before the statue and whisper prayers. I beg of the saint, I beg of my childhood religion, I beg of the universe. We stuff dollar bills in a gold box and light candles. Then I notice two small wooden staircases on either side of the statue. Are they meant to be climbed? Does proximity to St. Gerard’s face mean something? I’m not taking any chances. I ask my husband to climb one set of stairs and I’ll climb the other. He sighs and smiles but doesn’t protest. We climb the stairs and meet at the top. I reach for his hand. I make up my own prayer and I say it out loud. I ask St. Gerard to please bless us with a baby. My atheist husband says, amen.

It is a Tuesday morning, a regular day, and we’re getting ready for work. My cycle is seven days late. I feel like a fool as I tear open the foil wrapper on what feels like the millionth pregnancy test. My husband is in the shower, and I raise my voice above the noise of the water, “I’m taking the test!”

In the kitchen I pull a pan from the cabinet, start breakfast while I wait for the result. Hope, that irrepressible little drummer, thumps in my heart. I return to the bathroom to check the test, not wanting to look, wanting to suspend that tiny hopeful feeling and hold it a little longer. When I return to the bathroom and pick up the test, I blink at the pink plus sign. I scream and I jump and jump. Elation will send a body straight into the air. My husband pulls back the shower curtain with a smile and says, “I knew it.”

Author’s Note: As it turned out, we had a girl, born with the same brown eyes and easy temperament as her dad, just as I’d imagined years ago on the beach. This essay began as a poem, a whisper of the search. A search that altered my conception of self, of the world around me, and of faith, that elusive shape shifter. Just when I thought I’d lost faith, there it was again. The trick was to find it every time, and to follow it forward.

Sarah Bousquet is a freelance writer living in coastal Connecticut with her husband, daughter and two cats. She is currently at work on a memoir. She blogs daily truths at https://onebluesail.com. Follow her on Twitter @sarah_bousquet.

 

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